Chelsea Paige

Features

Art for the People

If it weren’t for the orange and black signs hanging outside, the District of Columbia Arts Center (DCAC) would be virtually invisible. A solitary door squashed between a junk shop and a pizza place opens to reveal stairs that lead to a shoebox of a gallery and, behind it, a pin box of a theater, which collectively comprise the District’s self-proclaimed “hub of alternative activity.”

DCAC, a non-profit gallery, theater, and educational center for artists and aspiring artists, bears all the characteristics of a makeshift, underground movement. One must venture outside in order to enter the theater, which used to be a garage. Meanwhile, the 750-square-foot gallery’s whitewashed walls reflect the open-ended, artist-centered vision that DCAC’s founder, Herb White (SFS `57), strived for from the time he founded the Center in 1989 until his death in June 2007.

By October 9, 2008

Voices

The school junkies’ club: no ‘old boys’ allowed

Though my fellow students challenged me during every discussion and project, my teachers ultimately rendered life at Andover the most embracing of the “life of the mind” of any school I’ve attended—including Georgetown. Most Andover teachers live on campus in apartments attached to dorms or in houses adjacent to them. In choosing that lifestyle, each teacher makes educating and mentoring students the primary purpose of his or her life.

By October 2, 2008

Voices

Chernobyl’s concrete ghost town

Several miles, two passport checks and one release form later, I stood 500 feet from the reactor—known as The Sarcophagus—that released uranium dioxide into the bodies of 50,000 people in fewer than 36 hours.

By August 22, 2008

Leisure

Critical Voices: The Go! Team, Proof of Youth

Throwing Sgt. Pepper’s Lonely Hearts Club Band on the boom box and tromping around, only half listening to it would be akin to musical heresy. But different artists require different media of listening and The Go! Team, particularly with their sophomore effort Proof of Youth, have established themselves as of the boom box variety.

By September 13, 2007

Leisure

Critical Voices: The New Pornographers, Challengers

Deciding what direction to take a successful indie group in its next album is often difficult. With their first three LPs, The New Pornographers took the safe route and continued in the vein of previous hits. Mass Romantic’s capricious tempo changes, virtually-falsetto harmonies and sharp-enough-to-cut-glass guitar riffs threw an intriguing new paradigm into the canon of pop song interpretation. Electric Version added complex layering and more interesting song structures. Finally, Twin Cinema contributed those irresistible hooks.

By August 24, 2007

Leisure

Summer Concert Calendar

Konono No. 1 – Black Cat; May 4; $15; 9:00 Konono No. 1, hailing from the Democratic Republic of Congo, brew their own brand of Afrobeat, complete with dancers, percussion, and three electric likembe to provide the melodies. Any number of “found” instruments salvaged from junkyards adds the finishing touches to the performance.

By May 3, 2007

Leisure

Events calendar: get your spring on

What’s on when

By March 15, 2007

Leisure

Critical Voices: Field Music, Tones of Town

With their third release, UK-based art-rock trio Field Music have created an album that is complex and accessible enough to merit multiple listens. Indeed, Tones of Town’s tracks draw strength from the band’s ability to weave rhythmic layers of sweet vocals, staccato piano punctuations and sharp, post-punk guitar riffs almost effortlessly.

By February 15, 2007

Leisure

Trail of Dead: So Divided

The Austin-based band brought post-punk to new musical and conceptual depths with their thought-provoking musical and lyrical mosaic Source Tags & Codes. But So Divided suggests that the band’s struggle to find new meaning in these depths has proved futile. The entire journey has left the group unsure of whether to continue searching or resign and conform to everything it used to love to hate.

By November 9, 2006

Leisure

Power to the people

In The U.S. vs. John Lennon, the Beatle and his fellow radical, anti-war activists such as Abbie Hoffman and Bobby Seale represent life. Richard Nixon and conservative, pro-war politicians such as G. Gordon Liddy and J. Edgar Hoover represent death.

By October 5, 2006