Leisure

Reviews and think pieces on music, movies, art, and theater.

Leisure

Throwback Jack: When Rats ruled the Hilltop

Today, faculty at Georgetown take the student Code of Conduct quite seriously, doling out fines, written reprimands, and work sanction hours. Yet when it comes to run-ins with the law our 19th century counter-parts were battling a much stricter set of rules. Still, their prescribed punishments did not prevent these distant Hoyas from having their fun.

By September 22, 2011

Leisure

Critical Voices: Wilco, The Whole Love

While the release of a eighth album may suggest a band’s unwillingness to retire, with The Whole Love, alternative veterans Wilco prove that they’re creative juices are still running strong. Continuing to avoid a defining genre, Wilco remains nestled somewhere between pop, alternative rock, and indie, once again incorporating new instruments and experimental sounds to live up to their continuity-through-change reputation.

By September 22, 2011

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Critical Voices: Clap Your Hands Say Yeah, Hysterical

For a group that started out as an internet buzz band, music blogs have been pretty quiet about Clap Your Hands Say Yeah’s new album, Hysterical. Where the band succeeded by keeping it simple but original, this new album disappoints by kicking up production and burying its tried and true style, ending up sounding like a singing telegram to later releases by The Killers and U2.

By September 22, 2011

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Drive blends the bloody and the beautiful

There’s a scene in Drive where Ryan Gosling and his love interest share a passionate, climactic kiss. Then Gosling ruthlessly proceeds to kick a thug’s skull in. This combination of excessive violence and theatrical set-ups gives Drive a gritty, gore-is-good charm. With quiet, tension-building scenes interrupted by gut-wrenching violence, the film pays tribute to classic car-chasers like Bullitt while mixing in the satirical wit of Tarantino. Danish director Nicolas Winding Refn’s final product is a stylish, bold, and brutal film, filled to the brim with superb acting and beautiful cinematography.

By September 15, 2011

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District of Pi: pizza and politics at their best

By now, most of us have picked out our favorite spot for a dose of cheesy pizza goodness. Some of the less adventurous, such as my gastronomically uninclined roommate, frequently turn to boring chains like Pizza Hut or Domino’s. For pizza snobs, this type of behavior is unacceptable, so it comes as a relief to learn that our president’s taste is a little more sophisticated.

By September 15, 2011

Leisure

Houston, we have a soda

Leo J. O’Donovan Dining Hall has turned a new page. While complaining about Leo’s is a Georgetown pastime, the cafeteria has finally struck a change that will last. And no, we’re not talking about vegetable-infused water. We’re talking about the Coca-Cola Freestyle, the high-tech soda-bot next to the ice cream station. Overnight (or at least over the summer), Leo’s has entered the space age.

By September 15, 2011

Leisure

A glimpse into middle America

In a small but compelling collection of large-scale landscape paintings, D.C.-born artist Ben Ferry succeeds in capturing the essence of his travels to the American Midwest. His exhibit, Upper Middle, featured in the Walsh Building’s Spagnuolo Gallery is relatively small, including only ten paintings, but each of the works is brilliant. Ferry’s merit lies in his ability to transport the viewer from D.C.’s urban chaos to the forgotten worlds of America’s past.

By September 15, 2011

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Whiskey Business: Two sharks walk into a bar

“If you took a cab here, you don’t belong here.” So says one of what must be a million articles of graffiti on the bathroom wall at The Raven Grill, one of D.C.’s dive-iest bars. Although this quote nicely sums up the general atmosphere, it is difficult to describe exactly what makes a bar a dive. Like pornography, I know it when I see it. But there are a few generally accepted principles that all dive bars—or at least the good ones—have to follow.

By September 15, 2011

Leisure

Byte Me: Google Plus doesn’t add up

I logged into my Google Plus account today for the first time since August 15, only to find that during the past month, I had missed absolutely nothing. During the time that my account went completely unused, there were four new posts in my “stream,” the Google Plus equivalent to the Facebook newsfeed.

By September 15, 2011

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Critical Voices: Kasabian, Velociraptor!

After a two-year wait, English rockers Kasabian have released their fourth album, Velociraptor!, but contrary to the title, the album is an electronically-charged shift to contemporary music, not an homage to Jurassic Park. While showing off Kasabian’s trademark versatility, Velociraptor! maintains enough of the group’s pumping beats and straightforward guitar riffs to keep its older fan base on board for the ride.

By September 15, 2011

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Critical Voices: The Kooks, Junk of the Heart

Loyal fans of British indie darlings The Kooks will thoroughly appreciate their third album, Junk of the Heart, an album teeming with the upbeat, whimsical music that made their first two efforts hits. But where Junk succeeds in melodies, its cynical lyrics are an unwanted change to the group’s trademark buoyant subject matter.

