Leisure

Reviews and think pieces on music, movies, art, and theater.

Leisure

Inside Tennessee’s Bedroom

After a long day of class or a stressful all-night cram session, the sight of your bed is a comfort and a relief, representing a haven of well-deserved rest. But to troubled playwright Tennessee Williams, his bed lost all symbolism of warmth, and came instead to embody loneliness, insomnia, and substance abuse. This unfortunate association is the subject of Service of My Desire, a 15-minute solo performance which runs this weekend in the Gonda Theater as part of The Glass Menagerie Project.

By March 17, 2011

Leisure

Get wired in Portrait Gallery with A New Language

History may have awarded John Hancock and Queen Elizabeth with fame for their bold and ornate signatures, but sculptor Alexander Calder deserves points for creativity—when signing his works, Calder brandished cold copper wire as elegantly as any calligrapher. In sculpting wire portraits of famous people, which lack any trace of a brush or a stone surface, Calder marked each of his wire sculptures with an inventive inscription. Woven behind an earlobe, under a chin or at the base of a neck, Calder looped wire to form his signature on each of his whimsical wire portraits.

By March 17, 2011

Leisure

Critical Voices: The Strokes, Angles

After five years of silence, solo projects, and anticipation, The Strokes have reunited and reemerged with Angles, their first release since 2006’s First Impressions of Earth. During the interim, the band had become characterized by tensions between frontman Julian Casablancas and his bandmates, who accused him of being a creative tyrant. Angles was a joint attempt to mollify these tensions. It was the first of The Strokes’ albums to be composed collectively. But if you’re a superfan, don’t get too excited—Angles will disappoint anyone looking for more of the Strokes’s trademark electronic dance vibes.

By March 17, 2011

Leisure

Critical Voices: Travis Barker, Give the Drummer Some

It’s hard to think of Give the Drummer Some, the solo debut from Blink-182 drummer Travis Barker, as a product of the man who helped craft the sound of one of the most quintessential pop-punk bands of the late 1990s and early 2000s. Instead of Blink’s power chords and whiny vocals, the drummer’s solo effort is a rap-rock project, packed with A-list vocals and production—with the latter category including Barker’s own talent. While the album lacks consistency, it displays Barker at his best, showcasing his undeniably brilliant drumming skills while blending his own sound with the distinctive styles of his featured artists.

By March 17, 2011

Leisure

Amuse-bouche: Green beer, black out

Between a boyfriend and boyfriend-wannabe is not a comfortable place to sit. But about two years ago, I had just that unfortunate experience. The former hailed from Beverly, Chicago, the last Irish stronghold of the Chicago South Side, the latter from Breezy Point, a Queens neighborhood so Paddy it may as well be Galway. And that was pretty much the meat of their conversation. “We’re 95 percent Irish,” my boyfriend said. “We’re 99 percent Irish.”

By March 17, 2011

Leisure

Fade to Black: Lights, camera … action?

Last summer, Hollywood brought out its big guns for The Expendables, a hedonistic bullet-fest that claimed to be nothing but that. But the movie did have one sizable surprise: its cast of aged veterans— Schwarzenegger, Stallone, and Willis—felt oddly refreshing. The disheartening truth is that the classic action movie, with its dual-wielding protagonists, blond Russian enemies, and unforgiving muscles, is at a low point in its existence. Recently, studios have managed to churn out some movies in this dwindling genre, but superhero and comic book films have gotten a stranglehold on the good ol’-fashioned blockbusters in which the aforementioned California Governor thrived.

