Leisure

Reviews and think pieces on music, movies, art, and theater.

Leisure

A 3rd Person Singular view of couples, abstracted

“The great thing about couples is they arrange themselves in these weird positions,” Amy Sillman explains in an exhibition publication about her series of paintings, Third Person Singular. At Sillman’s new show at the Hirshhorn Museum, you can see that she’s on to something: the entrance wall is covered with black-and-white sketches of various pairs lazily sprawled over each other on a couch, rigidly sitting straight up with arms awkwardly around each other’s backs, or curving their legs to play footsie at a dinner party. The heart of Sillman’s work, though, is the abstracted bursts of garish color that develop from these primary studies of geometric relationships between bodies.

By April 10, 2008

Leisure

2amys: When the moon hits your eye like a big pizza pie

Another review of 2amys, one of D.C.’s tastiest gourmet pizza purveyors, may seem like a waste of valuable newsprint. After all, the District’s young and beautiful made it a tried and true favorite, and it was voted “Best Pizza” by the Washington Post in 2006. Let’s remember, though, that it’s 2008, and the restaurant hasn’t won that illustrious title in two years. In fact, 2amys has recently fallen slightly out of favor with critics, and its hipster clientele has largely been replaced with young parents toting unruly tots who probably couldn’t appreciate a good sfogliatelle if it fell into their diapered laps.

By April 10, 2008

Leisure

Scorsese Shines a Light on the Stones

In November 1969, the Rolling Stones introduced themselves as the “World’s Greatest Rock and Roll Band” during their massive “1969 American Tour.” Nearly forty years later, it’s hard to strip the perennial rockers of this sobriquet. In Shine A Light, famed director Martin Scorsese blends footage from the Stones’ 2006 shows at New York’s Beacon Theater with archived interviews and recordings that pay tribute to the band’s longevity. The result is a dazzling rockumentary fueled by electric performances, which solidly refute Hollywood’s claim that this is no country for old men.

By April 10, 2008

Leisure

Critical Voices: M83, Saturdays = Youth

M83’s latest album, Saturdays = Youth, is sole band member Anthony Gonzalez’s paean to the music of his childhood. Marked by the electronic drum kicks and synth-heavy ballads popularized by Kate Bush and the Cocteau Twins, the album is so steeped in ‘80s production values that it’s tempting to dismiss it as a genre exercise with no enduring value. But the style works, and Saturdays = Youth’s best moments stack up well against M83’s back catalogue, even if it runs out of steam before its finish.

By April 10, 2008

Leisure

Culottes for you lots: Your closet’s secret stash

There are so many mornings when I wake up, open my closet and listlessly browse its contents only to come to the despairing conclusion that I have nothing to wear. This is particularly frustrating because I feel like I’m always shopping, and my new clothes are constantly evaporating into thin air, when I know that they’re really hanging there, pitifully staring at me after ownership has stripped them of their exciting potential. Once in a while, however, I’ll remember the secret stash that I have, that everyone has, lying fallow among the hangers.

By April 10, 2008

Leisure

Subverting America

The advertisements for the Corcoran Gallery’s new exhibition, American Evolution, juxtapose two iconic images—Gilbert Stuart’s portrait of George Washington and Andy Warhol’s silkscreen of Chairman Mao—in an irreverent, catchy pairing. So I expected the exhibition to be a series of attempted “evolutionary” links between American works of art, but the Zedong-Washington alliance is actually the only one of its kind there. American Evolution might have used the iconic images to lure tourists into its convenient location across the street from the White House, but its real message is to be that the visual history of American myths created by our art are often accepted as reality—a reality which sometimes needs to be challenged.

By April 3, 2008

Leisure

Salt Water Moon: a night in Irish Newfoundland

Everything about “Salt Water Moon” is minimalistic: the two-actor cast, the one-night-only timeframe and the plot’s straightforward love story. The no frills approach works; it strips the play down to its core, honing in on an intricate relationship between two people, and gives them the space and time to develop all the facets of their characters. “Salt Water Moon” depends completely on the performances of the two leads, who manage to create a quaint and hopeful tale of love, set during harsh times.

By April 3, 2008

Leisure

Critical Voices: Someone Still Loves You Boris Yeltsin, Pershing

On Pershing, Someone Still Loves You Boris Yeltsin are peddling something you’ve heard before. The band’s second album is filled with the kind of amiable indie pop—replete with soft drums and guitar hooks—that sounds good on playlists for parties where you’re not friends with everyone coming. This kind of music is certainly available elsewhere, but the band does their work competently.

By April 3, 2008

Leisure

Running for love, perhaps weight-loss

If you were one of the skeptics expecting David Schwimmer to sink rather than swim in his directing debut, keep holding your breath, because the jury is still out. Schwimmer’s film, Run, Fat Boy, Run, was released in London last September, where it received stellar reviews and was king of the UK box office for four consecutive weeks. Americans, however, have been less generous to Fat Boy, which brought in a mere $2.3 million in its opening weekend, proving that the majority of American moviegoers continue to resist the type of dry humor that dominates the film. It’s a shame, because the movie is far wittier than traditional American slapstick comedies and makes for a hilarious and entertaining, if predictable, watch.

By April 3, 2008

Leisure

Popped Culture: Nerds strike back

The geeks are rallying.

/Film, a geeky movie website, led a boycott of the insignificant spoof Superhero Movie to protest the cutting down of a film called, of all things, Fanboys. The feature film version of this story about Star Wars obsessives was shortened by the studio, and the geeks at /Film were not ok with that. Their boycott sort of worked—Miramax will release the complete Fanboys on DVD—but it just underscores the distinct force that the geek contingent has become.

