Argylle is all style, little substance, and perhaps too much spycraft

Argylle tries to blend too many tones, genres, and narrative elements at once, and fails to achieve any of them

By Zachary Warren February 18, 2024

For Native actors on the rise, Killers of the Flower Moon is a “career-maker”

Collins and Means are proud of their work and hope it can inspire both more films about Native Americans and more projects that feature Native actors.

By Maanasi Chintamani February 13, 2024

Leisure

Poor Things is a philosophical odyssey draped in aesthetic allure

Rich with existential themes, the movie’s fantastical visuals contrast its serious moral propositions.

By Elspeth Campbell February 2, 2024

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The Boy and the Heron is Hayao Miyazaki’s triumphant swan song

Miyazaki's outdone himself one last time—The Boy and the Heron is a heart-wrenching, whimsical, and brilliant tale of grief and resilience.

By Eileen Chen January 19, 2024

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With a knockout cast and screenplay, The Iron Claw tackles American entertainment head-on

The real villain of Durkin’s tale is not Fritz or the NWA, but what they symbolize: A hyper-masculine ideology that pushes boys and men to the brink, making perfect fodder for the American entertainment industry.

By Maya Kominsky January 13, 2024

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Boys in the Boat brings a Depression-era underdog story to the sport of rowing

The team's underdog status brings a sweetness to the film that is just enough to make you forget that you don’t know most of the rowers’ names.

By Eileen Miller December 27, 2023

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Dolls and desires: Unraveling the layers of girlhood in Sofia Coppola’s Priscilla

Sofia Coppola's adaptation of Priscilla Presley's memoir exposes the glamorized lures of love and belonging that infiltrated her girlhood.

By Madison Cheng November 28, 2023

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In her visually stunning thriller Saltburn, Emerald Fennell boldly interrogates facade

Saltburn is a stirring investigation of external beauty and the insidiousness that foments beneath it.

By Maya Kominsky November 27, 2023

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Killers of the Flower Moon exploits Osage suffering for shock value

Killers illuminates an overlooked history, but ultimately, the film still sees a white director prioritizing the perspective of a white perpetrator.

By Maanasi Chintamani November 17, 2023

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Anatomy of a Fall is an autopsy of a marriage story

Anatomy of a Fall starts like a murder mystery, but gradually it discloses the more intimate, painful details of a family.

By Christina Pan November 15, 2023

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Saw X brings you grotesque gore in 4k, but falls slightly flat

Fan or not, Saw X will make you absolutely squirm in your seats, especially if you can handle it in 4K.

By Mia Boykin October 25, 2023

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Dumb Money is a smart movie about the stock market and the power of Reddit

If you mix up Jimmy Buffett and Warren Buffett, or if you’re simply in the mood for a good underdog story, Dumb Money will be right up your alley.

By Maanasi Chintamani September 18, 2023

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My Big Fat Greek Wedding 3 is a sincere tribute to Greece, family, and Windex

My Big Fat Greek Wedding 3 retains the charm and character of the first two films, while diving deeper into the darker themes of grief and belonging.

By Francesca Theofilou September 11, 2023

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Bottoms: In defense of “ugly, untalented gays”

Brought to life with a hearty dose of queer teen drama, hilarious antics, and endless quotable lines, Bottoms is sure to become an instant classic.

By Sophie Molitor and Kennedy Jackson September 8, 2023

Leisure

Barbie: A hot pink return to monoculture

This summer, however, pink has dominated in both the box office and the zeitgeist—so much so that it may have temporarily revived the Anglo-American monoculture.

By Francesca Theofilou August 29, 2023