Leisure
If you’re looking for a dose of cinematic pretension (we all get that itch sometimes), Andrea Simon’s 1989 short film, The Happiness of Still Life, will take care of all your needs. The movie, which is running in the National Gallery’s Spring Film Program in 16 mm format, is a study of Austria’s Biedermeier culture of the mid 1800s—a lapse into middle class ecstasy characterized by pretty furniture and domestic bliss. While the film itself isn’t necessarily pretentious, if you leave the theater thinking you completely understood it, you probably are.
By
Katherine Norton
April 24, 2008