Leisure

Reviews and think pieces on music, movies, art, and theater.

Leisure

Trash Talk: This baggage is emotional

Have you ever wondered what happens to all that luggage that is never picked up from the baggage claim? I haven’t. I don’t even know anybody who checks luggage anymore, because of those ridiculous baggage fees. But apparently it’s a pressing matter, and Spike TV is hoping to capitalize on this obvious gap in the reality programming schedule with its newest series, Luggage Wars.

By April 18, 2012

Leisure

Box Office, Baby! Wes up with these films?

There’s nothing like a new Wes Anderson movie. For many fans, he has yet to release a poor film, and at his best, the acting, coolness, and sheer re-watchability of his films is unmatched among contemporary directors. Like his past achievements, Anderson’s upcoming feature Moonrise Kingdom will prove that Wes has maintained his status as a profoundly original director despite his allegedly homogenous filmography.

By April 18, 2012

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Critical Voices: Maps & Atlases, Beware and Be Grateful

With the recent success of artists like Fun., Kimbra, and Neon Trees, the music market is starting to feel a little overloaded with quirky indie pop. Which makes Beware and Be Grateful, the latest release from Chicago experimental rockers Maps & Atlases, a small breath of fresh air—the band’s jangly guitars, lo-fi percussion, and bubbly vocals set them apart in a sea of homogenous synthesizers. Unfortunately, though, Beware’s splintering components do not meld into a cohesive album, and the resulting album is significantly less than the sum of its parts.

By April 18, 2012

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Critical Voices: DragonForce, The Power Within

Despite, or perhaps because of, its constantly shifting roster of members, British power-metal band DragonForce has always framed its music around guitarists Herman Li and Sam Totman, whose guitar solos never cease to blow the listener’s mind—and maybe the eardrums as well. And while relying so heavily on the duo has allowed the amorphous band to create a stable sound, such consistency is also largely due to the band’s maturity. As a stand-alone album, this year’s The Power Within is, for all intents and purposes, perfect.

By April 18, 2012

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“Titanic” exhibit: My art will go on

If you’re not willing to shell out $18 for a Titanic 3D ticket, National Geographic has you covered. The museum’s new exhibit, “Titanic: 100 Year Obsession,” takes viewers on an interactive journey from the ship’s historical beginnings to the latest discoveries about the fateful night of April 15, 1912.

By April 12, 2012

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Mask & Bauble bewitches the Davis Center with Macbeth

“Methought I heard a voice cry, ‘sleep no more! Macbeth does murder sleep!’” As sinister as this line is, it captures the effectiveness of Mask & Bauble’s production of Macbeth—this fresh version of the play presents no danger of inducing naps. Rather than dryly rehashing the Shakespearean classic of fond high school English memories, the innovative production breathes life into an ageless tale of dark ambition.

By April 12, 2012

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Daniel Nettheim Hunts for awards; shoots self in foot

The Tasmanian “Tiger” took its name from a big cat and resembled a dog, but it was, in fact, neither. Thylacine, as it is properly called, belonged to the marsupial group, that quirky family of (mainly) Aussie creatures that defies classification—the hipsters of the mammalian world. On YouTube, you can still watch the last thylacine pace around its tiny enclosure, then stand on its hind legs—almost kangaroo-like—pawing at its cage. Since the animal went extinct in 1936, repeated “sightings” in the Tasmanian wilderness have created a persistent mythology around the peculiar creature.

By April 12, 2012

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God Mode: Gaming the system

I have a quest I need to complete. It’s a bit of a grind, but if I finish it I’ll get enough experience points to level up. All I have to do is run two miles, do 40 push-ups, and then complete 100 crunches. In real life.

By April 12, 2012

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Blast That Box: Plato flunks Ghetto University

In my theology class about death, we watched esoteric films like The Fountain and read the hallowed works of Plato. Although I can see what the professor was trying to accomplish, this characteristically Georgetown class was merely another attempt to dilute the real education that I should have been receiving from the true role models of modern society. Hip-hop idols are among us, and they are the ones who now teach the facts of life and impart logical wisdom upon the masses. It’s baffling that we aren’t studying rap and its sociological implications in a large amount of our classes instead of the inane commentary of the long-gone philosophical minds like Plato. As I look through the preregistration course schedule for next year, I find only frivolity.

By April 12, 2012

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Critical Voices: Alabama Shakes, Boys & Girls

In the 1960s and 70s, the musicological spontaneity of artists like Eric Clapton and Jimi Hendrix popularized a fusion of soul, blues, and rock that has been virtually unrepeatable in the decades since. But this year, that streak of trial-and-error has finally ended—on its debut album Boys & Girls, Alabama Shakes replicates this unique sound while still managing to create an identity all its own.