By April 3, 2008

Leisure

Penang: Malay-okay

Chain ethnic restaurants like Panda Express and Star of India usually serve up cringe-worthy cuisine with less than stellar service. Luckily, Penang in Dupont Circle is a chain franchise with a refined take on Malaysian cuisine.

By March 27, 2008

Leisure

Critical Voices: R.E.M., Accelerate

Disappointed by the widespread critical contempt for 2005’s subdued Around the Sun, R.E.M. spoke of a return to their jangle-punk roots before heading into the studio to record a comeback. Blazing by in under 35 minutes, the up-tempo rock of Accelerate is R.E.M.’s best release since original drummer Bill Berry’s departure in 1997.

By March 27, 2008

Leisure

Culottes for you lots: The circle of fashion life

New life is in the air. Flowers are starting to pop up all around campus, baby animals are being born and bodies are beginning to litter the lawns around midday. Now that spring is upon us, it’s finally time to get crazy with daring cuts and diaphanous fabrics without the risk of freezing to death or having to wade through snow banks (although wading in spring mud can sometimes be a worse fate). But as fun as all the new stuff is, one of my favorite things about any new season is the chance to perfect and streamline the trends of the year before.

By March 27, 2008

Leisure

Forte: Music family matters

Reflecting back now, though, I realize that my family’s taste left much to be desired. Where were the Beatles? Or Miles Davis? Or Johnny Cash? How did I miss all of these artists in my youth? I certainly don’t feel embittered—there was no conscious “withholding”—but I still wish I’d had a more eclectic musical upbringing.

Given this want, I’ve begun to introduce a broader range of music to my little sister, Elizabeth, who’s nearly nine years old. The selections are nothing drastic, just artists she wouldn’t typically encounter until an older age, all conveniently uploaded on her iPod Nano.

By March 27, 2008

Leisure

Don’t be so p-noid, son

The very first shot of Gus Van Sant’s Paranoid Park imparts that delicious feeling of being in the hands of someone who knows what they are doing. The credits roll demurely next to a Portland bridge, cars whoosh by, light plays on the water and the trees, glitchy electronic atmospheric music drowns out any natural sounds. Like many shots in the carefully constructed movie, every second feels perfect—crafted, like a painting. Every color, every trick of the light feels true and drastic.

By March 27, 2008

Leisure

Drilling for funny money

Hollywood’s usual gameplan is to find a formula for success and then use it tirelessly to cash in at the box office. The recent offerings from writer/director/producer Judd Apatow demonstrates how leaning too heavily on one template will inevitably decrease the quality of a filmmaker’s work, even as he produces new films at a rate that would put Henry Ford to shame. Just look at Drillbit Taylor, the latest project from Apatow Production, which has popped out a staggering 15 films in the past three years.

By March 27, 2008

Leisure

Burger, hold the cow

A recent survey by goveggie.com ranked D.C. the sixth-most vegetarian-friendly city in the country. And for thrifty college students, what spells fast-food-vegetarian better than the classic veggie burger? Even fast-food giant Burger King has caught onto the veggie craze with its 2005 introduction of the BK Veggie Burger. But why walk to Rosslyn for a commercialized slab of not-meat when there are better options within blocks of the Georgetown campus?

Whether you are vegan, vegetarian or simply vegi-curious, Georgetown’s veggie burgers give you a chance to do good for your environment, body and wallet all in one sitting.

By March 27, 2008

Leisure

Modern Art from D to D

“Degas to Diebenkorn: The Phillips Collects,” is a monument to the many-headed beast that is Modern art. The exhibit, which is open until May 25th at the Phillips Collection, is a stunning tour through the museum’s acquisitions from the past decade. The incredible variety of media, movements and artists seems daunting at first, but the entire experience has an unexpected cohesion and leaves the visitor with a better understanding of Modern art.

By March 27, 2008

Leisure

Boys and death in a City of Men

In an early scene from Brazilian director Paulo Morelli’s City of Men, best friends Ace and Laranjinha pester Laranjinha’s grandmother for clues about his absent father. The grandmother scoffs at the questions, asking them what good could come from a father who abandons his own child. Ace (Douglas Silva) and Laranjinha (Darlen Cunha) exchange a terrified look, run out the door and scramble through the favela shouting the name of Ace’s young son, Clayton (played by twins Vinícius and Vítor Oliveira), who has been dropped off with acquaintances somewhere in the slum. His father has no idea where he could be.

Ace and Laranjinha’s frantic quest to find Clayton reflects the film’s central themes of fatherhood and maturity. City of Men is based on the TV series that was inspired by Fernando Meirelles’ 2002 film City of God. City of Men shares with that movie its setting in a favela of Rio de Janeiro, an area of violent gang crime; the characters differ, although some of the actors return. While City of God made gang wars the centerpiece of the film, though, City of Men accepts them as a part of life in the slum and focuses on what Morelli sees as the root of the problem: absentee fathers.

By March 13, 2008

Leisure

Not very “Impressed by Light”

The National Gallery’s new photography exhibit, which displays British calotype photography from 1840 to 1860, may be called “Impressed by Light,” but whether you’ll be impressed by the collection is up for debate. Though the 120 photographs presented in the exhibit are historically important as some of the first photographs in British history, their subject matter is often fairly unadventurous and most of the photos are too small and modest to make an impression on our minds, which have been conditioned with flashier modern work.

By March 13, 2008