Leisure

Reviews and think pieces on music, movies, art, and theater.



Leisure

We’re brunching out

Rarely on Saturday and Sunday mornings do I venture to what's now known as ‘Leo's Down Under.' Partly because the thought of the cafeteria's nether regions makes me slightly nauseated, but also because a weekend brunch diet of tater tots and breakfast burritos gets old faster than the Nazi at the end of Indiana Jones and the Last Crusade. If you choose to take a post-midterm break for a nice weekend brunch, you will have chosen wisely. And although mornings are not my strong suit, when I'm enjoying a delightful brunch, time doesn't matter.

Leisure

Critical Voices: Ryan Adams and the Cardinals, “Cardinology”

This restless energy is responsible both for the good and the bad in Adams' output. Considering the sheer amount of music he releases, he has a pretty good track record: almost everything is listenable, some is great. But this freneticness, this desire to do everything all at once means that many of his albums end up feeling like ideas rather than work. Each new album is a different version of Ryan Adams, both musically and in a broader stylistic way, like a shelf of thematic Barbies. There's Heartbroken Southern Ryan, Rock and Roll Deconstructionist Ryan, Sad Junkie Ryan, and Roots Rocker Ryan. All are enjoyable enough, in their own way, but all ultimately feel like poses, playing with the idea of an album and songs rather than really committing to one.

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Critical Voices: Mount Eerie, “Lost Wisdom”

This album will put you too sleep, honestly. Not in the way that the atypical boring, formulated efforts of a below average pop song would. Rather, Lost Wisdom is a record of understanding and warmth. The voices resonating in your headphones will cause a moment of clarity and the heartfelt lyricism will pacify the worst case of stress.

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Critical Voices: Q-Tip, “The Renaissance”

n 2002, Q-Tip completed Kamaal the Abstract, a genre-bending album with hints of funk, rock, and hip-hop. While it shared the laid-back feel he showcased as head of A Tribe Called Quest, the album was much more ambitious-and arguably, less marketable-than anything he'd done before, and Arista refused to release it. It's taken Q-Tip six years to rebound, but The Renaissance is every bit as good as his first solo joint, 1999's Amplified. While it's got nothing on his best work with the Tribe, it's worth a listen-a little Q-Tip is always good for the soul.

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Critical Voices: Deerhunter, “Microcastle”

Fast-forward to 2008: Cox now has two critically-acclaimed bands to his name (Deerhunter and Atlas Sound), Mee has been replaced by Whitney Petty (a former cheerleader), and the band stands on the verge of releasing their third LP, Microcastle. The release is accompanied by more drama from Cox, who accidentally leaked new material from both of his bands a few months ago.

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W. is as Dubya does

Like all Oliver Stone productions, W. will bring the controversial and acclaimed director praises of genius and bundles of hate mail. The film, a fictionalized biopic examining our 43rd president, marks Stone’s third venture into the tumultuous genre. Unlike his previous portrayals of American leaders, JFK (1991) and Nixon (1995), W. is being released while George W. Bush is still in office, a fact guaranteed to rile Bush supporters and Stone critics alike.

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Home brews

There is a five-gallon jug of beer fermenting in my apartment. I also live with six girls and can drink without impunity in my bedroom; in short, I am living every freshman boy’s dream.

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Angry but riveting

Watching 12 Angry Men is an entirely unique theater experience. It is not meant to play out like traditional theater, but rather as a realistic peek behind closed jury doors. The audience sits on two sides of an open stage and watches events transpire from a number of vantage points, enveloped in the borderline claustrophobic atmosphere as tensions run higher and higher. There is no normal plot progression to speak of, and the costumes and sets play relatively minor roles. The characters are nameless throughout the entirety of the play and their personal backgrounds are barely delved into. The centerpiece of the play is the debate between twelve jurors over the possible guilt or innocence of one man: a powerful and realistic unraveling of assumptions and prejudices.

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Halloween matchmaking

The quest for the perfect Halloween costume is like the search for a soulmate: few people ever find one, and most end up settling for some piece of crap their friend picked out.