By March 17, 2011

Leisure

Pay to cook your own pizza … and like it

If you’ve gone out looking for HomeMade Pizza Co., you very well might have walked right past. Tucked into a small, unassuming location across from Safeway on Wisconsin Avenue, this new restaurant hides an unconventional pizzeria behind its minimalist storefront. And despite the menu’s mouthwatering toppings—including chèvre, marinated artichokes, and poblano pepper—not a whiff of bubbling parmesan greets hungry customers. In fact, there is not a table in sight, nor any indication of a wood-fired pizza oven. Though chefs in white toques spin soft, flour-dusted dough into enticing, round pies behind the counter, HomeMade advertises itself based on the very service it does not offer

By March 3, 2011

Leisure

Hirshhorn eyes Blinky

According to the Hirshhorn Gallery’s press release, Blinky Palermo was “long celebrated throughout Europe.” He is, however, an “artist’s artist” who has “escaped America’s notice.” That is perhaps why Blinky Palermo: Retrospective 1964-1977, running now in the Hirshhorn until May 15, is his first retrospective in the states, despite his many active years. That is to say, the Hirshhorn is sending up smoke signals of desperation, the kind that usually tip off even the art-inclined that an exhibit isn’t really worth your time. Which is a shame, because the usual clichés actually apply here: the little-known Palermo’s paintings and sculptures really do deserve more attention than they’ve gotten.

By March 3, 2011

Leisure

Cupcake warfare

Do you ever walk down M Street and think to yourself, “Wow, I really wish Georgetown had another high-end, overpriced, nationally-famous cupcakery?” Probably not, since the line and television crew outside Georgetown Cupcake are almost as unavoidable as those ubiquitous pink boxes you eye with envy when you see them all over campus. But despite the fact that Georgetown’s overpriced confection market has been very much tapped, today, Sprinkles Cupcakes’s flagship D.C. location will have its grand opening—just a few blocks away from Georgetown Cupcake.

By March 3, 2011

Leisure

Nic Cage: Convict from Hell

The trailer for Drive Angry 3D proudly and brazenly plugs one of the more ridiculous plots in recent cinematic history—Nicolas Cage breaks out of hell and fights with a vengeance to save his infant granddaughter from a murderous biker cult. With an almost self-parodying premise (and grammatically questionable title), you might expect a certain level of self-aware schlock. For the first 10 minutes, it seems to have just that—you’re poised to make a two-hour descent into the guiltiest B-movie pleasure ever, as a hard-eyed Cage chases and dispatches three unknown evildoers. Cars blow up, cheesy dialogue is exchanged, and disembodied, three-dimensional limbs fly out of the screen straight at the viewer.

By March 3, 2011

Leisure

Critical Voices: Alex Ebert, Alexander

Alexander suggests that Alex Ebert has finally made up his mind about where he belongs in the music spectrum. Though currently fronting indie-hippie outfit Edward Sharpe and the Magnetic Zeros, Ebert previously spent time as lead singer of L.A. powerpop band Ima Robot, and even attempted to pursue a rap career. His solo debut, however, is clearly in the same vein of his most recent work, sounding much like he does when backed by his Magnetic Zeros. And although Ebert clearly has a talent for indie-folk, listening to Alexander all the way through will make the listener think that maybe he could do with a change of genre.

By March 3, 2011

Leisure

Critical Voices: Peter Bjorn and John, Gimme Some

In the age of iTunes, cover art is an oft-overlooked piece of an album’s appeal. This is an unfortunate casualty, because frequently cover art can offer insight about what kind of music to expect from the album’s tracks. Take, for instance, the cover of Peter Bjorn and John’s latest release, Gimme Some. It carries the image of a “funk mitten,” or a three-thumbed foam finger. This rather bizarre, colorful picture reflects the sometimes confusing pop-rock sound on the Swedish trio’s energetic but disjointed sixth album. Gimme Some, on the whole, is intriguing—it contains an almost equal number of praiseworthy and skip-worthy tracks.

By March 3, 2011

Leisure

Internet IRL: They see me trollin’

Those who take advantage of free speech can be inspiring. They can also be really awful, and sometimes really, awfully interesting. One of the greatest enjoyments I’ve derived from editing Vox Populi is observing how commenters respond to different posts. Many posts float by without being noticed, but others quickly erupt in an avalanche of opinions, humorous one-liners, and royal personages. And then, of course, there are the obligatory trolls. Trolling demonstrates the full potential of the first amendment in a domain where censorship is focused on larger problems, like covering up nipples and taking the fun out of hit singles by Cee-Lo Green

By March 3, 2011

Leisure

Banger Management: Mixing up success

In 2008, Chris Anderson, editor-in-chief of Wired, declared that “free has emerged as a full-fledged economy. Offering free music proved successful for Radiohead, Trent Reznor of Nine Inch Nails, and a swarm of other bands on MySpace that grasped the audience-building merits of zero.” Although Anderson cites artists of various styles, in no genre is “free” more prevalent than hip-hop. Mixtapes, which don’t directly generate any money for rappers, have become just as important to hip-hop stars as studio releases—if not more so.

