Archive

  • By Month

March 2012


Editorials

Voter ID laws undermine American democracy

On Monday, the U.S. Justice Department blocked a proposed voter identification law from taking effect in Texas, saying it violates the Voting Rights Act of 1965. The measure, approved in May 2011, would have required voters to show photo identification in addition to already stringent voter registration requirements in the state. The DOJ’s move is undoubtedly the correct one, but more must be done to combat these overt conservative efforts to disenfranchise minority voting blocs.

Editorials

Military culture must change after killings

In the early morning of March 11, a U.S. Army sergeant stationed near Kandahar, Afghanistan, slipped away from his base and murdered 16 civilians, including women and children. Evoking memories of the Haditha killings of 2005, as well as the recent urination on civilian corpses by U.S. Marines and the burning of Qur’ans on military bases, the tragedy provides an opportunity for the leaders of our armed forces to examine a military culture in which these atrocities arise.

Leisure

Ewan McGregor fishes for compliments with Yemen

As long as you don’t have plans to seriously pursue becoming a fisherman in the desert, Ewan McGregor will charm you in his attempt at this impossible task. Though his latest film, the aptly titled Salmon Fishing in the Yemen, is blithely unconcerned with the gritty details of this aquatic pursuit, the movie portrays an entertaining and inspiring tale of unlikely individuals working together toward an even unlikelier end.

Leisure

Too little, too late: Artisphere paints Kahlo’s life

If you are offered a magnifying glass while walking into an art exhibit, it is natural for a bit of confusion to set in. These sentiments set the tone for Frida Kahlo: Her Photos, the highly anticipated U.S. premiere exhibition at Rosslyn’s Artisphere, as Kahlo’s photos hold their own element of surprise.

Leisure

Leave your house to go see Jeff, Who Lives at Home

Writer/director/actor brothers Mark and Jay Duplass have, in recent years, been known for a brand of off-beat humor associated with a film movement called “mumblecore.” This genre is usually defined by a socially downtrodden middle-aged man going through some event and handling it in the way that a socially downtrodden middle-aged man would, often with self-deprecating humor, as in the FX show The League. Jason Segel and Ed Helms, who play brothers in Jeff, Who Lives at Home, the brothers Duplass’ most recent effort, are perfectly cast for the film’s niche humor and surprisingly well-suited for the movie’s sentimental notes.

Leisure

Trash Talk: America(n Muslims), fuck yeah!

In the post-9/11 era, American Muslims have struggled to assert their patriotism while simultaneously observing a religion that many perceive as fundamentally at odds with American society. Naturally, reality television programs have latched onto this conflict, featuring a batch of American Muslims who buck the gruesome American stereotype of bomb-wielding, misogynistic extremists.

Leisure

Box Office, Baby! Bad Casting: What Dafoe?

You probably know who Willem Dafoe is—you’ve seen him as the Green Goblin in Spiderman, or recognized him in Platoon, The Boondock Saints, or American Psycho. But to this writer, he’s more than just an actor. He’s an artist. No, he’s an icon. Maybe it’s his deep, grainy voice. Maybe it’s the intensity of his facial features. Whatever it is, Dafoe has a lure that keeps me shelling out money to see him on the big screen, as I, in a state of fanboy hypnosis, continually ignore the title or synopsis of the film I’m about to witness. Forget the movie; it’s Willem I’m paying to see.

Leisure

Critical Voices: Lucero, Women and Work

With the way it pushes the boundaries of country and punk, infusing the two seemingly disparate styles into alternative rock, Lucero is something of a musical anomaly. But the band makes its unusual group of influences work, due largely to lead singer Ben Nichols’ bourbon-soaked voice, which brings this unlikely pairing of genres together brilliantly. With their tenth release, Women and Work, Lucero dives right into its Memphis roots to demonstrate a side of the band not seen in their previous work.

Leisure

Critical Voices: Say Anything, Anarchy, My Dear

Of Anarchy, My Dear, Say Anything’s first release in three years, front man Max Bemis said that the band has moved past its days of writing “petty songs about hating people” and found new stability and maturity. Like many of us, Say Anything has graduated from its early-aughts anxiety, but Anarchy retains the band’s awkward, hyper-personal character to create a balanced, introspective album.