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You Taste Like a Burger

“Eating is cheating.” Studying abroad in Australia, I heard that a lot. “We drink beer here,” Sayd, my stereotypically Aussie friend, explained. “That takes up a lot of room in your belly. If you start the night with a stomach full of food, there’s no room for what matters–more beer.”

By Kathryn Brand April 26, 2007

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Fashion Props

By Sarah Harman April 26, 2007

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Critical Voices: The Field

Axel Willner, Stockholm native and sole member of electronic outfit The Field, has a gift for making the most out of the least. His recently released debut, From Here We Go Sublime, deftly exploits the hypnotic potential of musical repetition with little more than a few looping samples and austere techno beats. Though the album’s lack of variation is an acquired taste, each track is pure bliss for the patient of ear.

By Traviss Cassidy April 19, 2007

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Critical Voices: Arctic Monkeys

Who the fuck are Arctic Monkeys was hardly an appropriate name for the Arctic Monkeys’ 2006 EP. Soon after the Monkeys gatecrashed the British and world charts with their first album Whatever People Say I Am, That’s What I’m Not, they become an overnight success.

By Anastasia Stepanova April 19, 2007

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GU Music Program takes off

On March 22, 2002, several members of the GU Orchestra gathered together in the main hall of the Leavey Center to protest the inadequacies of Georgetown’s music program. As part of a larger effort to garner support for GU music, the sit-in functioned as a way for students to cite the space problems of the department and obtain signatures for a petition to President DeGoia. Instead of wielding picket-signs and yelping raucous chants, however, the quartet opted to perform selected pieces of Mozart for students and faculty passing through the building.

By Daniel Cook April 19, 2007

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GEMA opens doors

As the Music Department increases its offerings within the classroom, the program continues to find outside support from the Georgetown Entertainment Media Alliance (GEMA). Founded by Gemstar-TV Guide CEO Rich Battista, GEMA acts as a network for GU alums involved in the entertainment industry, sporting contacts from ABC, AOL, DreamWorks and other mainstream conglomerates.

By Daniel Cook April 19, 2007

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Goes down easy: a rotating biweekly column about drinking

Living in Washington, D.C. for four years and never sampling its Ethiopian food and drink is like living in New York and never having a knish, or calling yourself a native of Kansas City without ever tasting the barbecue. It stinks of laziness, timidity orshy;—worse—plain naiveté.

By Chris Stanton April 19, 2007

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Translations gives off good vibrations

“Translations,” written by Brian Fiel and directed by JoJo Ruf (Col ‘08), is a solid tale of Irish identity with a little bit of fun and a great deal of soliloquy. It is the first student production to be staged in the Davis Center since it was built last year.

By Ryan Maye Handy April 19, 2007

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From Australia with Love of Diagrams

Antonia Sellbach pulls her bleached bangs behind her ear and leans out past the edge of the sofa. It’s a Thursday night at the 9:30 Club, and her Melbourne, Australia-based band Love of Diagrams has just wrapped up a 45 minute opening set for Ted Leo, punk rock local hero and elder statesman. His set is being recorded for NPR’s All Songs Considered live series, but she’s upstairs in the dressing room, doing something relatively new for the band—talking to the press.

By Chris Norton April 12, 2007

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Grindhouse: yummy, bloody, puss-filled fun

Sporting tight leather booty shorts, soaked in blood and roaring at 9,000 RPM, ‘70s exploitation films appeal to humanity’s basest of desires and all the better for it. With Grindhouse, a double feature ode to trash cinema complete with fake (and hilarious) movie trailers, directors Quentin Tarantino and Robert Rodriguez try to rekindle America’s passion for the drive-in experience, missing reels and all.

By Traviss Cassidy April 12, 2007

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Singing in the Brain

By Shira Hecht April 12, 2007

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Get your local on

March for D.C. Voting Rights If last month’s March Madness-filled march to the White House left you hungry for more, D.C. Emancipation Day offers the opportunity to relive the magic of Pennsylvania Avenue all over again—this time for a real cause. If you’ve been crushing on Mayor Fenty or you’re looking to meet guys in converse sneakers or disenfranchised, angry locals, this is the place to be.

By Sarah Harman April 12, 2007

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You Taste Like a Burger

While growing up in Saudi Arabia, I would watch our cook as he prepared complex, gourmet meals. It was not only a distraction in a place without neighborhood parks or television, but also a cultural adventure into his native Filipino culture, as well as romps to Italy, France and home to the U.S. I’d watch, fascinated, as he would remove the meat and bones from a whole chicken’s skin, mixing the meat with vegetables and seasoning, and then somehow get it all back into the skin before stitching the floppy bird back together and roasting it.

By Kathryn Brand April 12, 2007

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I wanna be a cowboy, baby

An average, white-bread upbringing wouldn’t be complete without the cowboy dream. It may be as simple as that pair of boots with the spurs you saw at K-Mart, or those horseback riding lessons you took after you watched an old John Wayne film. Or maybe it is, as the exhibit “Jolly Cowboy” suggests, a complex mix of intangible fantasy and commercial delusion that has attracted hearts of all ages across the globe.

By Madeline Reidy March 29, 2007

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Etiquette lessons: the road to the final fork

By Frances Bajet March 29, 2007

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Goes down easy: a rotating biweekly column about drinking

If you want to see how drugs and alcohol breed artistic genius, take a glance at Manet, Van Gogh and Picassoshy;—the artists who gave absinthe its modern notoriety as a mysterious elixir that left lonely men dreaming of bright colors in drab pubs.

By Chris Stanton March 29, 2007

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John Malkovich is Stanley Kubrick

John Malkovich is Alan Conway, an impersonator of Stanley Kubrick, who is as powerful and creepy as they come: flamboyant, with faint lipstick, colorful neck scarves, and an array of accents tailored to his con victims.

By Ryan Maye Handy March 29, 2007

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Critical Voices

Timbaland, Timbaland presents Shock Value, Interscope There’s been massive hype surrounding the release of Timbaland presents… Shock Value, and understandably so. The producer was on fire in 2006, crowning Justin Timberlake as king of pop with FutureSex/LoveSounds and morphing Nelly Furtado into a sexy dance-floor queen with erotic beats on Loose. But, even though Shock Value is loaded with similar flourishes, it is weighed down by stale vocal collaborations.

By Justin Hunter Scott March 29, 2007

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Getting political with Ted Leo

By Traviss Cassidy March 22, 2007