Leisure

Reviews and think pieces on music, movies, art, and theater.

Leisure

Blast That Box: Too cool for old school

The words “hipster” and “rapper” have pretty disparate connotations—keffiyehs and boxy glasses versus platinum grills and blunts. But hipster rappers exist, and their influence is altering the crowd that follows and enjoys rap music. Acts like Das Racist, The Cool Kids, and Chiddy Bang have changed the formula for successful hip-hop, infusing their music with wide streaks of irony or influences from disparate genres.

By March 22, 2012

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Critical Voices: Anti-Flag, The General Strike

As its name suggests, Anti-Flag is notorious for its leftist brand of political punk. And, perhaps because of a recent trend of distaste with the government and capitalist institutions, the band has found friendly ears for its latest album, The General Strike. While by no means for everyone, the LP is a must-hear for those who find themselves identifying with people who spent some part of the past six months camping out in parks.

By March 22, 2012

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Critical Voices: The Shins, Port of Morrow

“You gotta hear this one song. It’ll change your life, I swear.” Back in 2004, when dinosaurs roamed the earth and the Shins still consisted of its original members, the band was forever immortalized in the words of Natalie Portman’s character in Garden State, as “New Slang” catapulted the group to indie stardom and exposed them to a wider audience. But since then, James Mercer, the frontman and beating heart of the band, has dismantled the original line-up to introduce an entirely different cast of characters. Their new LP, Port of Morrow, consequently sounds more like Mercer’s side project, Broken Bells, than traditional Shins, which might alienate some fans who preferred the more charming sound of Oh, Inverted World.

By March 22, 2012

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Ewan McGregor fishes for compliments with Yemen

As long as you don’t have plans to seriously pursue becoming a fisherman in the desert, Ewan McGregor will charm you in his attempt at this impossible task. Though his latest film, the aptly titled Salmon Fishing in the Yemen, is blithely unconcerned with the gritty details of this aquatic pursuit, the movie portrays an entertaining and inspiring tale of unlikely individuals working together toward an even unlikelier end.

By March 15, 2012

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Too little, too late: Artisphere paints Kahlo’s life

If you are offered a magnifying glass while walking into an art exhibit, it is natural for a bit of confusion to set in. These sentiments set the tone for Frida Kahlo: Her Photos, the highly anticipated U.S. premiere exhibition at Rosslyn’s Artisphere, as Kahlo’s photos hold their own element of surprise.

By March 15, 2012

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Leave your house to go see Jeff, Who Lives at Home

Writer/director/actor brothers Mark and Jay Duplass have, in recent years, been known for a brand of off-beat humor associated with a film movement called “mumblecore.” This genre is usually defined by a socially downtrodden middle-aged man going through some event and handling it in the way that a socially downtrodden middle-aged man would, often with self-deprecating humor, as in the FX show The League. Jason Segel and Ed Helms, who play brothers in Jeff, Who Lives at Home, the brothers Duplass’ most recent effort, are perfectly cast for the film’s niche humor and surprisingly well-suited for the movie’s sentimental notes.

By March 15, 2012

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Trash Talk: America(n Muslims), fuck yeah!

In the post-9/11 era, American Muslims have struggled to assert their patriotism while simultaneously observing a religion that many perceive as fundamentally at odds with American society. Naturally, reality television programs have latched onto this conflict, featuring a batch of American Muslims who buck the gruesome American stereotype of bomb-wielding, misogynistic extremists.

By March 15, 2012

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Box Office, Baby! Bad Casting: What Dafoe?

You probably know who Willem Dafoe is—you’ve seen him as the Green Goblin in Spiderman, or recognized him in Platoon, The Boondock Saints, or American Psycho. But to this writer, he’s more than just an actor. He’s an artist. No, he’s an icon. Maybe it’s his deep, grainy voice. Maybe it’s the intensity of his facial features. Whatever it is, Dafoe has a lure that keeps me shelling out money to see him on the big screen, as I, in a state of fanboy hypnosis, continually ignore the title or synopsis of the film I’m about to witness. Forget the movie; it’s Willem I’m paying to see.

By March 15, 2012

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Critical Voices: Lucero, Women and Work

With the way it pushes the boundaries of country and punk, infusing the two seemingly disparate styles into alternative rock, Lucero is something of a musical anomaly. But the band makes its unusual group of influences work, due largely to lead singer Ben Nichols’ bourbon-soaked voice, which brings this unlikely pairing of genres together brilliantly. With their tenth release, Women and Work, Lucero dives right into its Memphis roots to demonstrate a side of the band not seen in their previous work.

By March 15, 2012

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Critical Voices: Say Anything, Anarchy, My Dear

Of Anarchy, My Dear, Say Anything’s first release in three years, front man Max Bemis said that the band has moved past its days of writing “petty songs about hating people” and found new stability and maturity. Like many of us, Say Anything has graduated from its early-aughts anxiety, but Anarchy retains the band’s awkward, hyper-personal character to create a balanced, introspective album.

