Under the Covers: Bunanameh more than ‘meh’

Buna Alkhas experienced 25 years of estrangement from his motherland, Iran, and from his father, the renowned Iranian-Assyrian artist, poet, and translator Hannibal Alkhas. This exile transformed Alkhas while he made his way around the world, while back home Iran was pulled through a totally polarizing metamorphosis.

By Emilia Brahm January 24, 2013

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Theater J brings Israeli politics to the Davis Center

Boged (Traitor): An Enemy of the People, showing in Davis Performing Arts Center from Jan. 15 to Feb. 3, is an inspiring play, covering delicate themes of corruption, greed, and power. Largely based on Henrik Ibsen’s late nineteenth century opus, Boged effectively moves Ibsen’s story into contemporary Israel, but the relatable narrative could very well have taken place here in America.

By Dayana Morales Gomez January 17, 2013

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Zero Dark Thirty includes total of zero dull moments

Arguably the most incendiary scenes in Zero Dark Thirty, the remarkable new film from Oscar-winning director Kathryn Bigelow, are in the very opening shots. The image of a political prisoner suspended from the ceiling by chains and subjected to waterboarding has incited a flurry of controversy across a range of both media and political platforms, establishing itself as a lightning rod for the discussion of torture’s role in the hunt for Osama bin Laden and the ethics of using such methods at all.

By Julia Lloyd-George January 17, 2013

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Americanization: What the pho?

When I left my small Midwestern town and moved to D.C., I promised myself I would embrace the cultural diversity of my new metropolitan home. So when I heard of the recent opening of Sprig & Sprout, it was with an exotic culinary experience in mind that I decided to make the trek up Wisconsin to indulge in some student budget-friendly Vietnamese-American food.

By Justin Betrus January 17, 2013

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Critical Voices: A$AP, Long.Live.A$AP

A$AP Rocky’s momentum since he first released his mixtape Live.Love.A$AP a year and a half ago is somewhat of an enigma. A little time and a $3 million record deal with Sony later, the 24-year-old Harlem native released his debut studio album, Long.Live.A$AP, chronicling his rags to riches stories, addressing beef in the industry, his love affair with fashion, and, of course, his love of women.

By Michelle Zhou January 17, 2013

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Critical Voices: Yo La Tengo, Fade

From its roots in Hoboken to its namesake as the Spanish translation of a baseball outfielder calling, “I got it,” Yo La Tengo emerges as a distinctly American band. In spite of this tradition and a nearly 30-year track record of releasing quality material, YLT has earned the undeserved reputation as a cult band with a narrow niche. The indie outfit’s 13th studio album shatters this perception, transcending the predictable formula that often comes with such lengthy existence. Fade instead becomes a universally appealing, whole, and startlingly vibrant LP that fails to exhibit a single weakness.

By Kirill Makarenko January 17, 2013

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Paper View: “Who run the world?” Girls.

Many have lauded the comedic bravery of Lena Dunham’s breakout HBO creation Girls. From the Hollywood Foreign Press Association, which awarded Dunham’s debut TV series with a Golden Globe for Best Television Series—Comedy or Musical, to that hipster texting gun-to-panda emojis in reference to Sunday’s second season premiere, the consensus seems to be that Girls hits the urban 20-something female experience square on the head.

By Keaton Hoffman January 17, 2013

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Loose Cannon: Add/drop on the rocks

If you haven’t figured it out already, those precious days before school starts are the best days of the year—well, actually—of all of your short and wretched life. I’m not just talking about the days before Wednesday, Jan. 8 when classes “begin” because if we get right down to it real classes don’t start until add/drop stops. Yeah, that’s Jan. 18, which still is not upon us for all you fools who have already read a book or written an essay. Now, for you freshmen, I’m about to drop some real pearls of wisdom. Attendance or assignments simply are not mandatory until add/drop is over, and if your teacher insists that they “really are” just drop the class and add it back on the morning of the 18th (though I would recommend checking to see if there is a waiting list first before pulling such a bold maneuver). I actually don’t bother with pre-registration ‘til that last day of add/drop.

By Hamilton Steve January 17, 2013

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Keep away from Playing for Keeps: A romcom gone wrong

At first glance, Playing for Keeps seems to have all the substance required of a winning romcom; the story of a hot former soccer star with a Scottish accent (Gerard Butler) who is trying to do right by his son and ex-wife (Jessica Biel), while clichéd, at the very least offers a few hours of mindless entertainment.

By Mary Borowiec December 6, 2012

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Taryn Simon dazzles and disturbs at the Corcoran Gallery

The Corcoran Gallery of Art is filled to the brim with colorful, eye-catching works of visual mastery, but you have to wade through that sea of technical skill to get to photographer Taryn Simon’s A Living Man Declared Dead and Other Chapters, a massive, six-room exhibit that initially overwhelms its viewer with monotony. The walls are hung with gigantic, uniform, brown frames grouped into sets, all following the same formula—one or more with headshot photographs of somber-faced individuals, a slender one with small black writing, and another with photographs, legal documents, or other archives, all mounted with the most boring shade of tan you’ve ever seen.

