Leisure

Reviews and think pieces on music, movies, art, and theater.



Leisure

Semiconductor: wild!

The Hirshhorn’s new installation in its Blackbox exhibition space, “Semiconductor,” will simultaneously engage the left and right sides of your brain. Two English artists, Ruth Jarman and Joe Gerhardt, comprise the artistic duo dubbed Semiconductor, which ignites artistic expression through self-described “digital noise and computer anarchy.”

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The music that actually matters most

Some albums are so good you can’t stop listening to them. You listen and listen, memorize the ins and outs, and the music means so much to you—it is you—that when someone asks you what your favorite record is, there’s no hesitation in your answer.

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Critical Voices: Friendly Fire, “Friendly Fire”

It’s fitting then, that St. Albans-based Friendly Fires come at the idea from the other end on their self-titled debut album, mixing rock influences into their more electronic sound. Nowhere is this mixture more clear than on “White Diamonds,” which plays like a T Rex song for the post-disco era, loping guitar riffs, cowbells, and all.

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Critical Voices: Jackson Browne, “Time the Conqueror”

Jackson Browne fans are accustomed to tender vocals, swinging melodies, and a clean cut sound. Time the Conqueror meets most of these expectations. Since his heyday in the 1970s, Browne has continued to produce a steady stream of ballad-heavy albums, but Time the Conqueror is his first new album in six years.

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Critical Voices: TV on the Radio, “Dear Science”

It is always astonishing when a band consistently improves in leaps and bounds with each and every release. One starts to wonder why we even bother to listen to the drivel that comes from other artists, rather than just wait for the next, exponentially improved release from one of these meteoric bands.

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Liquor lit

On Saturday, legions of writers will descend on the Mall for the National Book Festival, the country’s annual celebration of, by, and for bibliophiles of all stripes.

Authors will sit in the crisp fall air, arrayed in all manner of worn cardigans and tortoise-shell glasses, signing autographs for eager book-lovers in Tevas and socks, for batty school librarians, and for scarf-draped “aspiring playwrights,” and they will all be yearning for a strong drink.

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The premier premieres of fall

With temperatures below 90 degrees, your increasing workload, and a plethora of russet-hued clothes on M street, it seems as though fall is finally here. Fall brings plenty of opportunities to try new things, from doing your reading this semester, to new fashions, to new TV shows, and see what sticks. Fortunately for you, we’ve scouted out all the newly-premiered shows and can tell you what’s worthy of a time commitment.

Leisure

Critical Voices: Astronautilus, “Pomegranate”

At first listen, Pomegranate, Astronautalis’ third full-length album, is underwhelming to say the least. But the record’s subtle inner workings become apparent on the second or third listen. On Pomegranate, Astronautalis (née Andy Bothwell), weaves stories of love, betrayal, loss, lust, and rabble-rousing. Throughout the album, Bothwell mixes together his obsession with historical tidbits, his own family heritage, and his Walt Whitman-esque love for the hard-working man into a conglomerate of stories, sagas, and adventures that span several generations and locales.

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Critical Voices: Young Jeezy, “The Recession”

Three years ago, Young Jeezy’s album Let’s Get It: Thug Motivation went largely unnoticed aside from the Akon collaboration “Soul Survivor,” which dominated radio waves for most of the summer. According to Young Jeezy, his new album “is like Thug Motivation on steroids.”

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Critical Voices: Mogwai, “The Hawk is Howling”

Mogwai’s 1997 debut, Young Team, featured songs that alternated between long tranquil stretches and equally lengthy, face-melting, pummeling hard rock. It won them a lot of fans, but over the years, as they added minor electronic touches and adopted more conventional song structures, those fans begged for a return to their more dynamic early work. Unlike 2006’s Mr. Beast, which largely did away with their vaunted quiet/loud dynamic and stuck with a whole bunch of loud, The Hawk is Howling returns to that template, and longtime Mogwai fans will likely be pleased.

