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March 2007


Leisure

Getting politcal with Ted Leo

New Jersey native Ted Leo isn’t your typical semi-knowledgeable, politically-charged artist. He’s a punk rocker, yes, but he also earned an English degree at the University of Notre Dame. In his recent interview with the Voice via e-mail, Ted discussed in depth the political themes that run through his latest release, Living with the Living, demonstrating a mastery of syntax seldom seen in the world of indie rock.

Letters to the Editor

Gallaudet article misleading

Your article about Gallaudet University is misleading the public when it says that “Gallaudet University is still suffering from the long-term effects of last fall’s student strike.”

Page 13 Cartoons

Giving Up Jesus for Lent

“I wanted him to come back,” she said, the sleeve of her striped pink blouse sagging to expose the protruding, wing-like bone of her shoulder blade. Sloshing the water around in her glass, she whispered, “I need to get this water out of my veins.”

Leisure

Black and white and pop all over

Beach Boy Brian Wilson once claimed he was making “teenage symphonies to God.” Wilson knew, perhaps better than any musician of his time, that a great pop song can be deeply spiritual, each melody crafted as an offering to some unknown musical deity.

Leisure

Goes Down Easy

Black and Tan

Leisure

Critical Voices

LCD Soundsystem: Sound of Silver

Leisure

Critical Voices

Modest Mouse: We Were Dead Before the Ship Even Sank

Leisure

Gray Matters? More like gay matters

Gray Matters is like its star, Heather Graham—bubbly, nice to look at, but a bit lacking in depth and substance. It’s the story of a young single professional in Manhattan, named Gray, only in this hackneyed plot the twist is that Gray falls for her brother’s girl.

Leisure

The best German film since Run Lola Run

The opening scene of The Lives of Others is austere and deadpan, an appropriate introduction to a film set in communist East Berlin. In a sterile classroom, secret police lieutenant Gerd Wiesler (Ulrich Mühe) instructs students in the merciless process of interrogation, emphasizing that only the guilty shed tears.