Music


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Laufey’s spell-binding Bewitched is akin to a storybook fairytale

On Bewitched, Laufey invites you to float up into her fantasy world, reminding us of the transportive magic of jazz.

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Victoria Monét stealthily taps into her starpower on JAGUAR II

On Jaguar II, Monét demonstrates mastery over R&B, bending the genre to her will while tapping into other sounds to further mold the album’s tropical feel.

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On his self-titled album, establishment-rejecting singer-songwriter Zach Bryan turns inward

Bryan’s second official album is a triumph of authenticity and self-examination in a concise format.

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Olivia Rodrigo unleashes her bloody female rage

On GUTS, the 20-year-old pop superstar bares the ugliest, messiest parts of herself in a staggeringly sophisticated work of pop-punk perfection.

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Reneé Rapp’s Snow Angel will melt your icy heart

Snow Angel is the perfect companion to keep you warm through the cold months ahead.

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With Speak Now (Taylor’s Version), Taylor Swift says “Long Live” to an iconic album

Speak Now (Taylor's Version) represents the pinnacle of Swift’s preoccupation with using her music to connect with fans and control her own narrative.

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Fall Out Boy returns to pop-punk mastery on So Much (For) Stardust

If a little pop punk and old-school emo have been missing from your life, So Much (For) Stardust is exactly what you need.

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On UGLY, Slowthai lets it all out

Slowthai’s dogged insistence on finding joy is deeply hopeful, and his commitment to exposing the ugliest parts of himself is undeniably cathartic.

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Step into Kali Uchis’ fantasy garden on Red Moon in Venus

Her third studio album, Red Moon in Venus (2023), is the most mesmerizing yet.

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Lana Del Rey takes the sad girls to church in Did you know that there’s a tunnel under Ocean Blvd

While a tunnel under Ocean Boulevard suggests a hidden complexity to the physical plane, the album also demonstrates an added layer of complexity in its production.

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10,000 gecs: So many gecs, so little time

In 10,000 gecs (2023), Laura Les and Dylan Brady take their maximalist and absurdist sound to a whole new level.

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Miley Cyrus’ Endless Summer Vacation is right on time for you to ditch that spring fling

When Cyrus released her eighth studio album Endless Summer Vacation, it was no surprise that it displayed the star’s many powerful facets as an artist—be it as a popstar, balladeer, or soulful rockstar.

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This Is Why is the raging return of rock royalty

This Is Why is the explosive yet polished result of six years’ worth of pent-up emotion.

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Lil Yachty’s Let’s Start Here. courageously ventures into uncharted waters

Let’s Start Here. is a groundbreaking and delightfully experimental soundscape that draws upon pop and psychedelic rock.

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Måneskin’s latest album gives the glam-rockers a Rush! to the top

With their first studio album since their Eurovision victory, Måneskin is making a bid for global recognition.

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SZA’s SOS pushes R&B boundaries in her vulnerable exploration of self-worth

SZA’s musical and lyrical brilliance work together to create an album that was well worth the five-year wait.

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Meghan Trainor’s Takin’ It Back is a little bit of a trainwreck

As could be inferred by its not-so-subtle title, Takin’ it Back tries to take us back to Trainor’s glory days.

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If Joji’s SMITHEREENS accomplishes anything, it’s making his audience cry

The majority of SMITHEREENS feels reminiscent of (and even indistinguishable from) Joji songs we’ve already heard. 

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Growing up, not growing old: Phoenix shimmers on Alpha Zulu

Ultimately, the band maintains their expressive, ambiguous lyricism but showcases it against a glitzier background.

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Cavetown’s worm food is for deteriorating and decomposing—in a (mostly) good way

In general, Cavetown’s music has an almost otherworldly quality, like a reality slightly suspended from this one, and his latest album worm food is no different.