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February 2011


Sports

Backdoor Cuts: Anthony wants trade

The constant flow of trade rumors surrounding Denver Nuggets small forward Carmelo Anthony has been the most intensely covered story of the NBA season. It’s also the most anticlimactic. The repetitiveness and speculation characterizing each potential trade report is enough to drive any sports fan mad.

Voices

Theory is not flawless policy

We often hear the phrase “Georgetown bubble” used to describe the experience of students who seldom venture beyond M Street and Wisconsin Avenue except to watch the Hoyas play basketball at Verizon Center. To some, it suggests a heavy workload, to others, elitism. The term conjures an image of undergraduates safely ensconced behind the walls of Georgetown, reading the likes of Hobbes.

Features

Off-Campus Blues: Life outside the gates

About a year ago, the front steps of Anna Dimon’s (COL ’11) house on Prospect Street collapsed and became completely unusable. After a year of things falling apart in the house, including breaking floors, an exploding water heater, and the doorknob falling off the basement door, the stairs were the last straw.

Leisure

Mask and Bauble’s Todd: Laugh, rinse, repeat

If too often you find yourself holed up in Lau, twisting your brain trying to survive your second semester of organic chemistry, you don’t want to see a play that’s going to tie your mind in knots. Mask and Bauble must have realized this and decided on a spring play that is about as far from meta-theater as one can get—Sweeney Todd, the Steven Sondheim classic on which Mask and Bauble gives an innovative take. Though at points disjointed, the cast takes full advantage of their roles to create a fun-filled atmosphere that will make any audience forget that they’re watching a play about killing people.

Leisure

Improv alumni celebrate 15th anniversary

If you’re an acquaintance of anybody in the Georgetown University Improv Association, you may have noticed a slight change in your Facebook events during the past few days. Suddenly, your invitation to Improvfest this weekend was missing half of its title. Originally, it boldly advertised an extra-special guest headliner: the all-caps-worthy “MIKE BIRBIGLIA.”

Leisure

Rapids needs more raucuousness

Ever since the massive success of 2009 smash-hit The Hangover, a series of R-rated comedies have attempted to imitate and capitalize on the blend of well-crafted, raunchy dialogue and situational absurdity that made the movie such a success. With Cedar Rapids, director Michael Artera takes imitation one step further, borrowing Hangover star Ed Helms.

Leisure

Herbivores take over D.C.

Last week, Washington was overwhelmed by what many claim to be the greatest culinary innovation ever to come out of American kitchens: barbeque. This celebration of the grill—and all other things carnivorous—was part of the annual D.C. Meat Week. But after a week’s worth of fatty protein, D.C.’s vegetarian and vegan community is striking back, combatting some of that high cholesterol with the second annual D.C. Meat-Free Week.

Leisure

Critical Voices: Cut Copy, Zonoscope

With Zonoscope, Cut Copy is going on a trip. The Melbourne-based electro-pop group’s sophomore release is brimming with journey images and metaphors, from song titles like “Where I’m Going” to lyrics like “take it from me/we’re on a path to eternity.” And while Zonoscope is still filled with the ecstatic, feel-good, summer-y beats that fans have come to expect, this release is Cut Copy’s attempt to be taken more seriously.

Leisure

Critical Voices: Mother of Mercy, IV: Symptoms of Existence

Philadelphia metallic-punk outfit Mother of Mercy is not for the faint of heart. MoM delivers a distinct blend of straightforward hardcore punk and darker, brooding rock sounds influenced by the likes of Danzig and Samhain. After years of creating impressive music and touring with punk forefathers, last year Mother of Mercy signed with premier hardcore and punk label Bridge 9 Records.

Leisure

Fade to Black: We don’t need no education

Just over a week ago, three Georgetown graduates made their mark on the Sundance Film Festival. Hoyas contributed to two entries, earning two prizes and sending shockwaves through the indie film world. While Georgetown can take pride in these ambitious filmmakers’ success, their graduation from a school that lacks a film program proved yet again that when it comes to getting ahead in the movie business, a degree from New York University’s Tisch School of Arts is often not as important as raw talent.