Turner exhibit takes on mythical proportions
The current exhibit at the National Gallery of Art boasts the “largest Turner retrospective ever in the United States.” Such a statement seems to add needless weight to the historical importance of the artist. This might be mere pandering to the eager tourist if it wasn’t for the surprising depth that a truly complete Turner show achieves.
Gimme that Darjeelin’ feelin’
Wes Anderson is a director who makes fanatics, not fans. Fanatics are precarious; each well-received film increases the potential backlash should the next one fail to exceed such standards. For the same reason, one cannot view a Wes Anderson film as an isolated work of art. Rather, it is in conversation with everything he has previously made.