By Leigh Finnegan December 6, 2012

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Fuego Cocina douses authenticity

Fuego Cocina y Tequileria recently opened its doors in Clarendon promising diners an experience that doesn’t quite live up to its fiery name. The Mexican restaurant and tequila bar is the newest business from the owners of Passion Food Hospitality, a group of chefs with American, Latino, and seafood restaurants in the DMV area. With its stiflingly opulent atmosphere, the restaurant is a far cry from the local, small family owned taquerias that it ought to resemble.

By Alexandra Golway December 6, 2012

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Critical Voices: El Perro Del Mar, Pale Fire

Much like the name it bears, Swedish solo act El Perro Del Mar’s Pale Fire contains all the subtle strength of a gently burning white flame. While melodically subdued, the record has a palpable power only slightly dimmed by Sarah Assbring’s reverberant, airy vocals that result in a satisfyingly ambient synth-pop concoction.

By Kirill Makarenko December 6, 2012

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Critical Voices: Ke$ha, Warrior

With her signature riot of glitter and war paint, Ke$ha has established a character for herself that doesn’t stray far from a party girl stereotype. In spite of this image, the pop singer-songwriter has masterfully expanded her repertoire by capturing a vast array of styles and influences on her superb sophomore effort. True to its name, Warrior has Ke$ha fighting to continue doing what she does best: not giving a fuck.

By Kirill Makarenko December 6, 2012

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Under the Covers: Not all adaptations are alike

Konstantin Levin is expected to live the life of a 19th century Russian aristocrat—days devoted to a bureaucratic job, afternoons spent in St. Petersburg salons, discussing politics or more likely gossiping, and evenings devoted to a vodka fueled dinner, ball, or a night at the opera. But this isn’t satisfactory to the thoughtful Levin, an essential character in Tolstoy’s epic novel, Anna Karenina, and a significant figure in a recent film interpretation.

By Emilia Brahm December 6, 2012

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Reel Talk: Quentin-ssential Tarantino

The path of a filmmaker’s career can often take twists and turns, at times making critics out of former fans. For Quentin Tarantino, such defectors are largely confounded by his most recent film’s compulsive dips into farcical comedy. How, they inquire, could the genius behind two ‘90s masterpieces create a movie as incoherent and painfully self-indulgent as Inglourious Basterds? Either the auteur is criminally misunderstood or his trademark obsession with violence and pop culture references has enervated audiences’ tolerance for the absurd. Tarantino apologists point to the former; the absurd is what they crave most. And they are right.

By Mark James December 6, 2012

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Tolstoy’s Karenina remastered as modern day romcom

Tragedies have a habit of giving themselves away; in many cases, the victim’s name flashes in the title like a morbid neon sign. Whatever fate befalls these characters lingers in the shadowy background, progressively coming into focus as the story unfolds. Anna Karenina is no exception, a tale of a woman whose own tragic flaw is a violent passion for a man, which consumes her entirely.

By Julia Lloyd-George November 29, 2012

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From TV Dinners to Happy Meals: America’s culinary history

Food is a funny thing; while eating is a natural and necessary ritual, the experience of having a meal and the implications of what—and how—we eat are not things we think about. Food: Transforming the American Table 1950-2000, a new exhibit at the Smithsonian’s National Museum of American History, discusses the cultural and social changes in how Americans make, prepare, process, and ultimately eat food.

By Alexandra Golway November 29, 2012

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It’s beginning to look at lot like Xmas

When joking about Christmas in the District, a city ruled by politics, Jay Leno quipped, “The Supreme Court has ruled that they cannot have a nativity scene in Washington, D.C.. This wasn’t for any religious reasons; they couldn’t find three wise men and a virgin.”

By Mary Borowiec November 29, 2012

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Critical Voices: Wu-block, Wu-Block

An irreplaceable attribute of good music is its ability to relate to an audience; to a degree, a listener must identify with any work of art to enjoy it. The true masters stand out, however, when they deliver quality material with absolutely no semblance of a connection to the majority of society. Wu-Block, a group effort between members of New York-based rap groups Wu-Tang Clan and D-Block, does exactly this on its self-titled collaborative album.

By Kirill Makarenko November 29, 2012

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Critical Voices: Alicia Keys, Girl on Fire

With the music industry plunging into and subsequently drowning in a sea of synthesizers and dubstep beats, established artists are able to venture into previously uncharted territory. Even Alicia Keys, who has for the most part been absent from the recording studio since 2009, has fallen victim to a timid yet mostly effective attempt at a stylistic transition on her gripping, self-reflective fifth studio album Girl On Fire.

By Kirill Makarenko November 29, 2012