By March 3, 2011

Leisure

Tenn Cent Fest opens with Menagerie

Most are familiar with Tennessee Williams’s A Streetcar Named Desire and Cat On a Hot Tin Roof. In honor of this prolific playwright, this March the Davis Performing Arts Center is presenting the Tenn Cent Fest, a month-long celebration and exploration of Williams’ work and legacy. The first component of this festival, The Glass Menagerie—a play that characterizes Williams’s southern-gothic tone—opens this week. It’s a big, complex undertaking, and the Department of Performing Arts manages to pull it off with impressive skill and execution.

By February 24, 2011

Leisure

Sheen and Estevez visit G’town, talk Nixon

On Friday, actors Martin Sheen and Emilio Estevez visited Georgetown to discuss their upcoming film The Way, a story about a man traveling the Camino de Santiago, a Christian pilgrimage in Spain. Interview transcribed by Leigh Finnegan. Did you decide to come to Georgetown because it’s been too long since St. Elmo’s Fire? Estevez: I haven’t been here since then! We got in so early this morning I haven’t gotten a chance to look [around].

By February 24, 2011

Leisure

Lez’hur Ledger: Salsa, ¡aye caramba!

“We’re going to take you on a mambo-salsa cha cha cha ride!” With a voice lifted right from Vince Schlomi of ShamWow commercial fame, emcee Earl Rush of StuckonSalsa.com goaded a group of nervous, mostly thirty-or-forty-something couples onto the dance floor, and cued the DJ. Though it may have been dark, windy, and oppressively cold outside, the bright lights of the ballroom of Rosslyn’s Artisphere bathed the auditorium in reds and yellows. Starting this week, the urban arts center is hosting weekly Tuesday night salsa lessons, followed by a large live band that was made up of about as many musicians as there were people on the dance floor.

By February 24, 2011

Leisure

Critical Voices: Radiohead, The King of Limbs, pro

With the release of their eighth full length album, The King of Limbs, Radiohead has found itself more pigeonholed than ever. Everybody seems to have a preformed opinion about the band’s impressive, critically-acclaimed cannon, and projecting that opinion onto Limbs. This is a standard reaction for a Radiohead release—as a result, most of what people say about Limbs will likely reflect opinions they had before album opener “Bloom” crescendoed past its initial piano loop. But these eight songs deserve to be looked at in their own right.

By February 24, 2011

Leisure

Critical Voices: Radiohead, The King of Limbs, con

“King of Limbs is boring.” That’s a popular refrain regarding Radiohead’s briefly-anticipated LP, already a polarizing album less than a week after its release. Lacking the band’s trademark dynamism, Limbs shows Radiohead in rare, understated form. Taking this approach now is strategic—with Arcade Fire as the new bombastic fearmongers for the smarter-than-you set, it sets the group up to brush off accusations of dullness: “We meant for this to be a mellow record, it’s you who doesn’t get it.” But this implication skips over a lot of things.

By February 24, 2011

Leisure

Fade to Black: Cage against the machine

The glamorous world of Hollywood has always had its ups and downs. But no matter the industry’s condition, one man has managed to keep audiences and insiders on their toes. Defined by his notable voice, characteristic facial expressions, and dramatic range rivaled only by Daniel Day Lewis, Nicolas Cage has done it all. His work has earned him roles in films by the Coen Brothers and David Lynch, and even an Oscar. Yet the later works in the Cage canon—films like Bangkok Dangerous and this Friday’s Drive Angry 3D—prompt one of the most-pondered questions of our day: What the fuck is Nic Cage doing?

By February 24, 2011