Leisure

Fountains, belly dancers, and finger food, oh my!

Whether it’s a drive-in, a draft house, or a serenading mariachi band, the elusive combination of food and entertainment is dying out. Dupont Circle haunt Marrakesh, though, masters the art of bringing entertainment straight to the dinner table by pairing hypnotizing belly dancers with delectable Moroccan cuisine.

By Vivian Chen April 24, 2008

Leisure

Just forget it, Sarah Marshall. Superbad was funnier.

Producer Judd Apatow has created a perverse (yet strangely endearing) Holy Trinity of contemporary comedy in the last few years: The 40-Year-Old Virgin, Knocked Up, and Superbad. And this machine just keeps spitting out more, with Drillbit Taylor and Walk Hard: The Dewey Cox Story as the most recent (and worst performing) of the bunch. His latest film, Forgetting Sarah Marshall, has its charms, and certainly tries to engage in an honest examination of relationships, like the best of Apatow’s films. But unlike, say, Knocked Up, the laughs feel cheap, and so does its exploitation of the audience’s emotions.

By Jeff Reger April 24, 2008

Leisure

High Times with Mr. Doug Benson

There is exactly one difference between comedian Doug Benson’s documentary Super High Me and Morgan Spurlock’s much lauded Super Size Me: marijuana. Benson, who was dubbed “Stoner of the Year” by High Times Magazine in 2006, uses himself as a guinea pig to examine the physical and mental effects of smoking pot non-stop for thirty days. The end result is both an entertaining parody of Super Size Me by a stoned comedian, and a meaningful documentary, thanks to the well-focused effort of the production crew as they confront many of the societal issues regarding marijuana.

By Eliott Grover April 24, 2008

Leisure

Arty Dreamy Movies

If you’re looking for a dose of cinematic pretension (we all get that itch sometimes), Andrea Simon’s 1989 short film, The Happiness of Still Life, will take care of all your needs. The movie, which is running in the National Gallery’s Spring Film Program in 16 mm format, is a study of Austria’s Biedermeier culture of the mid 1800s—a lapse into middle class ecstasy characterized by pretty furniture and domestic bliss. While the film itself isn’t necessarily pretentious, if you leave the theater thinking you completely understood it, you probably are.

By Katherine Norton April 24, 2008

Leisure

T-Pain, on Top of the Game

Faheem Najm—sound familiar? If not, perhaps you know him better by his stage name, T-Pain. Despite being married with two children, his songs about hitting on bartenders and buying women drinks have propelled him to stardom in a pop/R&B field flooded with younger, more visible talents.

By Justin Hunter Scott April 24, 2008

Leisure

ONLINE EXCLUSIVE: Critical Voices: Wolf Parade

The group’s sophomore release, now available in a store near you, delivers in full (and then some) with a set of longer, stockier songs that rival, if not best, their debut.

By Daniel Cook April 24, 2008

Leisure

ONLINE EXCLUSIVE: The Voice chats up Islands’ Nick Thorburn

The Voice caught up with Thorburn at the onset of his summer 2008 tour to talk about tendinitis, the occult, and why people think he’s an asshole. (And in case you didn’t know, the Unicorns are dead.)

By Daniel Cook April 24, 2008

Leisure

ONLINE EXCLUSIVE: The next Fugazi takes Tenleytown

The free event takes place at the highest natural point in the District and features a panoply of local talent.

By Daniel Cook April 24, 2008

Leisure

Newseum: where the news comes to die

Pennsylvania Avenue’s towering new monument to journalism, the Newseum, opened last week with a six-story glass and steel atrium, a Wolfgang Puck restaurant, an interactive newsroom, a 4-D theater, an apartment complex, two operating broadcast studios and over 15 galleries.

If that sounds expensive, it was: total costs for the new museum are estimated at $450 million. Paid for by major donations from Bloomberg LP, the New York Times Company, News Corp, Comcast, Time Warner, ABC, NBC and others, the Newseum claims in its promotional material to have two major goals: to educate the public about the importance of the First Amendment, and to help “the media and the public gain a better understanding of each other.”

And if a museum of the media, by the media and for public relations purposes sounds a little fishy, it is.

By Sara Carothers April 17, 2008

Leisure

Cabaret: what good is sitting alone in your room?

Before the audience of Mask and Bauble’s spring musical, Cabaret, is ushered to its seats, it is afforded a brief glimpse into a dimly lit dressing room. The room, populated by ladies in bustiers and hotpants and men in lipstick, is just a tantalizing taste of the raucous, racy experience ahead. While not without its serious plot points, the show is worth seeing for the erotic musical numbers alone, which almost make the storyline incidental.

