In this episode of The 250, Danielle and Kayla Hewitt discuss—with ample heated argument—No Country for Old Men, starring Tommy Lee Jones, Javier Bardem, and Josh Brolin. The film won the Academy Award for Best Adapted Screenplay, Best Director, and Best Picture in 2008, and Javier Bardem won Best Supporting Actor for his role in it as…
In this episode of The 250, Danielle and Kayla Hewitt discuss Charlie Chaplin’s anti-fascist commentary, The Great Dictator (1940). In it, they talk about the movie’s historical context and share their thoughts on the film’s humor and political messages. At the time of recording, the film was ranked 53 on IMDb’s top 250 list.
In this episode of The 250, Danielle and Kayla Hewitt take on nuclear nihilism with Stanley Kubrick’s Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. The film is ranked number 52 on IMDb’s top 250, and is an essential piece in Kubrick’s canon.
In this episode of The 250, Kayla Hewitt is joined by special guest Max Fredell to discuss Christopher Nolan’s infamous seventh film, Inception. The film is ranked 14th on IMDb’s top 250, and is Nolan’s second highest-ranked work on the list, following The Dark Knight.
In this episode of The 250, Danielle and Kayla Hewitt discuss The Maltese Falcon (1941). One of Roger Ebert’s “Great Movies,” it is ranked 215 on the IMDb 250, and stars Humphrey Bogart and Mary Astor.
In this episode of the 250, Danielle and Kayla Hewitt discuss The Elephant Man (1980) starring John Hurt, Anne Bancroft, and Anthony Hopkins, and ranked 148 on IMDb’s top 250.
In this episode of The 250, Danielle and Kayla Hewitt discuss IMDb’s 48th-ranked movie, the epic Lawrence of Arabia.
In the first fashion episode of The 250, Danielle and Kayla Hewitt discuss The Devil Wears Prada, starring Anne Hathaway and Meryl Streep. In the episode, they reference an article from Cosmopolitan, which can be found here.
In this week’s episode, Danielle Hewitt and Kayla Hewitt discuss Prisoners (2014) starring Hugh Jackman. Intro and outdo borrows from the movie’s theme music, “The Lord’s Prayer” by Jóhann Jóhannsson.