By April 12, 2012

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Critical Voices: Nicki Minaj, Pink Friday: Roman Reloaded

Since her breakout in 2007, Nicki Minaj has integrated contradictory elements in both her personality and musical style—the 5-foot-2 girly-girl of “Super Bass” also raps frequently about having a dick. Minaj takes this creative clash to the extreme in Pink Friday: Roman Reloaded, relying on her alter-egos to sing out her brash lyrics. Although Minaj has released songs in which she sings through her alter-egos in the past, Roman Reloaded features much more of Roman Zolanski, her gay “brother” borne out of Minaj’s rage; Martha, his austere mother; and Barbie, the all-around girly-girl.

By April 12, 2012

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Gordon Ramsay bites off a bit more than he can chew

“You disappoint me, Ramsay,” remarked journalist and Top Gear host James May as the chef vomited into an orange bucket. As very few will recall, Gordon Ramsay challenged May in the third season of The F Word to a contest that would determine which of the two had the largest man-parts. Following a rather uneventful partaking of snake whiskey and bull penis, the waiter brought forth the main course—shark meat. Ramsay could not stomach the Icelandic delicacy, and was reduced to cowering under May’s judgment.

By March 30, 2012

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D.C. sharks reflect on aquarium conditions, life aquatic

Last week, the National Aquarium gave the Voice the unique opportunity to interview three of the sharks housed in the basement of its building on 14th and Constitution Ave. Despite having to go through extensive security to visit the sharks—they do, of course, live in a federal government building—they gracefully downplayed their celebrity status and responded to my questions with the utmost candor. Even though I had to read their expressions through the glass, it was clear that they do not let the customized enclosure and legions of ogling visitors go to their cartilage-protected heads.

By March 30, 2012

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Critically acclaimed Street Sharks resonates through time

This week, everyone needs to take a break from Mad Men and remember back to the real Golden Age of television—the 1990s. Full House, Boy Meets World, and Street Sharks were at our slimy seven-year-old fingertips, and we didn’t even know how good we had it. You may not recognize those first two shows, as they are often cited as irrelevant, but you are certain to recognize the third. Ah yes, Street Sharks, the one and only show about the crime-fighting mutant shark-men.

By March 30, 2012

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Box Office, Baby! Samuel L. vs. the shark

There are few things in this world scarier than sharks. If not for sharks, tropical beach resorts could be fully realized pieces of heaven on earth, instead of bastions of terror with bathers constantly on the lookout for dorsal fins. Since most of us haven’t had the personal experience of a shark attack, we are left to wonder how splashing one’s feet in the water came to immediately trigger the image of a shark bite. For most, it was Jaws. For this writer, it’s the 1999 shark thriller Deep Blue Sea.

By March 30, 2012

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Trash Talk: Fish are friends, not food

With their raw strength and unbridled ferocity, sharks evoke so much power and energy that we use the name to describe business moguls and successful entrepreneurs. Add on the unfortunate reality of shark attacks on humans, and sharks take on an almost mythic nature—they excite our wildest imaginations and simultaneously haunt our worst nightmares. It is no surprise, then, that when BBC set out to film the most awe-inspiring and captivating scenes of the natural world for Planet Earth—the most ambitious and most expensive nature documentary series of all time—sharks had to be a focal point.

By March 30, 2012

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Katniss Everdeen hits the mark in The Hunger Games

Watching Katniss Everdeen raise her bow in defiance to the Capitol emboldened me to make a heretical statement of my own—The Hunger Games movie is better than the book. While author Suzanne Collins wove intricate themes of class struggle, civil war, and even counterinsurgency strategy into her trilogy, The Hunger Games movie conveys with complex cinematography and precise casting what prose marketed to eleven-year-olds could not.

By March 22, 2012

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At the Smithsonian, the cake is a lie

In 2010, critic Roger Ebert proclaimed that “video games can never be art.” Up against gamers who appreciate the increasingly cinematic qualities of the medium, the debate over whether video games are a legitimate avenue for art is a contentious one that has been invigorated by new graphic and technological capabilities. Unfortunately, the new Smithsonian exhibit The Art of Video Games ignores the artistic process in the development of video games, focusing instead on the 40-year history of video game consoles.

By March 22, 2012

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José Andrés shows DC his flautas with Pepe the food truck

From Minibar to Jaleo, Spanish-born chef José Andrés has slowly been indoctrinating lovers of fine dining and small portions in the D.C. area. While the quality of his bite-sized cuisine has become one of the major attractions of the District, there’s always been one drawback, until now—the food did not literally come to those desiring to taste the legendary tapas. With the launch of Pepe, Andrés’s first food truck, this contrived problem is resolved.

By March 22, 2012

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Real trees wear pink

When they first came to the District back in 1912 as a gift from a Tokyo mayor, cultural ambassadors doubted that Japanese cherry blossoms were strong enough to take root in D.C.’s soil. But now, 100 years later, the longevity of the brilliant blooms has proven these amateur botanists incorrect. This year, the centennial 2012 National Cherry Blossom Festival reveals this same strength in the Japanese people, reflecting on the March 2011 tsunamis while celebrating the enduring spirit of Japan.

By March 22, 2012