Kirill Makarenko
Former Assistant Leisure Editor
Critical Voices: Kip Moore, Up All Night
While it was once said that nothing could quite describe feelings of love and heartbreak like a country song, the largely unimpressive country releases streaming out of Nashville this year would seem to suggest otherwise. But this blatant disregard for lyrical quality paired with poor attempts at instrumental virtuosity may finally have been overcome by the songwriter-turned-singer Kip Moore. Up All Night, Moore’s debut album, introduces a much-needed believability to his lyrics and vocals, which allows the LP to shine above today’s cookie-cutter country.
By Kirill Makarenko April 26, 2012
Critical Voices: DragonForce, The Power Within
Despite, or perhaps because of, its constantly shifting roster of members, British power-metal band DragonForce has always framed its music around guitarists Herman Li and Sam Totman, whose guitar solos never cease to blow the listener’s mind—and maybe the eardrums as well. And while relying so heavily on the duo has allowed the amorphous band to create a stable sound, such consistency is also largely due to the band’s maturity. As a stand-alone album, this year’s The Power Within is, for all intents and purposes, perfect.
By Kirill Makarenko April 18, 2012
Critical Voices: Alabama Shakes, Boys & Girls
In the 1960s and 70s, the musicological spontaneity of artists like Eric Clapton and Jimi Hendrix popularized a fusion of soul, blues, and rock that has been virtually unrepeatable in the decades since. But this year, that streak of trial-and-error has finally ended—on its debut album Boys & Girls, Alabama Shakes replicates this unique sound while still managing to create an identity all its own.
By Kirill Makarenko April 12, 2012
Gordon Ramsay bites off a bit more than he can chew
“You disappoint me, Ramsay,” remarked journalist and Top Gear host James May as the chef vomited into an orange bucket. As very few will recall, Gordon Ramsay challenged May in the third season of The F Word to a contest that would determine which of the two had the largest man-parts. Following a rather uneventful partaking of snake whiskey and bull penis, the waiter brought forth the main course—shark meat. Ramsay could not stomach the Icelandic delicacy, and was reduced to cowering under May’s judgment.
By Kirill Makarenko March 30, 2012
José Andrés shows DC his flautas with Pepe the food truck
From Minibar to Jaleo, Spanish-born chef José Andrés has slowly been indoctrinating lovers of fine dining and small portions in the D.C. area. While the quality of his bite-sized cuisine has become one of the major attractions of the District, there’s always been one drawback, until now—the food did not literally come to those desiring to taste the legendary tapas. With the launch of Pepe, Andrés’s first food truck, this contrived problem is resolved.
By Kirill Makarenko March 22, 2012
This District ain’t big enough for more than one Kitchen
Amid the variety of D.C. restaurants springing up under the banner of organic and cruelty-free produce, District Kitchen manages to maintain a competitive advantage that differentiates it from the grass-fed herd. While this newest member of the Woodley Park restaurant community serves up what appears to be classic mid-Atlantic cuisine, the twist on traditional recipes and the ever-changing house specials add variety to the otherwise predictably bland buffet of green D.C. eateries.
By Kirill Makarenko March 1, 2012
Critical Voices: Sleigh Bells, Reign of Terror
A press release from Sleigh Bells describes their new release, Reign of Terror, as “the sonic equivalent of a beautiful shotgun to the head.” While the imagery certainly fits their 2010 debut Treats, the duo’s “beautiful shotgun” seems to have been loaded with blanks here. Terror is, on the whole, an enjoyable LP, but the added noise on a number of tracks is distracting. Despite that their sound is largely defined by volume, Sleigh Bells allows this din to overwhelm many tracks that would benefit from a more focused sound.
By Kirill Makarenko February 23, 2012
Strathmore pays tribute to Ellington, and all that jazz
“I’m not going to do justice to Duke Ellington tonight in just one lecture,” speaker Rusty Hassan said to the audience on Monday evening. This two-hour session was just one part of a series taking place at the Mansion at Strathmore Hall in celebration of the life and music of the world-renowned jazz composer, arranger, pianist, and Washingtonian. The series, entitled the Discover Ellington Festival, runs from the Feb. 3 to 20 and focuses on the “African-American Aesthetic,” making this praiseworthy celebration all the more appropriate during Black History Month.
By Kirill Makarenko February 16, 2012
Critical Voices: Tennis, Young and Old
For today’s indie bands, the risk of drowning in a sea of synthesizers and hipster criticism is all too real. Any wrong move results in uncompromising irrelevance, which is followed by the immediate rise of another, similar band to fill the void. Luckily, Alaina Moore and Patrick Riley, the husband/wife duo that makes up Tennis, have not succumbed to this fate. A career that began on a seven-month sailing expedition along the eastern coast of the United States has begun to blossom into a powerful act which attracted the likes of the Black Keys’ Patrick Carney, who produced the more professional Young and Old.
By Kirill Makarenko February 16, 2012
Critical Voices: The Fray, Scars & Stories
Isaac Slade, the lead singer of the Fray, claims that Scars & Stories, the group’s latest release, embodies a “more aggressive” lyrical approach to their music. This might seem strange, given that the group is known for its roots in Christian rock. And while the lyrics do sound more emotionally charged than those in albums past, the band’s continued use of piano as the lead instrument diminishes the potential effect of their newly powerful verses. In spite of this loss of lyrical potential, this new album is the Fray’s most successful LP to date.
By Kirill Makarenko February 9, 2012