By March 15, 2012

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Ghibli makes a big splash with Arrietty‘s little world

For Arrietty Clock, carrying a sugar cube through the kitchen is a Herculean task. At only three inches tall, the young girl, a member of a group of miniscule people known as “Borrowers,” is in an unusual situation, and as protagonist lends a unique vantage point to Studio Ghibli’s newest film The Secret World of Arrietty. Based on Mary Norton’s novel The Borrowers, this latest marvel from the famed Japanese animation company uses new techniques to revitalize an old classic.

By March 1, 2012

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This District ain’t big enough for more than one Kitchen

Amid the variety of D.C. restaurants springing up under the banner of organic and cruelty-free produce, District Kitchen manages to maintain a competitive advantage that differentiates it from the grass-fed herd. While this newest member of the Woodley Park restaurant community serves up what appears to be classic mid-Atlantic cuisine, the twist on traditional recipes and the ever-changing house specials add variety to the otherwise predictably bland buffet of green D.C. eateries.

By March 1, 2012

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Campaigns from radio to Reddit

“There is no democracy without elections. And there can be no elections without the press.” Historian Doris Kearns Goodwin made this declaration in a world of print and radio, long before today’s era when Twitter consistently breaks news faster than the New York Times. Nonetheless, Goodwin’s observation still holds true, and the quote invites visitors into the entrance of the Newseum’s newest exhibit, “Every Four Years: Presidential Campaigns and the Press.”

By March 1, 2012

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Blast That Box: Imma let you finish… college

Declaring an album a “classic” is a meaningless exercise that I will leave for the writers at Pitchfork. Glowing reviews, no matter how abundant or how laudatory, are ultimately irrelevant—an album reaches that magical pinnacle when it strikes a chord for you alone, bringing you back time and again.

By March 1, 2012

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God Mode: Study geometry with Hexagon

A few days ago, I was studying for a midterm, which obviously meant I was looking for anything to do other than study for my midterm. The Internet, as always, provided. Through my haphazard blog-reading and link-clicking I eventually arrived at the Flash-based game Hexagon, made by the appropriately titled Distractionware. In five seconds I knew I wasn’t studying any time soon.

By March 1, 2012

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Critical Voices: Rotary Club, Second Year in Swine

If Wilco raided the Velvet Underground’s wardrobe, stole the Kinks’ haircuts, and then teamed up with Cursive, you’d end up with an image of Rotary Club’s newest album. The band’s experimental, ever-changing lineup packed in a thick sphere of homages on its sophomore attempt Second Year in Swine, but while the LP weaves in plenty of innovative subtleties, Rotary Club’s sound plays it safe by catering to fans of major alternative artists of both recent and long-gone years.

By March 1, 2012

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Critical Voices: Tate Tucker, Virgin Liberation

Last year, a video of then-freshman Tate Tucker (SFS ’14) rapping in front of Lupe Fiasco during Michael Eric Dyson’s sociology class went mildly viral—partially because the words “Georgetown” and “rapper” aren’t often seen in the same sentence. From the video it was clear that Tucker had talent, but there, as well as on his debut mixtape Blue Dreams, he sounded like he was trying a bit too hard, cramming too many rhyming words into the same line and often running out of breath. A year older now, Tucker is much steadier and restrained on his pleasantly surprising new EP, Virgin Liberation, nine songs of his strongest material yet.

By March 1, 2012

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Size doesn’t matter: Oscar shorts at E Street Cinema

The live-action shorts are one of the Oscars’ most alienating categories—no one promotes them, few even know anyone who has seen them, and even the actors are unrecognizable. But this week, E Street Cinema is making this obscure category a little more accessible to the masses, running them in succession and allowing the audience to decide which should get the award. If you can’t make it down there, here’s a quick guide to what you need to know about this year’s five live-action nominees.

By February 23, 2012

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Cardamom to caviar: A modern take on American cuisine

Even if you haven’t taken high school Latin, Unum, a new addition to the D.C. dining scene, makes its esoteric name clear from dish one. While E Pluribus Unum—“out of many, one”—might be the nation’s de facto motto, every course at this M Street restaurant takes the mantra to heart.

By February 23, 2012

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D.C. takes on D&G at Fashion Week

While D.C. is used to its share of questionable creations, they usually come in the form of congressional bills rather than runway fashions. But although the nation’s capital is not known as a center for fashion, D.C. Fashion Week represents an effort to change that conception, with a full line-up of stylish events running from Monday, Feb. 20 through Sunday, Feb. 26. Showcasing both local and international up-and-comers in design, the collections will spotlight fall fashions that even the haute couture denizens of New York have not had the privilege of seeing.

By February 23, 2012