By September 15, 2011

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Damon breathes life into Contagion

Don’t panic—seriously. In Steven Soderbergh’s Contagion, the CDC proves to handle a horrifying killer virus with blockbuster-defying competence. The lab researchers deftly work towards a vaccine, the World Health Organization pinpoints the source of origin with ease, and only Congress appears to fail miserably in its attempt to convene over Skype.

By September 8, 2011

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lez’hur ledger: Crunkcakes: baking with booze

It was a rainy Wednesday, and I felt lucky to stand under the awning of the Rock N Roll Hotel, staying as dry as I could. I was nervous because my contact, Raychel Sabath, one of the two founders of Crunkcakes, was out of the office. She did not pick up her phone when I called, and I was beginning to worry that I wouldn’t get what I had driven across town for.

By September 8, 2011

Leisure

Georgetown gone Vogue

It seems every day brings another story of natural disasters or global economic catastrophes. While world leaders may be stalling and losing sleep in search of solutions, what better way is there to combat the looming unemployment reports or the ripples of the debt crisis than to engage in the time-honored and therapeutic tradition of shopping? This Thursday, Georgetown will host D.C.’s Fashion’s Night Out, designed by Vogue magazine and the Council of Fashion Designers of America “to celebrate fashion, restore consumer confidence, boost the industry’s economy, and put the fun back in shopping,” according to the event website, with sales and special promotions taking place at over a hundred D.C. stores.

By September 8, 2011

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Idiot Box: AMC plays the Bad guy

Imagine a character, one you’ve had three long seasons to grow deeply invested in, aiming a gun at another character. Your guy isn’t perfect, and you’ve seen him act in less-than-lawful manners before, but he’s been through a lot, and it reads in his terrified eyes while he holds a gun to a defenseless man’s head. He pulls the trigger, and the screen goes black. End of season three.

By September 8, 2011

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Throwback Jack: Ignatian seismology

This year’s freshman class literally shook campus with its arrival. The earthquake that struck D.C. during move-in week was entirely unexpected, disrupting orientation events and forcing buildings to be evacuated. In the midst of this minor crisis, University officials employed email, text messaging, and nearly every other conceivable medium to get students updates as quickly as possible.

By September 8, 2011

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Critical Voices: Lady Antebellum, Own the Night

Yes, it’s country music. But it ain’t about sexy green tractors, farmer’s tans, or improper grammar. In fact, iTunes first mistakenly labeled all the tracks from Lady Antebellum’s third studio album, Own the Night, as “pop.” Perhaps the trio has begun to head the way of Taylor Swift: cranking out faux-country for a mainstream audience with little respect for true southern rock. Much of the new album, which drops on September 13, is missing the twang of older hits, such as “Lookin’ For a Good Time.” But oddly enough, the group’s transition to an increasingly diverse sound has, for the most part, worked.

By September 8, 2011

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Critical Voices: CANT, Dreams Come True

If anyone in the music industry is on top of their game right now, it’s Chris Taylor. Best known as the bassist and backup vocalist for Grizzly Bear, Taylor has also done behind the scenes work on other well-regarded projects, producing records for Twin Shadow and the Morning Benders. Dreams Come True, the debut album from Taylor’s new solo project CANT, is predictably well-produced, but few of its songs display the songwriting ability that made Grizzly Bear’s Veckatimest an indie classic.

By September 8, 2011

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Not afraid of the Dark

When screenwriter Guillermo del Toro and director Troy Nixey began work on Don’t Be Afraid of the Dark, they set out to make a PG-13 picture. After all, the film is a remake of a 1973 TV movie that, despite its lack of gore, made quite an impression on a young del Toro. The MPAA had other ideas, and ended up giving the film an R rating, because they found it “pervasively scary.” One might consider this a ringing endorsement of the summer’s latest horror venture, but the MPAA was, as expected, terribly wrong. Nixey’s directorial debut is undone by the simple fact that its CGI monsters belong in a comedy, not a supposed fright-fest.

By August 26, 2011

Leisure

Where have all the space cowboys gone?

This summer, NASA’s announcement that it was ending its space shuttle program prompted reactions of nostalgia and sadness from many Americans. The idea of American astronauts having to use Russian space transports to reach the International Space Station seems like a retreat from victories won during the Cold War. But for those wishing to relive the heyday of America’s space program, the Smithsonian National Air and Space Museum recently opened NASA: 50 Years of Exploration, an eclectic gallery featuring artistic interpretations of NASA in its prime.

By August 26, 2011