Articles tagged: movie review


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Wicked: Magic from stage to screen

Wicked had big shoes to fill, but I dare say that they sized up.

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Smile 2 ups the stakes and the scares

Smile 2 is certainly not winning any awards any time soon, but it does stand out as a thrilling entry in the slog of horror flicks.

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Poignant and authentic, A24’s We Live in Time is a fleeting tale of devotion and grief

To race against time is to lose, and Almut hates losing. 

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In Saturday Night, Lorne Michaels has concepts of a plan

Saturday Night's ensemble reinforces the very same message sent by the original SNL: the future of comedy is indeed in good hands.

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The Wild Robot surrenders its optimism to the wild

In a story with minimal human involvement, The Wild Robot is undoubtedly human-centric.

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Reagan (2024): The crusade of modern American propaganda

Reagan is an exercise in idolatry, in a politically fervent and particularly partisan decade.

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Though imperfect, It Ends With Us starts an important conversation

By now, you’ve probably heard about It Ends With Us for all the wrong reasons. And that’s a damn shame.

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A Quiet Place: Day One lands a solid second place for the franchise

In a vacuum, A Quiet Place: Day One is decent. As the third film in this franchise, it fails to justify its existence in any meaningful way.

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Kinds of Kindness’ feral absurdism

Despite the unhinged outer packaging, Kinds of Kindness questions the lengths one would go to feel loved and accepted.

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“Are we still talking about tennis?”: In Challengers, the answer is always “no.”

What Guadagnino spares in the bedroom, he gives us in spades on the court.

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Breathtaking in its brutality, Civil War shocks the American conscience

A visual and sonic marvel, Civil War forces American audiences to grapple with the horror of modern warfare brought to U.S. shores.

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Perfect Days (2024) muses on how to live

Even when reflecting on suffering, Perfect Days urges us that the sadness will pass and perfect days will come again soon.

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The Killer is a comedy hiding in a hitman disguise

The Killer (2023) is a technical masterwork with hawkeye definition.

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Dolls and desires: Unraveling the layers of girlhood in Sofia Coppola’s Priscilla

Sofia Coppola's adaptation of Priscilla Presley's memoir exposes the glamorized lures of love and belonging that infiltrated her girlhood.

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In her visually stunning thriller Saltburn, Emerald Fennell boldly interrogates facade

Saltburn is a stirring investigation of external beauty and the insidiousness that foments beneath it.

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Anatomy of a Fall is an autopsy of a marriage story

Anatomy of a Fall starts like a murder mystery, but gradually it discloses the more intimate, painful details of a family.

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Saw X brings you grotesque gore in 4k, but falls slightly flat 

Fan or not, Saw X will make you absolutely squirm in your seats, especially if you can handle it in 4K.

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Dumb Money is a smart movie about the stock market and the power of Reddit

If you mix up Jimmy Buffett and Warren Buffett, or if you’re simply in the mood for a good underdog story, Dumb Money will be right up your alley.

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My Big Fat Greek Wedding 3 is a sincere tribute to Greece, family, and Windex

My Big Fat Greek Wedding 3 retains the charm and character of the first two films, while diving deeper into the darker themes of grief and belonging. 

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Bottoms: In defense of “ugly, untalented gays”

Brought to life with a hearty dose of queer teen drama, hilarious antics, and endless quotable lines, Bottoms is sure to become an instant classic.