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Eminem-cee

The flower power generation likes to brag about its prized Midwestern white boy with the nasally voice, the one whose lyrics were bizarre but beautiful and heartfelt. It’s a shame our generation has no Dylan—sorry, Conor Oberst—but we do have someone close, though he’s not who you’d expect. You see, this Midwestern white boy with the nasally voice comes from the streets of Detroit, and where Dylan changed the game for vocalists without good voices, Eminem changed the game for emcees with white skin.

Leisure

Regime change starts at good art

If you take a stroll or a G2 bus down P Street toward Logan Circle, you’ll notice the upward gazing face of Barack Obama on the side of a small white roof. Though the image’s presence isn’t surprising—politics is inescapable in D.C., even when it isn’t election season—the stenciled blue and red portrait is striking and fresh, and stands apart from those stodgy logos on bumper stickers and window panes across the city. Step into the Irvine Contemporary gallery and you’ll discover the man behind the iconic portrait, and some of the most politically confrontational artwork to be found in the capital.

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Central Michel Richard’s: only fancy on the outside

Sometimes you just get the urge to go out for a “nice dinner” at a place where, as Homer Simpson put it, they call you “sir” without adding “please leave.” Central Michel Richard, Michel Richard’s attempt to combine a relaxed environment with high-end feel-good food, is a place where you can satisfy that urge. Central is billed as a bistro, and is promoted as a more affordable, more down-to-earth incarnation of Richard’s D.C. flagship Citronelle. While Central succeeds in creating an unpretentious and inviting atmosphere uncharacteristic of fine dining establishments, the quality of food does not live up to expectations

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Too many Lies in this Body

If you were hoping for Ridley Scott’s latest blockbuster to be in the same league as the director’s critically lauded Roman epoch, 2000’s Gladiator, prepare to be disappointed. Body of Lies is a middling action flick that, though well-made, falls short of Scott’s award-winning masterpiece.

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Granny chic

There’s a girl in my art history class who always looks so put together. She wears really great scarves, gold jewelry (nothing too flashy, always tastefully antiqued), cozy looking sweaters, and fabulous tortoiseshell glasses. Her look is very classic and very now, but there’s only one way I can think to describe it: grandma chic. She dresses like an old lady.

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Critical Voices: Gang Gang Dance, “Saint Dymphna”

Hundreds of avant-noise bands start their careers banging out a mind-numbing racket in their basements. But only a small handful emerge from that dank womb (still dripping with primordial ooze) to produce something as staggeringly beautiful and conceptually challenging as Gang Gang Dance’s Saint Dymphna.

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Critical Voices: Dillinger Four, “C I V I L W A R”

Does anyone else miss socially aware pop-punk music? I’m not talking about Green Day and Sum 41’s gimmicky politico-punk balladry, but something more along the lines of what Dillinger Four perfected fourteen years ago. With a shallow catalog of only four full lengths to date, this long-lasting band has finally released its Chinese Democracy in CIVIL WAR, a record six years in the making.

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Dessert it yourself — The New DIY

Although it’s already mid-October, I’ve declared this fall to be the Summer of George! Although the results were mixed for the oft-chunky George Costanza, my roommate Dan and I are all about gettin’ into being healthy and lovin’ love. The first step on our road to healthy living begins where any bildungsroman should, in the dessert aisle.

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Myth, Moonwalking, and the Mississippi

Black Theater Ensemble’s … And Jesus Moonwalks the Mississippi sounds like a bait-and-switch, drawing people in with a whimsical title that turns out to be a metaphor. But there really is a Jesus, and he does moonwalk the river in light-up Chuck Taylors. It doesn’t make much sense, but then again neither does the play. Luckily, both are worth seeing anyway.

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House cleans up

Yet, what Clean House lacks in subtlety and realism it more than makes up for in punchy dialogue, solid performances, and natural chemistry. Their interactions, whether comic or dramatic, are entertaining and compelling to watch. The cast has great comedic timing, especially Joelle Thomas (SFS ’10) as Virginia. Thomas masters her character’s quirks, making someone who could easily be two dimensional and irksome delightful, yet full of pathos. Her rambling, stream of consciousness monologues hop from a peppy punch line to a heartfelt confession without losing a beat or the audience’s attention.