Leisure
In 1964, Life Magazine inquired of pop art icon Roy Lichtenstein, “Is he the worst artist in the U.S.?” While this question might seem both ironic and a moot point in the face of Lichtenstein: A Retrospective, the 15,000-square-foot exhibition now on display at the National Gallery, this query illuminates an important characteristic of Lichtenstein’s work: his uncanny ability to simultaneously “delight and outrage” in his mastery and innovation in the pop art genre.
By
Mary Borowiec
October 25, 2012