Leisure

Reviews and think pieces on music, movies, art, and theater.

Leisure

Celeste and Jesse make eternity sound rather appealing

With any eternal vow, there comes the distinct possibility that “forever” may not have been quite as long as originally intended. For Celeste and Jesse, however, this depressing realization never rears its ugly head.

By August 24, 2012

Leisure

Barbara Kruger takes art to new heights at the Hirshhorn

From the first step onto the escalator descending into the Hirshhorn Gallery’s famed rotunda, Barbara Kruger’s newest exhibit, Belief + Doubt, nearly screams at visitors, but in a positive way, as if coaxing them to step back and take another look. With text beginning on the underside of the escalator, viewers are immediately thrown into Kruger’s world, where “Belief + Doubt = Sanity,” with 12-foot questions and phrases covering the gallery from floor to ceiling in this wraparound installation.

By August 24, 2012

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Critical Voices: Alanis Morrisette, Havoc and Bright Lights

With visceral and poetic hits like “Ironic” and “You Oughta Know,” Alanis Morissette has long been known for her autobiographical, emotionally charged lyrics. Havoc and Bright Lights, the 38-year-old Canadian songstress’s eighth studio album, is no exception. The LP is packed with material that draws inspiration from her recent marriage to Mario Treadway, better known from his Boston rapping career as MC Souleye, and her experience with motherhood.

By August 24, 2012

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Critical Voices: Oposom, Electric Hawaii

If you are a sucker for cutesy, Apple-product-commercial music, then Electric Hawaii, the new album from indie-pop outfit Opossom, will fit right into your oversized Beats headphones. Slightly fuzzy vocals, hoppy bass-lines, catchy choruses, dreamy guitars, and a paint-can full of synth give Opossom a classically hip New York City sound—ironic, given that they hail from New Zealand. Though Opossom is the brainchild of Kody Nielson, formally of Mint Chicks, Electric Hawaii boasts a signature, perfected feel that sounds more like the amalgamation of several artistic minds.

By August 24, 2012

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Idiot Box: TLC makes a Boo Boo

In 1972 the Department of Health, Education, and Welfare, in conjunction with NASA, founded a television network with the goal of using TV, which has long been thought to distract the brain from useful function, as a means of education. The network was later named The Learning Channel, or, for short, TLC.

By August 24, 2012

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Haute Mess: Make fetch happen this fall

As you begin to unpack your bags and settle back into the swing of things at the start of a new year, it is important not only to ready yourself for the upcoming semester, but also to find that star-studded look that will give you the confidence for any close-up. With the end of summer looming and the first day of fall on the brink, your look will transition from a bright, vibrant getup to a softer, darker look perfect for a cool, autumn day. But there’s no need to break the bank searching for that perfect runway look. Instead, take these “five essentials” as crucial items for your everyday wardrobe that will carry you from those hot summer days to cool autumn nights.

By August 24, 2012

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GU alums’ film reaches cult status

The premise of Sound of My Voice, the Sundance breakout from Georgetown alumni filmmakers Zal Batmanglij (COL ’02) and Brit Marling (COL ’05), sounds eerily similar to that of a “B”-grade horror movie—the premise of a mysterious female cult leader who claims to be from the future and takes blood transfusions from her followers hardly makes a film approachable. The artful combination of psychological elements and a sci-fi background, however, makes Sound of My Voice a surprising discovery that gracefully treads the line between cerebral indie and suspenseful thriller.

By April 26, 2012

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Nostalgia sets in for senior art majors at Spagnuolo

“There are not a lot of outlets for art on campus, and so I think it is hard sometimes to recognize that Georgetown is not all about Business or International Politics,” senior studio art major Nicole Thomas said. “But there is another side to Georgetown.” And starting this week, that side is on full display.

By April 26, 2012

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Five-Year Engagement will have Segel fans saying, “I do.”

In his latest film, Jason Segel is back to give audiences a peek at what lies beneath his clothing—though, thankfully, not quite to the degree of Forgetting Sarah Marshall. In The Five-Year Engagement, the recent release from director Nicholas Stoller and the prolific producer Judd Apatow, Segel’s signature humor and the film’s raunchy writing transform a movie whose title could very easily be mistaken for your run-of-the-mill rom-com into a genuinely funny, ballsy comedy that is exactly what we would expect from that trio.

By April 26, 2012

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This is the sweetlife

For the second year in a row, the Sweetlife Festival is taking Merriweather Post Pavilion by eco-friendly storm. The festival, which takes place this Saturday, once again promises an enticing combination of delicious organic food, live music, and all things green. But for its sophomore year, everything about this “party with a purpose” is bigger, from the lineup to the impressive list of partners supporting this sustainable celebration.

