Daily Archives: April 25, 2013
I have a variety of learning disabilities for which I receive accommodations at Georgetown. I am now in my fourth semester of working with the Academic Resource Center, and I have had absolutely nothing but positive experiences with everyone there. I disagree with the sentiments expressed in “Cura Personalis in Reverse Overdrive” (2/14/08) that students [...]
Hopefully you are aware that we, Sean Hayes and Andrew Madorsky, are running for GUSA President and Vice-President. We have a lot of great ideas for Georgetown, and a real passion for the university. This is why we were so concerned with a misquotation in last week’s editorial on the GUSA candidates. Among the things [...]
The Oscars are here, and be glad you live in D.C. this movie season, because there are quite a few places to gorge on quality films of all sorts. Just be ready to rail against the academy when they invariably pick the wrong one.
The writers’ strike is over, and thank God, because the strike made the entertainment world profoundly boring. In addition to the obvious problem—the lack of newly written words for actors to say—there was the problem that the strike itself, for all its worthwhile rationales and my love of the Writers Guild of America (WGA), was really boring to hear about. As NBC’s wacko chairman, Ben Silverman, explained, “Sadly, it feels like the nerdiest, ugliest, meanest kids in the high school are trying to cancel the prom.”
A year after releasing his well-received solo debut, The Shredding Tears, Bryan Scary is set to unleash his second album, Flight Of The Knife. Scary’s touring band, The Shredding Tears, joined him in the studio to help create an electric follow-up.
Baltimore’s Beach House, the name of dreampop duo Alex Scally and Victoria Legrand, garnered critical acclaim with their self-titled debut in 2006. Its sound was strikingly original in the increasingly homogenous indie rock world—the songs, comprised of distant organs and slide-guitars over drum machine beats and accompanied by Legrand’s stunning voice, moved forward at a snail’s pace while remaining fascinating. Devotion is an excellent follow-up to that album, a set of eleven love songs that subtly update the group’s sound for the better.
Mask and Bauble’s “Black Comedy,” written by Peter Shaffer and directed by Hunter Styles (COL ’08), is a bright, raucous show filled with bubbly British accents and witty jokes that bring the complexities of sexuality to light.
The opening shots of In Bruges—sweeping views of the eponymous Belgian town’s brick houses, lush countryside and cobblestone streets, accompanied by streams of obscenities by Colin Farrell—set the tone for a smart black comedy filled with comedic juxtapositions.
Next time you complain about the dismal options at Leo’s, take comfort in the fact that you’re not an elementary school student in one of the District of Columbia’s Public Schools. Students who are currently subjected to pre-plated meals like fish fillet on Fridays and meatloaf on Mondays might prefer their school system to spend a little less time on alliteration and a little more time providing them with better quality food.