Goes down easy: a rotating biweekly column about drinking

If you want to see how drugs and alcohol breed artistic genius, take a glance at Manet, Van Gogh and Picassoshy;—the artists who gave absinthe its modern notoriety as a mysterious elixir that left lonely men dreaming of bright colors in drab pubs.

By Chris Stanton March 29, 2007

Leisure

John Malkovich is Stanley Kubrick

John Malkovich is Alan Conway, an impersonator of Stanley Kubrick, who is as powerful and creepy as they come: flamboyant, with faint lipstick, colorful neck scarves, and an array of accents tailored to his con victims.

In Color Me Kubrick, Malkovich is the desperate con man Alan Conway, who baits men with his assumed identity—that of directer Stanely Kubrick. With the young designer he is an oily Brit; with the heavy metal band Exterminating Angels he is deep-throated and boastfully masculine; and with another man he impersonates an eclectic oil-baron from Texas.

By Ryan Maye Handy March 29, 2007

Leisure

Critical Voices

Timbaland, Timbaland presents Shock Value, Interscope There’s been massive hype surrounding the release of Timbaland presents… Shock Value, and understandably so. The producer was on fire in 2006, crowning Justin Timberlake as king of pop with FutureSex/LoveSounds and morphing Nelly Furtado into a sexy dance-floor queen with erotic beats on Loose. But, even though Shock Value is loaded with similar flourishes, it is weighed down by stale vocal collaborations.

By Justin Hunter Scott March 29, 2007

Leisure

Getting political with Ted Leo

New Jersey native Ted Leo isn’t your typical semi-knowledgeable, politically-charged artist. He’s a punk rocker, yes, but he also earned an English degree at the University of Notre Dame. In his recent interview with the Voice via e-mail, Ted discussed in depth the political themes that run through his latest release, Living with the Living, demonstrating a mastery of syntax seldom seen in the world of indie rock.

By Traviss Cassidy March 22, 2007

Leisure

Maya Roth’s Big Love is a lot to love

Big Love just isn’t big enough to conquer all the staples of a social drama—free will, “love thy neighbor” and unrelenting feminism are just a few issues tackled in this revival of an ancient classic. Nevertheless, the performances are captivating, and the script is tinged with enough humor and cynicism to redeem the occasional dragging monologue.

By Madeline Reidy March 22, 2007

Leisure

Critical Voices: Andrew Bird

Album number seven from Andrew Bird finds the midwestern singer-songwriter returning to many of the elements that made his last few albums beloved by his fans. It makes for a good album, and while Armchair Apocrypha can’t quite match 2005’s excellent Andrew Bird & the Mysterious Production of Eggs, it nonetheless stands as another remarkable entry in an increasingly varied and impressive oeuvre.

By P.S. Hepburn March 22, 2007

Leisure

Critical Voices: Low

Low never used to be a surprising band. These pioneers of the minimalist, glacially-paced subset of indie rock called slowcore made a name for themselves, beginning with their early ‘90s debut, by doing exactly what everyone expected: producing album after album of quietly gorgeous songs stealing plays from the Velvet Underground.

By Chris Norton March 22, 2007

Leisure

You Taste Like A Burger

Red Ginger is unusually quiet for a Wisconsin Avenue restaurant, but don’t let the empty tables fool you: this Caribbean eatery is everything you could want in a restaurant, and then some.

By Kathryn Brand March 22, 2007

Leisure

Black and white and pop all over

Beach Boy Brian Wilson once claimed he was making “teenage symphonies to God.” Wilson knew, perhaps better than any musician of his time, that a great pop song can be deeply spiritual, each melody crafted as an offering to some unknown musical deity.

By Traviss Cassidy March 15, 2007

Leisure

Getting politcal with Ted Leo

New Jersey native Ted Leo isn’t your typical semi-knowledgeable, politically-charged artist. He’s a punk rocker, yes, but he also earned an English degree at the University of Notre Dame. In his recent interview with the Voice via e-mail, Ted discussed in depth the political themes that run through his latest release, Living with the Living, demonstrating a mastery of syntax seldom seen in the world of indie rock.

By Traviss Cassidy March 15, 2007

Leisure

Maya Roth’s Big Love is a lot to love

Big Love just isn’t big enough to conquer all the staples of a social drama—free will, “love thy neighbor” and unrelenting feminism are just a few issues tackled in this revival of an ancient classic. Nevertheless, the performances are captivating, and the script is tinged with enough humor and cynicism to redeem the occasional dragging monologue.

By Madeline Reidy March 15, 2007

Leisure

Critical Voices

Low never used to be a surprising band. These pioneers of the minimalist, glacially-paced subset of indie rock called slowcore made a name for themselves, beginning with their early ‘90s debut, by doing exactly what everyone expected: producing album after album of quietly gorgeous songs stealing plays from the Velvet Underground.

By Chris Norton March 15, 2007

Leisure

Critical Voices

Album number seven from Andrew Bird finds the midwestern singer-songwriter returning to many of the elements that made his last few albums beloved by his fans. It makes for a good album, and while Armchair Apocrypha can’t quite match 2005’s excellent Andrew Bird & the Mysterious Production of Eggs, it nonetheless stands as another remarkable entry in an increasingly varied and impressive oeuvre.

By P.S. Hepburn March 15, 2007

Leisure

You Taste Like A Burger: Red Ginger

Red Ginger is unusually quiet for a Wisconsin Avenue restaurant, but don’t let the empty tables fool you: this Caribbean eatery is everything you could want in a restaurant, and then some.

By Kathryn Brand March 15, 2007

Leisure

The best German film since Run Lola Run

The opening scene of The Lives of Others is austere and deadpan, an appropriate introduction to a film set in communist East Berlin. In a sterile classroom, secret police lieutenant Gerd Wiesler (Ulrich Mühe) instructs students in the merciless process of interrogation, emphasizing that only the guilty shed tears.

By Madeline Reidy March 15, 2007

Leisure

Gray Matters? More like gay matters

Gray Matters is like its star, Heather Graham—bubbly, nice to look at, but a bit lacking in depth and substance. It’s the story of a young single professional in Manhattan, named Gray, only in this hackneyed plot the twist is that Gray falls for her brother’s girl.

By Shira Hecht March 15, 2007

Leisure