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Chinese triathlon

Two years ago, I conducted a historic competition that took place among three giants of the Georgetown Chinese delivery circuit: Kitchen No. 1, Best Hunan, and Hunan Peking. Scored on price, delivery time, taste, and texture, the judges based their decisions on three dishes: Orange Beef, General Tso’s Chicken, and Chicken Fried Rice. The winner? Hunan Peking, hands down, with Best Hunan a close second and Kitchen No. 1 more like Kitchen No. 3.

But these times, they are a-changin’. Hunan Peking has since closed its doors, and Best Hunan has changed its name and image to the posh Banana Leaves and Asian Restaurant. It was time for a do-over.

Leisure

Righteous Kill retread

I have never seen a movie that adheres to the typical cop-movie formula as strictly as Righteous Kill does. Director Jon Avnet fails to build suspense and ends up producing an overdone story, drenched in lukewarm predictability. The plot, themes, and characters are simply too recognizable to be exciting.

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D.C.: Drab City

This past Sunday, New York Times photojournalist Bill Cunningham chronicled the close of Fashion Week with a study on the shoes about town. While hanging out on 5th Avenue taking pictures for his weekly “On the Street” feature, Mr. Cunningham ran across studded stilettos and snakeskin stacked heels paired with super-high hemlines. Three hundred miles south, I observed a very different scene in Columbia Heights.

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Burn After Reading: very un-Dude

Who didn’t see this one coming? In their twenty-four years of screenwriting and directing, Joel and Ethan Coen have bounced between dark plunges into a killer’s abysmal psyche and zany tales of boneheaded crime schemes gone awry. After last year’s bloodthirsty adaptation, No Country for Old Men, the brothers’ oeuvre seemed ripe for a few giggles, and Burn After Reading presumes to deliver the goods.

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Avedon: power and politics in portraiture

“Richard Avedon: Portraits of Power,” a comprehensive collection of 200 images of iconic figures of the past and present spanning five decades, presents interesting ideas about who qualifies as a political figure, and what constitutes a person in power.

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Just one more night in Bangkok

“The work is steady, the money’s good, but it’s not for everyone,” says Nicolas Cage’s assassin Joe at the beginning of Bangkok Dangerous. He’s describing his globe-trotting, gangster-murdering job, but he could just as easily be describing Cage’s career. The actor has delivered reliably decent performances in action movies for years, sometimes giving the impression that he worked harder on a single scene than the screenwriter did for the whole movie.

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The shorter the better

It’s that time of year again! No, not “International Housekeeper’s Week,” although I’m sure everyone’s super excited about that. This bit of news is just as good; District’s very own DC Shorts Film Festival is back for the fifth year in a row, starting on Thursday, September 11th.

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Doomsday drinks

If you’re reading this, then you know that the world did not come to an end on September 10, 2008 at 4: 27 a.m. Eastern Standard Time. At that moment, a group of European scientists under the city of Geneva, Switzerland, flipped the “on” switch of the Large Hadron Collider, a massive proton accelerator whose essential purpose is to recreate the Big Bang on a miniature scale.

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A side of this, a side of that

With its bright cerulean walls and lemon trim, Glover Park’s Surfside is an oasis in a desert of gray concrete buildings. Which is fitting, because the month-old Surfside is attempting to pass as a transplant straight from the West Coast. While the decorating scheme (complete with colorful chalk boards, a butcher-block counter, rooftop seating, and a mural of the beach) looks like it was lifted from the boardwalk, the food is far from sandy hot dogs and cherry slushie.

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Frustrated by faith, a labor of love

Two women holding hands, deep in prayer, their faces digitally blurred, star in the opening scene of A Jihad for Love. Filmmaker Parvez Sharma’s documentary gives these and other gay and lesbian Muslims a chance to tell their stories, though a majority of their faces remain covered out of fear for themselves and their families. This gripping film takes place in twelve different countries and nine different languages. From drag queens in North India to a young Egyptian refugee in France, the stories are all different, but none can avoid the grief and frustration that arises from the conflict between sexual orientation and religion.