Leisure

Reviews and think pieces on music, movies, art, and theater.

Leisure

Critical Voices: Suuns, Zeroes QC

Modern indie music is too often composed of clichéd hooks and replications of once-original devices. The genre’s progression towards artistic homogeneity makes new approaches all the more refreshing to hear. Montreal’s Suuns is one of those bands that surpasses expectations, and has redefined the limitations of the song as a means of expression.

By October 21, 2010

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Critical Voices: Stereolab, Not Music

Stereolab is a band that has long defied convention. The lovechild of England’s Tim Gane and France’s Laetitia Sadier, the band has achieved great critical acclaim as one of the foremost members of the mid-90’s electronic indie music movement. Then, earlier this year, they decided to take an indefinite hiatus from their 20-year career.

By October 21, 2010

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Literary Tools: Drug addled and dangerous

Counterculture is a dirty word. Instead of diluting the influence of social pressures on individuality, the counter-culture imposes a new hegemony on those who don’t belong to the mainstream. It is composed of its own ideals and standards and, under the guise of rebellion, pushes for an even more rigid social structure than the one it opposes.

By October 21, 2010

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Suffer for Fashion: I think he played music too

This month, on what would have been his 70th birthday, John Lennon’s friends, family, and fans gathered to celebrate the life of one of the world’s most admired, adored, and controversial musicians. People placed flowers at the Strawberry Fields memorial in Central Park. The city of Liverpool, his hometown, unveiled a statue of him.

By October 21, 2010

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Bad haircut, worse movie

Ed Norton, in full prison garb, walks into a counseling office. He informs his parole officer that he has found religion. Suspicious, yes, but it appears that his epiphany has some degree of sincerity to it, and Ed has become a new man. Sounds like American History X, right?

By October 15, 2010

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Alone in his room, Edwards creates Monsters

There’s nothing new about a young filmmaker venturing out on his own and making an independent pet project. Most of the time, these are low-budget affairs that shuck special effects in favor of small-scale stories and clever writing. Some are brilliant, but budgetary restraints and production limitations guarantee that most are just film festival fodder.

By October 14, 2010

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Bill Ward explains the Things That Fools Do

Most seniors will spend their final year taking classes they’ve put off since they were freshmen, and then either applying to graduate school or frantically begging for employment. So Bill Ward (COL ’11), who already has a job lined up at Morgan Stanley, is liable to make his classmates pretty envious.

By October 14, 2010

Leisure

Improv incoming!

There’s a whole lot to look forward to this weekend—convincing your visiting parents to buy you everything you can’t afford, kicking off the basketball season, and seeing Despicable Me in the ICC auditorium. But for those of you still looking to fill your planners, there’s the Georgetown Improv Association’s first show of the semester, Holy Moly!

By October 14, 2010

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Critical Voices: Mount Eerie, Song Islands Volume 2

Song Islands Volume 2 is like an ice cream cone completely covered in ketchup: there’s something of value in there somewhere, but you’re so afraid to take that first bite that you’ll never find out exactly what that is. Mount Eerie frontman Phil Elverum tries to represent a wide variety of styles with his compilation album.

By October 14, 2010

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Critical Voices: Belle & Sebastian, Write About Love

Few bands embody the rise of independent music over the last decade better than Belle & Sebastian. This Scottish seven-piece began their career as the final project of front man Stuart Murdoch’s college music class in 1996. Since then, Belle & Sebastian have been hailed as the triumphant return of classic British pop.

By October 14, 2010

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Warming Glow: Glee is bigger than Jesus

In 1966, when John Lennon quipped that the Beatles were “more popular than Jesus,” people went nuts. They burned records and religious groups pounded home the argument that Satan loves rock and roll. A little ironically, the Beatles have since become so canonized that these days comparing any musical act to them is decried as blasphemy.

By October 14, 2010

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Rub Some Dirt On It: The no-saline-solution blues

The hardest-working organs in any college student’s body are probably the eyes. They are continuously glued to a computer-screen lit in harsh, artificial light, gazing at power-point slides during class lectures, pouring over glossy textbook pages into the early morning, or adjusting to the strobe-lights at a Saturday night party.

By October 14, 2010

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Considerate comedy with Mike Birbiglia

On Tuesday night, comedian and Georgetown grad Mike Birbiglia (COL ’00) spoke with the Voice about his current tour, upcoming book, and his time on the Hilltop. Interview conducted and transcribed by Heather Regen.

By October 7, 2010

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Lez’hur ledger: There are no winners at the Air Sex World Championship

So here’s the thing about showing up to the D.C. leg of the Air Sex World Championship alone: it’s awkward. Like, hanging out alone at the back of an indie rock concert by yourself awkward, with the fear that everyone around you will think you’re some kind of pervert.

By October 7, 2010

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Should have stayed Buried

Perpetual frat-boy Van Wilder trades in his iconic red Solo cup for the confines of a coffin in Rodrigo Cortès’s new thriller, Buried. From the very first scene of the film, the audience is also resigned to this tragic fate, as the camera stubbornly remains trapped inside of the coffin for the entire 94-minute duration of the film.

By October 7, 2010

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Tragic but “fun”

Anyone who read Macbeth in high school knows the basics of the tragic play: it’s long, heavy, and ominous, and its costumes and sets echo its grim themes. But, as director and professor Nadia Madhi explains, her interpretation of Federico Garcia Lorca’s Blood Wedding is intended to be anything but the typical tragedy.

By October 7, 2010

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Critical Voices: Salem, King Night

This year’s buzziest new genre boasts the most ridiculous title the Internet genre-naming gods have ever bestowed (and that includes “purple” and “chillwave”): “witch house.” So named for its ethereal synths and ominous, DJ Screw-influenced beats, this new genre includes bands with names as ridiculous as oOoOO.

By October 7, 2010

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Critical Voices: Sufjan Stevens, Age of Adz

In 2004, Sufjan Stevens announced an audacious plan to write an album for each of the fifty states, beginning with 2003’s Michigan and moving south to Illinois in 2005. Then, in 2009, Stevens announced that the “Fifty State Project” was nothing more than a publicity stunt, and that he was starting anew.

By October 7, 2010

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Literary Tools: No, but I saw the movie

Adapting a book can be a tricky business. On rare occasions, an adapted movie can transcend its source, but more often than not, it loses some of the elements that readers loved. Book snobs, the lot of pretentious bastards that they are, often rightly criticize adaptations for failing to live up to original texts.

By October 7, 2010

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Suffer for Fashion: Dirty jeans, done dirt cheap

Jeans may have won their first fans during the California Gold Rush, but proper jean care has come a long way from simply plunking down your pan and dunking your dungarees into the stream in between sifting sessions. Some have caring for denim down to a science, but is the extra effort worth it?

By October 7, 2010