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Deadbeats
To the laziest constituents of music’s critical and consumer realms, each sparkle from Lil’ John’s grill represents the victory of style over substance, production values over quality songwriting. We are entrenched in an era when studio trickery can wax even the window-shattering squawks of Ashlee Simpson to an FM-ready polish.
Environmental aesthetics on M Street
What would you do with some algae, horsehair and snow? Throw it all away? Not Emily Chirstenson. Her first East Coast show, Blue Currents, proves that paintings become prettier if you let nature participate in their creation.
Bold impressions of the sea
Impressionists by the Sea is the latest much-anticipated exhibition to grace the walls of Dupont Circle’s Phillips Collection. Composed of selected pieces from The Collection and contributions from the Royal Academy of Arts in London and the Wadsworth Athenaeum Museum of Art in Hartford, Connecticut, the exhibition depicts the evolution of the northern French shore from wind-swept fishing villages and raw breakers to a Riviera-style parade of luxury.
More Method Than Madness
The Director’s and Dramaturg’s notes on Hamlet talk of the pitfalls of reinterpreting Shakespeare for a modern audience. Gussy it up with modern twists and it becomes a gimmick; try to tie it to its original time period and it becomes an artifact. The goal is to “create a common space,” as dramaturg David Cumming (SFS ’08) puts it; to be “bridge-builders.”
Music for your mind
Based upon its premise alone, The Gunshy’s There’s No Love In This War stands as one of the best independent releases of 2007.
America according to Colbert
If I were to take the advice Stephen Colbert’s offers in his new book I Am America (And So Can You!), I wouldn’t stoop so low as to write about the hilarious and much-needed “Constitution for the Colbert Nation.” I would feel it with my gut.