Daily Archives: March 31, 2011
After a controversial snub from the NCAA Tournament ended last season for the Hoyas, the Georgetown men’s lacrosse team has yet to come up with a signature win to boost their playoff resume in 2011. While such a win has been elusive, the unranked Hoyas have certainly come close.
Within the last two weeks, two Georgetown basketball seasons have ended. They couldn’t have ended more differently. While the men’s team stumbled in the first round yet again, the women bowed out in a more bittersweet (and respectable) fashion.
The Georgetown baseball team started off Big East play last weekend, winning one of three games against Notre Dame. A lack of timely hitting cost the Hoyas in the series in which each game was decided by one run.
In an era of college sports where mediocre non-conference schedules are usually the norm for elite programs, the No. 23 Georgetown women’s lacrosse team stands out as unique. Though the third-hardest strength of schedule in the country has left the Hoyas with a 2-5 record, the team is still confident.
Now that almost two weeks have passed since VCU ended Georgetown’s fourth straight season of underachievement and disappointment, we need to step back and look at what is really happening. We love our team, but is this program really what we think it is?
Spring at Georgetown brings out the best in most of us, but it’s not sundress season yet. Suit up for interviews, take an afternoon stroll in style, and look good for class. You never know what might end up in the yearbook.
Last December, Gusa passed SAFE reform, freeing up the $3.4 million previously allocated to the Student Activities Fee Endowment. We at the Voice understand the importance of careful consideration when allocating University money, and would like a voice in the proceedings.
From its opening scene, you might expect Rabbit Hole, Mask & Bauble’s latest production, to be the stage version of a gender-reversed Knocked Up. Izzie, a carefree woman-child clad in a Beatles t-shirt and skinny jeans, recounts her most recent bar fight to Becca, her tightly-wound older sister. After Becca gives her a verbal slap on the wrist for profanity and some motherly chiding about her partying lifestyle, Izzie reveals the reason for her alcohol-fueled altercation—she is pregnant by the woman’s boyfriend.
Although the Ringling Bros. and Barnum & Bailey Circus arrived in D.C. last week, another sideshow act lurks just beyond Georgetown’s front gates. The set of Venus has transformed Walsh’s Black Box Theatre into the underbelly of a circus’ big tent, outlined by thick, red bands of fabric that drape from ceiling to floor. At center stage dangles a performer’s swing, where Tess Trotter (COL ‘14) plays Saartjie Baartman, or the “Venus Hottentot.” To reach the circus stage, however, the audience must first pass through a sobering setup chronicling Baartman’s life in a miniature mock-museum.
In fiction, the vanishing shop is a pretty common convention—an exploring protagonist is surprised to find a store sitting where there might have been an abandoned building or vacant lot the day before, only for it to disappear soon after. Much like this proverbial protagonist, folks traversing through Adams Morgan over the next three weeks are likely to see a shop on the corner of 18th and Mintwood that isn’t normally there. However, there’s a more natural force at work here: a collection of Adams Morgan artists have turned the vacant space into a “pop-up shop” until April 16th, as a neighborhood component of the citywide Cherry Blossom Festival.