By April 26, 2012

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Critical Voices: Jack White Blunderbluss

With Blunderbluss, his first solo release, Jack White decided to bring it all back home. Moody yet serene, the album conjures images of The Who, which will probably appeal to die-hard fans of The Black Keys, and though the sound is sometimes smoky, it will not leave you coughing. Instead, guitar rock mogul White has released an album that can be appreciated by devout followers of his namesake band, as well as a newer, unfamiliar crowd.

By April 26, 2012

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Critical Voices: Kip Moore, Up All Night

While it was once said that nothing could quite describe feelings of love and heartbreak like a country song, the largely unimpressive country releases streaming out of Nashville this year would seem to suggest otherwise. But this blatant disregard for lyrical quality paired with poor attempts at instrumental virtuosity may finally have been overcome by the songwriter-turned-singer Kip Moore. Up All Night, Moore’s debut album, introduces a much-needed believability to his lyrics and vocals, which allows the LP to shine above today’s cookie-cutter country.

By April 26, 2012

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Plate of the union: The tea party manifesto

“But still, how can you call yourself a true tea lover if you destroy the flavour of your tea by putting sugar in it? It would be equally reasonable to put in pepper or salt.” Challenge accepted, Mr. Orwell.

By April 26, 2012

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You’ve got issues: Take it with a grain of salt

Dear Emlyn, I’m obsessed with movies, and there are a LOT that I want to watch with my girlfriend. But we only have three weeks left in the semester! She probably does not care to see all of them, but HOW DO I KNOW WHICH ONES SHE DOES CARE TO SEE?! I mean, I can’t ask her directly, that’s weird. On top of this, we have to wait until the fall to watch the next season of Breaking Bad, and that’s just a tragedy. Fix my problems. —Swaggy Swate

By April 26, 2012

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Julien Isaacs throws some glitter and makes it rain

In the basement of a Burleith apartment, the floor of Julien Isaacs’s (SFS ’12) art studio is covered in an inch of glitter. These are the remnants of his latest work of glitter-based iconic images, from a glitter sphinx statue outside his apartment to a glitter painting of Madonna. From this explosion of sparkles, Isaacs has taken Georgetown and the D.C. art community, by storm. Divine Chaos, his exhibit at the Adams Morgan coffeehouse Tryst, is running until May 31 after a sold-out opening night on April 5.

By April 18, 2012

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Pleasant Pops takes off its training wheels for new store

In Adams Morgan, the cost of fame is steep, but it comes with delicious perks. For $1,000, anyone can become a “Pop Star” at Pleasant Pops—an honor which involves naming your own flavor and getting a free popsicle every time you walk through the door of the store, which opens this July. The Pleasant Pops D.C. food truck started out as a single pushcart at farmers’ markets in 2010, but with two years of experience and the help of a Kickstarter campaign, Pleasant Pops co-owners Brian Sykora and Roger Horowitz are rolling their business into a full-fledged store.

By April 18, 2012

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Mock horror fans get Cabin fever

Let’s meet the cast of The Cabin in the Woods: there’s Dana (Kristen Connolly), a moderately attractive college student waiting to be deflowered by the right guy, and her best friend Jules (Anna Hutchinson), a more experienced blonde who is being courted by football stud Curt Vaughan (Chris Hemsworth). Accompanied by conspiracy-theory pothead Marty (Franz Kranz) and not-so-stupid jock Holden (Jesse Williams), they go to Curt’s cousin’s cabin in a setting that looks straight out of a hick-infested History Channel. Sounds like a classic horror movie setup, right?

By April 18, 2012

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Trash Talk: This baggage is emotional

Have you ever wondered what happens to all that luggage that is never picked up from the baggage claim? I haven’t. I don’t even know anybody who checks luggage anymore, because of those ridiculous baggage fees. But apparently it’s a pressing matter, and Spike TV is hoping to capitalize on this obvious gap in the reality programming schedule with its newest series, Luggage Wars.

By April 18, 2012

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Box Office, Baby! Wes up with these films?

There’s nothing like a new Wes Anderson movie. For many fans, he has yet to release a poor film, and at his best, the acting, coolness, and sheer re-watchability of his films is unmatched among contemporary directors. Like his past achievements, Anderson’s upcoming feature Moonrise Kingdom will prove that Wes has maintained his status as a profoundly original director despite his allegedly homogenous filmography.

By April 18, 2012

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Critical Voices: Maps & Atlases, Beware and Be Grateful

With the recent success of artists like Fun., Kimbra, and Neon Trees, the music market is starting to feel a little overloaded with quirky indie pop. Which makes Beware and Be Grateful, the latest release from Chicago experimental rockers Maps & Atlases, a small breath of fresh air—the band’s jangly guitars, lo-fi percussion, and bubbly vocals set them apart in a sea of homogenous synthesizers. Unfortunately, though, Beware’s splintering components do not meld into a cohesive album, and the resulting album is significantly less than the sum of its parts.

By April 18, 2012