The Georgia O’Keeffe: Abstraction exhibition opening this week at the Phillips Collection will radically redefine the way people view the iconic artist. O’Keeffe becomes youthful, revolutionary, and full of contradictions.
By Sara Carothers February 4, 2010
The Lucille and Richard Spagnuolo Gallery is trying to shed its perception as the odd room you might glance at while swiping your GoCard on the way into the LXR courtyard. The banners outside of Walsh announcing its new exhibition, The Creative Photograph in Archaeology, seem to herald the transformation of the space from an afterthought into a legitimate showcase of artistic works.
By Sara Carothers January 28, 2010
With budget problems mounting every week for D.C. transportation organizations, it’s hard to think about investing $1.5 billion over the next seven to ten years in an entirely new citywide... Read more
By Sara Carothers November 5, 2009
The summer of 2008 was a fantastic time for those in D.C. who often gaze wistfully at efficient and popular public transportation systems of European cities. It seemed as though... Read more
By Sara Carothers October 15, 2009
The list of the host cities of the G-20 Leaders Summits for this year has a bit of a jarring finish: D.C., London, and … Pittsburgh? New York City, or... Read more
By Sara Carothers September 24, 2009
Of the various health care bills currently floating around the House and Senate, the late Senator Ted Kennedy’s committee on Health, Education, Labor and Pensions (HELP) wrote the one with... Read more
By Sara Carothers September 3, 2009
In an industry where bad romantic comedies and gratuitous horror flicks can be filmed in as few as six weeks, it’s comforting to know that it took six months to... Read more
By Sara Carothers February 12, 2009
In the pop culture psyche of many Americans, Richard Nixon’s life and career ends at the moment when his most notorious picture was taken: arms raised in the air waving... Read more
By Sara Carothers January 15, 2009
In the first film he's both written and directed, Synecdoche, NY, Charlie Kaufman employs one of the most common archetypes of our time: the sad, unattractive, pot-bellied, middle-aged husband who doesn't feel like his life has a drop of significance. But where other films find the usual fixes in new jobs or women, Synecdoche enters into a different reality altogether. Phillip Seymour Hoffman's Caden Cotard watches his body deteriorate and his world become less and less like the one we actually live in, as Kaufman creates an alternate world where the normal laws of society, time, and physics don't apply. The viewer must likewise abandon logic and reason, but the reward will be an emotionally challenging and visually astounding journey.
By Sara Carothers November 13, 2008
On a night like many other during my freshman year, I sat in the Leavey Center’s big comfy chairs and pretended to do homework with friends from my floor. But on this night, my friend took me and another friend aside and said that she had something important to tell us. I had no idea what it could be, but after she started to say what was on her mind, stopped, and tried again in a different way, I realized that whatever it was, it was big and daunting for her. We encouraged her to just get it out there. “I think I might like girls,” she finally said. “You might?” my naïve self asked, not quite grasping what she was trying to tell us.
By Sara Carothers October 30, 2008