Author Archives: Heather Regen
I used to get excluded from carnivorous cuisines at home—taco nights aren’t quite the fiesta when you don’t eat ground beef. But here at Georgetown, Leo’s desperately tries to win my affection. The cafeteria takes pride in its top spot on PETA’s list of vegetarian-friendly colleges, inviting even the strictest vegans to celebrate “Chicken” Finger Thursdays.
“But still, how can you call yourself a true tea lover if you destroy the flavour of your tea by putting sugar in it? It would be equally reasonable to put in pepper or salt.” Challenge accepted, Mr. Orwell.
In Adams Morgan, the cost of fame is steep, but it comes with delicious perks. For $1,000, anyone can become a “Pop Star” at Pleasant Pops—an honor which involves naming your own flavor and getting a free popsicle every time you walk through the door of the store, which opens this July. The Pleasant Pops D.C. food truck started out as a single pushcart at farmers’ markets in 2010, but with two years of experience and the help of a Kickstarter campaign, Pleasant Pops co-owners Brian Sykora and Roger Horowitz are rolling their business into a full-fledged store.
Watching Katniss Everdeen raise her bow in defiance to the Capitol emboldened me to make a heretical statement of my own—The Hunger Games movie is better than the book. While author Suzanne Collins wove intricate themes of class struggle, civil war, and even counterinsurgency strategy into her trilogy, The Hunger Games movie conveys with complex cinematography and precise casting what prose marketed to eleven-year-olds could not.
Even if you haven’t taken high school Latin, Unum, a new addition to the D.C. dining scene, makes its esoteric name clear from dish one. While E Pluribus Unum—“out of many, one”—might be the nation’s de facto motto, every course at this M Street restaurant takes the mantra to heart.
“I was high as heck and I just wanted to love things.” Channeling a well-intentioned hippie at the beginning of the production, it’s a shock to see Addison Williams (COL ’14) morph into a sociopathic killer in the span of a few short hours. Yet Nomadic Theatre’s Night of One-Act Plays encourages this kind of versatility. While he plays the lovable Truman in John Behlmann’s Un-f**king-Believable, Williams casts off the character to take on a darker role in Neil LaBute’s Coax. Brought together on a sparse stage, the plays in Nomadic’s Night of One-Acts don’t sync together intuitively, but they combine to provide the audience with a wonderful range of theatre.
With smoking ashtrays and half-empty whiskey glasses littering the set, it would hardly seem shocking if Don Draper strode across the stage for The Deep Blue Sea. A dark domestic drama set in post-war England, The Deep Blue Sea gains its strength through a meticulous attention to detail.
If Leo’s orange-frosted pound cake hasn’t gotten you into the Halloween spirit yet, don’t worry. From embassies to theme parks, D.C. offers plenty of chances to don a costume and forget about those last few midterms for the weekend.
A musical number set on a flaming oil rig and a sober reflection on the Egyptian revolution, united on the same stage on the same evening? That’s this year’s Donn B. Murphy One Acts Festival. The festival’s two productions, Peaches and Freon and #Courage, are an unusual combination, but together they show off the strength of original student work at Georgetown.
Don’t panic—seriously. In Steven Soderbergh’s Contagion, the CDC proves to handle a horrifying killer virus with blockbuster-defying competence. The lab researchers deftly work towards a vaccine, the World Health Organization pinpoints the source of origin with ease, and only Congress appears to fail miserably in its attempt to convene over Skype.