Leisure
The first few minutes of Oscar-winning director Jane Campion’s haunting BBC miniseries, Top of the Lake, find a young girl slowly wading into the freezing water, the silhouette of New Zealand mountains emerging through the surrounding mist. Her glassy expression is unreadable and the scene stunningly seductive, but when a frazzled adult arrives and yells that the water could kill her, we begin to understand that there’s a sinister force behind the tranquil landscape. As the story unfolds, its characters disturb the surface in more ways than one, peeling back the outward layers of both their small, sleepy town and their own pasts to discover more corruption than they might have imagined.
By
Julia Lloyd-George
September 5, 2013