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April 2008

Features

D.C.’s Fashion Scene

When people think of New York and L.A. fashion, distinct styles immediately come to mind. Walk the streets of Manhattan and you’re bound to run into super skinny dark wash jeans, flats, and oversized bags. On Sunset Boulevard, you’re going to find brighter colors, more shorts, and flip flops galore instead. Unfortunately, the District’s most memorably contribution to the fashion world is probably still Monica Lewinsky’s little blue dress.

As far as the D.C. fashion scene is concerned, “it is definitely lacking,” according to Robin Levine, a co-buyer at We One You Two.

“ Fashion here is a lot more corporate, you can’t get away with much here. What you’ll find is a lot more classic work wear than the trends,” Levine said.

By April 15, 2008

Features

Women’s Spring Fashion: Flowered Beauties

Click here to view the fall fashion pictures in a gallery format. On Jackie: Print dress, $89, Zara. On Arfiya: Green dress by Yoana Baraschi, $416, Sugar. Gold Bangles by... Read more

By the April 15, 2008

Features

Men’s Spring Fashion: Zeitgeist 2008

Click here to view the fall fashion pictures in a gallery format. T he spirit of the times is bold— colors are getting brighter, clothes are getting tighter, and now... Read more

By the April 15, 2008

Features

Spring Fashion 2008

Click here to view the fall fashion pictures in a gallery format. Welcome to the Voice’s first ever full-length fashion issue! This is an expanded version of our perennial spring... Read more

By April 15, 2008

Crosswords

Crossword Answers

By April 10, 2008

Corrections

Misspelled Last Name

In “Come Hear the Music Play” (Feature, April 10, 2008), the actress playing Sally Bowles in Cabaret was incorrectly identified as “Olivia Bennet.” Her name is, in fact, “Olivia Bennett.” We regret the error.

By April 10, 2008

News

Funding boards hash out next year’s budget

At last night’s annual funding meeting, Georgetown University Student Association President Pat Dowd (SFS ’09) and Vice President James Kelly’s (COL ’09) proposed GUSA Summer Fellows program was allocated $10,820.35—$29,000 less than they had requested. Representatives from GUSA, the Student Activities Commission, the Georgetown Programming Board, the Center for Social Justice, the Performing Arts Activities Commission, the Advisory Board for Club Sports and Media Board divvied up next year’s $310,000 Student Activity Fees. In addition to detailing their funding requests, many of the boards discussed plans for reducing their reserve funds, which cumulatively total more than $800,000.

By April 10, 2008

Features

Come Hear the Music Play

In the last of the New South rehearsal rooms—past the 40 or so students practicing an Indian dance in a line; in the next, some 20 boys and girls watched another student show them where to put their hands to waltz—Lucy Obus (COL ‘11) slipped in her socks while strutting towards a collection of chairs and falls hard on her side. “Whoops!” she called before scrambling to her feet—“I’m ok! Let’s do this!” Mady Greene (COL ’10), started the song for the 15th time, the girls straddled their chairs, and dance rehearsals for Cabaret continued.

By April 10, 2008

Leisure

Forte: The power of music blogs

Turns out the internet isn’t killing the music industry after all. According to a recent study by NYU’s Vasant Dhar and Elaine Chang, the level of blog activity preceding an album’s release strongly correlates with its subsequent sales. Dhar and Chang tracked online buzz for 108 albums during an eight-week period (four weeks before and after release dates), using Amazon.com CD sales as their fiscal reference point. Interestingly, blogging beat out other relevant sources of “chatter”—consumer reviews, online and mainstream media reviews, and (amusingly enough) the bands’ friend count on MySpace—in its predictive power for commercial success.

By April 10, 2008

Leisure

Some Powerful Stuff

The premise of “Stuff Happens” is terrifying: a dramatic reenactment of the build-up to the Iraq War, it could easily have turned into an overdone farce. Instead, the play is more of a thought-provoking documentary than a satire, weaving together detailed research with remarkably unbiased and restrained speculation about what happens behind closed doors. “Stuff Happens” is a powerful and intricately choreographed commentary that is still shocking despite the topic’s familiarity.

By April 10, 2008