Critical Voices: Emotional Traffic, Tim McGraw

After a 19-year relationship, Tim McGraw and Curb Records are finally parting ways. The record label recently lost its bitter two-year legal battle with the country star, leaving Emotional Traffic the last McGraw album it will release. Unfortunately, the LP falls slightly short of the success that most fans expected.

By Kirill Makarenko January 26, 2012

Leisure

Critical Voices: Cloud Nothings, Attack on Memory

On Cloud Nothings’ first two albums, Turning On and Cloud Nothings, Dylan Baldi’s band was saddled with the classifier “lo-fi pop,” a term that wasn’t really inaccurate but didn’t quite do justice to the band’s unique sound. It’s true that most of Baldi’s songs were hummable two-and-a-half minute jams coated in a reverby distortion haze or blazed-out, melodic mumblers. Even so, there was a kinetic anger behind the endless progression of catchy bridges and hooks. It was Wavves via the Pixies via No Age. “Lo-fi,” sure, but there was something deeper going on than “pop.”

By Sean Quigley January 19, 2012

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Critical Voices: Bombay Bicycle Club, A Different Kind of Fix

Despite their young career, the members of the Bombay Bicycle Club have proven themselves worthy of recognition through a rapid-fire series of successful indie albums. Their latest release, A Different Kind of Fix, follows 2010’s Flaws and 2009’s I Had the Blues But I Shook Them Loose, both of which reached the top fifty on the UK Albums Chart. Thankfully, Fix lives up to the standards set by both the band’s previous successes.

By Jane Conroy January 19, 2012

Leisure

God Mode: Tiny Tower‘s big break

The iPhone might be the most popular video game system of all time. It almost definitely is when lumped in with the iPad and iTouch—Apple had sold 250 million of its iOS devices in October of last year, a total that has surely skyrocketed after the holidays. To put that in perspective, the PlayStation 2, the best-selling traditional video game console of all time, barely surpassed 150 million units sold in its lifetime.

By Tim Shine January 19, 2012

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Blast that Box: 99 problems, but the rich ain’t one

“Gotta give us what we need/ Our freedom of speech is freedom or death/ We got to fight the powers that be.” When Public Enemy used these words in 1989 to command their fans to “fight the power,” they could not have guessed that their message would be embodied by a global movement more than two decades. But four months ago, the Occupy Wall Street protests burst onto the scene with a flurry of media coverage, and since then, terms like “Occupy” and “the 99 percent” have unquestionably become part of our lexicon. The Occupy movement has managed to gain universal attention, garner celebrity support, and even shape America’s political debates. Unsurprisingly, rappers have also attempted to ingratiate themselves with the movement.

By Matt Pacana January 19, 2012

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Nomadic’s acts are *Un-f**king-Believable*

“I was high as heck and I just wanted to love things.” Channeling a well-intentioned hippie at the beginning of the production, it’s a shock to see Addison Williams (COL ’14) morph into a sociopathic killer in the span of a few short hours. Yet Nomadic Theatre’s Night of One-Act Plays encourages this kind of versatility. While he plays the lovable Truman in John Behlmann’s Un-f**king-Believable, Williams casts off the character to take on a darker role in Neil LaBute’s Coax. Brought together on a sparse stage, the plays in Nomadic’s Night of One-Acts don’t sync together intuitively, but they combine to provide the audience with a wonderful range of theatre.

By Heather Regen January 19, 2012

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Unbuilt Washington: A new type of rejection

People sometimes take Washington D.C. for granted, but it’s beautiful—the manicured grass lawns surrounding the mall, the minimalist Washington Monument, the simple yet dignified White House, and the famed cherry blossoms bordering the tidal basin. But what if the grassy plane of the national mall were flooded with water à la Venetian canals, and Congresspeople were carried in paddleboats to the different federal departments? Or if walking across the Ulysses S. Grant Memorial Bridge, bookended with two gothic towers straight from Medieval England, you were met with a pyramid-shaped version of the Lincoln Memorial, seemingly plucked out of Egypt?

By Mary Borowiec January 19, 2012

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A journey through grief and New York

According to the “seven stages of grief” theory, dealing with loss typically means journeying through different emotions—from shock and denial to pain and guilt—experienced before acceptance. In Extremely Loud and Incredibly Close, though, nine-year-old Oskar Schell’s own path is anything but linear. Looking through Oskar’s eyes, Extremely Loud and Incredibly Close director Stephen Daldry deftly handles this fragile material and crafts a cinematic adaptation true to Jonathan Safran Foer’s novel.

By Julia Lloyd-George January 19, 2012

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Tinkered and tailored to perfection

Though Intro to International Relations professors may paint the Cold War as a nostalgic period of simple bipolarity, in Tinker Tailor Soldier Spy, the period’s politics were anything but straightforward. The Cold War of British novelist and retired spy John le Carré is dizzyingly complex, and offers no reassurances of the West’s moral superiority. Swedish director Tomas Alfredson is the latest to take on le Carré’s work, adapting his novel Tinker Tailor Soldier Spy into a film with a star-studded cast led by Gary Oldman. Thankfully, Alfredson abandons none of the book’s complexity in this stylish, throwback spy flick.

