Leisure

Reviews and think pieces on music, movies, art, and theater.



Leisure

Golden God?

The Golden Compass, which comes out nationwide on Friday, has all the ingredients of a standard big-budget fantasy epic. Complex fantastical universe, surprisingly like our own—check. Talking animals—check (several times over). Ian McKellen and/or Christopher Lee—check and check! Shadowy, evil villain bent on controlling the entire magical world—check.

And that’s where things get complicated.

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Critical Voices: Ghostface Killah

Ghostface Killah’s third release in two years, The Big Doe Rehab, proves that he’s quite the prolific rapper, but does little to silence the cries of inconsistency that have plagued him since his breakthrough Supreme Clientele. With its lack of innovation and absence of any true standout tracks, The Big Doe Rehab doesn’t live up to its colossal expectations as the follow-up to 2006’s excellent Fishscale.

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WEB EXCLUSIVE: The nightmare that keeps on giving

Director Tim Burton delivers a visionary new nightmare before Christmas with his macabre adaptation of Stephen Sondheim’s award-winning musical Sweeney Todd. As the haunted pipe organ and bloody opening credits make abundantly clear, this gory film, laced with coal-black humor, is not your average musical.

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WEB EXCLUSIVE ‘There Will Be Blood’: There Was Blood … And More

Paul Thomas Anderson’s There Will Be Blood is a devilish movie that isn’t easily absorbed in its two-and-a-half-hour runtime. Although it offers hardly any satisfying moments, There Will Be Blood is challenging and engaging, polished filmmaking at its best that makes for a demanding, but extremely rewarding, experience.

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No Country for Old Men

Joel and Ethan Coen’s brutally masterful new film, No Country for Old Men, is an unnerving piece of filmmaking as harsh and unforgiving as the parched Texas landscape where the story unfolds.

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Lonely channels: surviving the writers’ strike

With the Writers Guild of America entering its fourth week on strike and no new episodes remaining of most scripted shows, networks are pulling out the big guns—namely, a bowtie clad Tucker Carlson. He’ll be the host of a new game show about trusting complete strangers to win cash. If that isn’t depressing enough, there’s no shortage of horrible ideas for unscripted shows to fill in the slots usually taken by 30 Rock or The Late Show: “My Dad Is Better Than Your Dad,” “Baby Borrowers,” and “When Woman Rule the World” (what, we don’t already?). To help cope with the onslaught of mediocrity that will rule the airwaves until the writers and networks get a contract signed, here’s some TV-on-DVD you may not have heard of:

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Dylan biopic all there

I’m Not There is fantastic, in all senses of the word, exploring one of the most alluring stories in modern American history—the rise of Bob Dylan.

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A new tune for Burns

Several months after Radiohead challenged the way music is sold by self-releasing the download-only In Rainbows, the film industry has followed suit. Purple Violets, the latest movie by writer/director Ed Burns (The Holiday, The Brothers McMullen) passed on a theater run and was released directly to iTunes on November 20 with a price tag of $14.99. While it’s not as revolutionary as Radiohead’s offering—it doesn’t allow users to choose their own price—it nonetheless opens up an intriguing new possibility for independent films hoping to find a larger audience.

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Deadbeats

Clunky genre tags are often a source of confusion. “Post-punk” and “post-rock” are the epitome of vague (there’s a reason we don’t call lunch “post-breakfast”), and the term “new rave” is as despicable as most of the music that scene has produced. “Dubstep,” an offshoot of the UK Garage scene, likely provokes similar head-scratching—especially among American listeners. The genre purports to combine dub—reggae’s reverb-soaked offspring—with a type of electronic dance music known as 2-step, a subgenre of UK Garage. To these ears, the dub claim is a stretch, but the dance-music influence is spot-on: while dubstep isn’t a sure recipe for getting sweaty bodies on the dance floor, it is built upon the same microscopic clicks and booms that define house music.

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It really is “All in the Timing”

Three days before Friday’s scheduled opening for Mask and Bauble’s “All in the Timing”, the mysterious process of assembling a theatrical production was underway in Poulton Hall. A girl walked by carrying a ladder and called to someone across the hall, “Oh, don’t worry, we found a bucket of chains.” The cast lounged around, putting on and taking off costumes, telling complicated stories about making out with the lights off. Tyler Spalding (SFS ‘08), the producer of this whole venture, wasn’t there yet, and it seemed he was the only one who knew what was going on.

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One Fish Two Fish no more fish

One Fish Two Fish suffers from a severe case of culinary attention deficit disorder. The restaurant offers almost every type of Asian dish you could think of, from standard Chinese take-out fare, to udon, Singapore rice noodles, pho, bubble tea and sushi. While I was excited to find a place that served all of my favorite foods under one roof, I was apprehensive about the extreme levels of variety. Multitasking doesn’t usually yield the best results, and this restaurant is no exception.

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Post-punk isolation, insight

Post-punk outfit Joy Division has risen to near-legendary status in the twenty-seven years since lead singer Ian Curtis committed suicide. It’s easy to view the band’s work through Curtis’ death, which often overshadows the music. Although it’s less a movie about Joy Division than a documentary of Ian Curtis’ short life, Control refuses to indulge in melodrama, forcing viewers to confront the abject tragedy of his suicide.

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Art Brut talks to the kids!

English foursome Art Brut play stupidly fun rock and roll for the intelligent—but fun—music fan. The band’s 2005 debut Bang Bang Rock & Roll garnered critical praise at home and across the pond for its faux-metal guitar heroics and churning punk rhythms. This year’s It’s a Bit Complicated refines the debut’s pop formula while retaining its dry wit. The Voice spoke with lead singer Eddie Argos in anticipation of his band’s concert with the Hold Steady on November 20th at the 9:30 Club.

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Goes Down Easy: A Bi-Weekly Column on Drinking

It’s cold outside, and I’m sick. I don’t favor medicine as a solution for illness since it just weakens the immune system, but I am determined to beat this microorganism into the ground somehow.

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Parlez-vous Malajube?

Mathieu Cournoyer, bassist in the Montreal-based indie rock outfit Malajube, joined the Voice for a phone interview to talk about his current tour, band and future plans.

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East meets West

Alvin Lau, a performance poet armed with a B.A. in poetry from Columbia College Chicago and a love of hip hop, is sure to pop-lock his way into your heart with an earnest energy to match his moves.

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A man to man with Girl Talk

Known for mash-ups that combine small parts of many popular songs, Gregg Gillis is a rising star in the world of dance music. He’s also coming to Georgetown Saturday night, and we caught up with him for a quick interview in advance of the show.

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Wristcutters: A Love Story

I really wanted to love Wristcutters. It’s populated with actors I adore, and the idea seemed charming. If they could make it work, it would be so beautiful. It is beautiful, and the actors really are that cool. But I had to settle for, “I liked it a lot, most of the way through.” I hate artistic disappointment.

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Good eats pho cheap

Hiding behind a gas station, just a 10-minute walk from the Rosslyn Metro Station, is Vietnamese cuisine’s gift to the poor college student: Pho 75.

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Critical Voices: Daft Punk, Alive 2007

Daft Punk manages to be all things to two people: the drunken partygoer and the electronic music aesthete. Providing aural brain teasers for the latter and a chance to discover new rump-shakers for the former requires some serious Venn diagram technique. Alive 2007, a live album recorded in Paris last June, is a worthy addition to that sweet overlap.