Leisure

Reviews and think pieces on music, movies, art, and theater.

Leisure

Imitations of rawk

Last week, MTV2 viewers were treated to a mini-marathon of vintage Nirvana clips to celebrate, what else, the eighth anniversary of Kurt Cobain’s death. Not only did this probably cause nostalgic sighs across suburban America, but it also likely sparked laments over the spawn of half-ass imitators the band inspired.

By the April 18, 2002

Leisure

Osbournes bites head off clich?s

Eleven years after The Real World introduced the idea of reality TV, the form has come to dominate television. Most of these shows, The Real World included, consist of contrived scenarios that have become sordid at best. Fear Factor and Survivor, for example, are goal-oriented; the cast members are pitted against one another in sometimes nasty competitions for money.

By the April 11, 2002

Leisure

Gomez peppers new LP with sundry influences

It’s hard to tell whether Britain is a conqueror or the serially invaded, imperialist or napkin for every culture’s coffee spill. No wonder they really love Gomez over there. The third proper full-length album from these Manchester lads, In Our Gun, continually stalks the fine line between being influenced by other artists and blatantly ripping them off.

By the April 11, 2002

Leisure

Goya’s still got it

The exhibition, Goya: Images of Women, is an outstanding show at once witty, sensual and highly thoughtful. Displayed first in Spain, the exhibition comes to the National Gallery from Madrid’s premier art museum, El Prado. You might only recall Goya (Francisco Goya y Lucientes) from his celebrated paintings, two of the most stunning in the exhibition?the Maja Desnuda (Naked Maja) and the Maja Vestida (Clothed Maja).

By the April 11, 2002

Leisure

Voices carry on 14th

This week, grab that $1.10 and take the G2 Metrobus down to 14th Street. Strong and exciting women’s performance nights are just springing up all over the place there, and I suggest you catch them while they last. The first of the two, Mothertongue, is a women’s spoken word night.

By the April 11, 2002

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Up, up, and away

As seems to be regularly the case this time of year, musical offerings in the Washington area over the next week largely range from inanely innocuous (The Big Wu, Dave Matthews) to the inadvisably incessant (Ani DiFranco) and on to the irredeemably intolerable (Dashboard Confessional).

By the April 4, 2002

Leisure

Obsession, madness and murder

The opening, pre-show minutes of A Devil Inside set a mood: Anonymous skyscrapers are silhouetted against a chartreuse sky. Actors playing the plain and the pathetic do stage business in a seedy laundromat. The jangling and discordant sounds of Miles Davis’ “Pharaoh’s Dance” fill the air.

By the April 4, 2002

Leisure

They got wet: Mulleted madman pleases fans

An extreme close-up of a young man’s face with long dirty hair flowing past his shoulders and copious amounts of blood streaming down his face and neck: Such is the highly controversial album cover art, and image, of Andrew W.K., the newest rock shocker to appear on the pop scene.

By the April 4, 2002

Leisure

Panic Room hits buttons

Ah, the lives of rich eccentrics! With plenty of expendable capital, they’re free to do such strange things as build secret steel-clad “panic rooms” designed to protect them just in case their Upper West Side “townstones” are ever invaded. Not only does this provide some measure of security to these senile financiers, but it also serves as a fantastically convenient plot device in the new movie Panic Room.

By the April 4, 2002

Leisure

The Voice picks the Oscars

April showers are approaching, which also means it is that time of the year when movie buffs, fashionistas, idol worshipers, bookies, insomniacs and the entire southern half of California turn their eyes to the oncoming rush of the Academy Awards. So, get some friends and a bag of low-fat rice cakes together on Sunday night and mock away.

By the March 21, 2002

Leisure

Dramabad Zinda-great

Gaston Hall was charged on Saturday night with a level of energy and pride one seldom experiences at theatrical events on campus. The first annual Dramabad Zindabad, a showcase of South Asian-American performing arts, had just begun, and the sense of accomplishment was nearly palpable.