By Jake Schindler December 1, 2011

Leisure

These digital canvases fail to inspire

For an exhibit entitled A Theatre of Objects, artist Andy Holtin’s collection of video channels at Flashpoint Gallery near Mount Vernon does little to entertain or stimulate the viewer beyond its original use of media. Using a trio of varying yet simplistic scenes, Holtin attempts to “understand and narrate human interaction and intent, even with the vaguest of clues.” A secondary goal is to reevaluate the role of the video equipment itself, making it a dynamic medium rather than simply stationary machinery. While this objective adds an intriguing dimension to the favored medium of our YouTube generation, it fails to make up for the lack of captivating content in the scenes themselves.

By Julia Lloyd-George December 1, 2011

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Wheatgrass shots, limes, and carrotinis

At Georgetown, we live on a campus where most beverages are either caffeinated or alcoholic (or, in the heyday of Four Loko, both). So D.C.’s latest food truck, Juice Revolution, can offer Hoyas a new, healthy and refreshing drink option—live juice. Instead of prepackaged juice, which is inevitably pasteurized, Juice Revolution offers its patrons a series of live juices packed with vitamins and antioxidants made from fresh fruits and veggies.

By Mary Borowiec December 1, 2011

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Critial Voices: Trey Songz, Inevitable

When Trey Songz rocketed to mass popularity in 2010 with hit singles “Say Aah” and “Bottoms Up,” he set a high standard for his music. With the internet buzzing with speculation about Chapter 5, his upcoming 2012 studio album, the five-track EP Inevitable provides a clear preview of Songz’s newest work. Unfortunately, Inevitable without question misses the high mark of his 2010 singles, and what remains is a steaming pile of rap that leaves former fans praying that the inevitable transformation of the EP into Chapter 5 never comes.

By Kirill Makarenko December 1, 2011

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Critical Voices: Curren$y, Jet World Order

In concept and construction, the latest album from prolific rapper Curren$y, Jet World Order, is a lot like Lil’ Wayne’s We Are Young Money or Jay-Z’s The Dynasty: Roc la Familia—albums worth of tracks from associates and labelmates, with different artists featured in various combinations in each song. An album of this type usually works nicely because it gives listeners the opportunity to listen to a familiar artist while exposing them to the stylings of associated up-and-comers. Unfortunately, on Jet World Order, Curren$y himself only appears in three of the album’s twelve tracks, and without him the other artists fail to hold up.

By Michael Mouch December 1, 2011

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Box Office, Baby!: No Green for NC-17

Walking into a screening of Shame, an upcoming film labeled with the dreaded NC-17 rating, I felt a tingle of excitement. No, not the excitement a pubescent boy feels before opening his first Playboy, but the excitement that I was about to witness a quality film. Unfortunately, the stigma of pornography that an NC-17 rating carries has left many independent films like Shame at the cruel mercy of the Motion Picture Association of America.

By Mark James December 1, 2011

Leisure

Trash Talk: In sickness and in wealth

This Thanksgiving, the Kardashian clan has a lot to be thankful for. Rob came in a respectable second in ABC’s Dancing with the Stars finale (his sister Kim only lasted three weeks). Khloe’s husband Lamar Odom returned to work thanks to a breakthrough in negotiations between the NBA and the players’ union. Kourtney revealed the shocking news that she and boyfriend Scott Disick are pregnant with their second child. And this Sunday, the next installment of the Kardashian saga, Kourtney & Kim Take New York, premiered on E! to an impressive 3.2 million viewers.

By Keaton Hoffman December 1, 2011

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Clooney ascends in The Descendants

Another excellent addition from the master chronicler of middle aged men in crisis, Alexander Payne’s The Descendants sweeps the viewer away with its beautiful Hawaiian vistas and playful ukulele music, all the while breaking our heart with the sad situation of the King family. A grittier—and probably more realistic—version of Hawaii is presented, with frequently cloudy skies, dirty pools, and fake smiles. This is no Mary-Kate and Ashley’s Hawaiian Beach Party.

By Henry Thaler November 17, 2011

Leisure

The apocalypse has never looked this good

Lars von Trier is no stranger to the grotesque. His 2009 film Antichrist, an antidote to his debilitating period of depression, featured talking animals, the self-mutilation of body parts you’d rather not know, and, quite unexpectedly, gorgeous cinematography. In Melancholia, the director introduces a lavish wedding party-gone-wrong in the context of the imminent destruction of the earth in his typically provocative fashion. Yet to lead actress Kirsten Dunst’s credit, the film is able to explore unsettling themes without gratuitous gore in its presentation of picturesque, slow-motion imagery, Wagnerian opera, and genuinely erratic characters.

By Mark James November 17, 2011

Leisure

These are some bad balls

Outside of Penn Quarter’s newest eatery, passers-by cannot help but do a double take at the window front of 626 E Street NW, which exclaims “BALLS” in bold-set type. It... Read more

By Mary Borowiec November 17, 2011

Leisure

Idiot Box: Parks and defecation

As far as television goes, last night was pretty unremarkable—just your regular Wednesday night fare, plus a season finale or two, given the time of year. So it’s funny to think that just a few months ago, people all over the Internet were predicting that November 16 would bring the apocalypse of the televised world: the end of South Park.

By Leigh Finnegan November 17, 2011

Leisure

Critical Voices: Los Campesinos!, Hello Sadness

Welsh indie-pop band Los Campesinos! has just put out their fourth album in four years. While some artists choose to evolve their sound dramatically between each release, Los Campesinos! have opted to stay more or less the same. Hello Sadness is in many ways the same album as the band’s first effort, Hold on Now Youngster—lead singer Gareth Campesinos! is still rambling through eclectic lyrics about love and loss.

By Michael Mouch November 17, 2011