By Katherine Norton April 17, 2008

Leisure

Smart People, stupid movie

Smart People really should have been called “Arrogant and Socially Inept People”—all of the characters have chips on their shoulders proportionate to the sizes of their IQs. Characters in a film like this one should fall into one of two types: either delightfully dysfunctional (see: Little Miss Sunshine) or delightfully malicious (see: The Squid and the Whale). The problem with Smart People is that writer Mark Poirier (COL ’91) can’t seem to decide which type he wants his characters to be, so their constantly bizzare behavior comes off as disingenuous. And because its characters are at the heart of the film, Smart People falls flat.

By Vivian Chen April 17, 2008

Leisure

Popped Culture: I can has meme?

I absolutely love lolcats.

My brother once told me that they are the worst thing ever to befall the internet, and our disputes on the subject have done almost as much damage to our relationship as the time I broke his K’NEX tower when he was 8.

Lolcats, for the unfamiliar, are an internet phenomenon that consists of pictures of cats with captions in a big ugly font, posted on icanhascheezburger.com.

By Shira Hecht April 17, 2008

Leisure

Critical Voices: Subtle, ExitingARM

ExitingARM as whole, though, represents a gamble on Subtle’s part. They’ve seemingly restrained their sound to rope in more listeners, at the expense of some of their more substantive content. Not that I can blame Doseone (see: Subtle album sales), but I get the sense that ultimately no one’s happy here: the songs aren’t poppy enough for mass appeal and will likely disappoint former enthusiasts.

By Daniel Cook April 17, 2008

Leisure

A 3rd Person Singular view of couples, abstracted

“The great thing about couples is they arrange themselves in these weird positions,” Amy Sillman explains in an exhibition publication about her series of paintings, Third Person Singular. At Sillman’s new show at the Hirshhorn Museum, you can see that she’s on to something: the entrance wall is covered with black-and-white sketches of various pairs lazily sprawled over each other on a couch, rigidly sitting straight up with arms awkwardly around each other’s backs, or curving their legs to play footsie at a dinner party. The heart of Sillman’s work, though, is the abstracted bursts of garish color that develop from these primary studies of geometric relationships between bodies.

By Sara Carothers April 10, 2008

Leisure

2amys: When the moon hits your eye like a big pizza pie

Another review of 2amys, one of D.C.’s tastiest gourmet pizza purveyors, may seem like a waste of valuable newsprint. After all, the District’s young and beautiful made it a tried and true favorite, and it was voted “Best Pizza” by the Washington Post in 2006. Let’s remember, though, that it’s 2008, and the restaurant hasn’t won that illustrious title in two years. In fact, 2amys has recently fallen slightly out of favor with critics, and its hipster clientele has largely been replaced with young parents toting unruly tots who probably couldn’t appreciate a good sfogliatelle if it fell into their diapered laps.

By Katherine Norton April 10, 2008

Leisure

Scorsese Shines a Light on the Stones

In November 1969, the Rolling Stones introduced themselves as the “World’s Greatest Rock and Roll Band” during their massive “1969 American Tour.” Nearly forty years later, it’s hard to strip the perennial rockers of this sobriquet. In Shine A Light, famed director Martin Scorsese blends footage from the Stones’ 2006 shows at New York’s Beacon Theater with archived interviews and recordings that pay tribute to the band’s longevity. The result is a dazzling rockumentary fueled by electric performances, which solidly refute Hollywood’s claim that this is no country for old men.

By Eliott Grover April 10, 2008

Leisure

Critical Voices: M83, Saturdays = Youth

M83’s latest album, Saturdays = Youth, is sole band member Anthony Gonzalez’s paean to the music of his childhood. Marked by the electronic drum kicks and synth-heavy ballads popularized by Kate Bush and the Cocteau Twins, the album is so steeped in ‘80s production values that it’s tempting to dismiss it as a genre exercise with no enduring value. But the style works, and Saturdays = Youth’s best moments stack up well against M83’s back catalogue, even if it runs out of steam before its finish.

By Justin Hunter Scott April 10, 2008

Leisure

Culottes for you lots: Your closet’s secret stash

There are so many mornings when I wake up, open my closet and listlessly browse its contents only to come to the despairing conclusion that I have nothing to wear. This is particularly frustrating because I feel like I’m always shopping, and my new clothes are constantly evaporating into thin air, when I know that they’re really hanging there, pitifully staring at me after ownership has stripped them of their exciting potential. Once in a while, however, I’ll remember the secret stash that I have, that everyone has, lying fallow among the hangers.

By Katherine Norton April 10, 2008

Leisure

Separated, under the same moon

If you can ignore the clichés that push along the plot of Under the Same Moon (La misma luna), you’ll find a sometimes-adventurous movie about the challenge of crossing the U.S.-Mexican border. Yet each time Under the Same Moon hints at character development or a unique perspective on immigration, an overdone, blurry camera shot— signifying a lost little boy’s sense of confusion—ruins any semblance of originality.

By Sara Carothers April 10, 2008