Theresa Wrzesinski

Leisure

Quartet overcomes off-key moments

The feel-good movie about retirees making the most of their twilight years has practically become a genre in itself, one that has seemed to reach an apex recently with the release of Best Exotic Marigold Hotel and Hope Springs, that Meryl Streep flick involving a week of old-age marriage counseling and its accompanying awkwardness. Though sure crowd-pleasers for the senior contingent, these films rely a little too heavily on predictable carpe diem tropes to pass the test of time for younger generations. Quartet, Dustin Hoffman’s directorial debut, however, manages to avoid such pitfalls.

By January 31, 2013

Leisure

Mark Wahlberg introduces mediocrity into Broken City

The game of good cop/bad cop is a familiar one, having been played countless times by directors in the detective genre. Our protagonist shifts from one side of the law to the other, bringing a question of ethics to the forefront of a film’s consciousness. The Book of Eli director Allen Hughes’ Broken City is hardly a departure from this ho-hum yet satisfying formula, but it muddles the narrative structure by thrusting a complex and intricate corruption drama into the mix for the viewer to digest. Themes of sex and power, good and evil in a corrupt city unfortunately become lost in the shuffle that is an unsustainably convoluted web of stories.

By January 24, 2013