By the March 21, 2002

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Intriguing idea goes astray on soundtrack

Following in the tradition of such bizarre soundtracks as those of Spawn and Judgement Night, the Blade II soundtrack features pairings of artists who would never work together otherwise. Also in the tradition of those two soundtracks, Blade II is awful. After the wannabe-Bond-music “Theme from Blade,” the album gets down to business with “Cowboy,” featuring Eve and Fatboy Slim.

By the March 21, 2002

Leisure

Folk dancers brighten dour days

Despite the gloomy drizzle outdoors as of late, inside the Walsh Black Box, there’s a fiesta?literally. What else, then, to better welcome these early spring showers than Ballet Folkl?rico Mexicano de Georgetown’s annual Fiesta Mexicana. Complete with brightly hued costumes, gleaming swords and blaring mariachi music, the BFMG gracefully steps, twirls and kicks away any thoughts of a soggy evening.

By the March 14, 2002

Leisure

Death and Dismemberment overtake 9:30 Club

Despite the dismal imagery that accompanies death and dismemberment, when both hit the 9:30 Club, as they did Tuesday night, there’s nothing of the sort. Add some Cex to the mixture, and you’ve got the makings of the next Evil Dead movie?or, maybe just a relucant indie band and some hometown pop-rockers trying to fool their unsuspecting admirers.

By the March 14, 2002

Leisure

True West a true riot

by Jennifer Ernst True West, Arena Stage’s latest production, takes place in suburban L.A., near the foothills of the San Gabriel mountains, where the coyotes howl at the moon, and the men howl at their typewriters. Unwinding in two acts, the tale of brothers divided, reunited and divided again crackles with the tension between Ted Koch and Todd Cerveris, who as Lee and Austin bring Sam Shepard’s 1980 script to bruisingly physical and gut-wrenchingly funny life.

By the March 14, 2002

Leisure

M&B’s One Acts fest a pleasure

In this year’s Donn B. Murphy One Acts Festival, Mask & Bauble presents an entertaining, yet highly unbalanced evening of student artistry and creativity. First, three college juniors meet one afternoon in Invading Bessarabia, by Colin Relihan (CAS ‘02), for friendly competition at a board game, which looks suspiciously like “Risk,” in the living room of an apartment that is unmistakably redolent of Village A.

By the March 14, 2002

Leisure

Pass the eucalyptus

Those of you lucky enough to experience one of Radiohead’s fantastic U.S. shows this summer will hopefully remember the short Chinese guy who opened for the band, promising to “play some records incorrectly.” That short Chinese guy, DJ Kid Koala, proceeded to do just that, dropping a remarkable set on his trio of decks and giving thousands of rock fans a tantalizing glimpse into the world of turntablism.

By the March 14, 2002

Leisure

Despite efforts, avant-jazz album still boring

Jazz has fallen a long way from its ‘60s-era, hell-raising fury. With his new album Nu Bopp, pianist Matthew Shipp is apparently trying to reclaim some of the fire, but he only manages to hold a lighter in the air as a cheap reminder. Shipp probably thought that he could garner some innovation points by adding electronic weirdo FLAM to the rhythm section.

By the February 28, 2002

Leisure

A ‘Bitch and’ good time

It’s easy to get angry about how women, especially lesbians, are often degraded by pop culture. But it takes a special sensibility to turn that fury into something as silly-yet-serious as Brooklyn-based duo Bitch and Animal make their live shows. Those of you who were privileged enough to attended their concert in Bulldog Alley last year know exactly what’s in store for show-goers.

By the February 28, 2002

Leisure

Voice DIY part II: It’s not art?it’s how I pay the rent

In the world of the avant-weird, playing off the established boundaries of art is critical if one wishes to find success. Granted, those boundaries are arguably in tatters after several decades of increasingly outlandish and often infamous exhibits.

By the February 28, 2002