Leisure

Reviews and think pieces on music, movies, art, and theater.

Leisure

Leibovitz journeys from Lennon to landscapes

If there’s one talent that photographer Annie Leibovitz is known for, it’s capturing the essence of celebrity. Her daring portraits of famed figures from John Lennon and Yoko Ono to a very pregnant Demi Moore are nothing short of iconic, imbued with a raw intimacy that lays these stars bare in more ways than one. The living legend has shot countless covers for such magazines as Rolling Stone and Vanity Fair, and has become a household name for her dramatic yet personal portraits.

By January 26, 2012

Leisure

Neeson’s on Team Jacob

The odd phenomenon of Liam Neeson as an action franchise star doesn’t quite make sense, but it is undeniably fun to watch. He assailed his victims with both brawn and brogue in 2008’s Taken, and continues this rampage in his latest flick, The Grey. Directed by Joe Carnahan (The A-Team), The Grey is a survival thriller that builds steadily before ultimately falling flat, proving there are limits to the novelty of Neeson as a bona fide ass kicker.

By January 26, 2012

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Pie Sisters grab a slice of M Street

There’s only one word fit to describe Pie Sisters: Adorable. Everything about M Street’s newest bakery, from its tale of sisterly success to the miniature “cuppy” pies on display inside the store, is nothing short of gooey and cute.

By January 26, 2012

Leisure

Even Burr would duel you for these burgers

It’s 3 a.m. on a Monday morning, and you’ve got a perfectly understandable craving for sushi, a burger, and some chocolate chip pancakes. While this hankering may have seemed unattainable in the past, it can now be easily fulfilled at any time of day, any day of the year, and all thanks to the man on the ten-dollar bill.

By January 26, 2012

Leisure

Box Office, Baby! Trailer trash pollutes cinema

Watching a crowd walk out of a movie theater provides an instant litmus test for a film’s success. Groups of friends usually huddle together to debate a film’s merits, except in those rare occasions when a movie leaves them speechless—imagine the scene after a premier of 2001: A Space Odyssey or Apocalypse Now. Regardless, there should a knee-jerk reaction; you watch a film, and you judge it. Recently, though, the process has been reversed: people watch trailers over and over on the internet and pass judgment on a film before they’ve seen the real thing. As a trailer addict myself, I’ve found myself enjoying movies less and less recently. Going to a movie just seems like setting myself up for an inevitable disappointment.

By January 26, 2012

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Trash Talk: Monochromatic matchmaking

For better or for worse, America is hooked on The Bachelor. The long-running matchmaking experiment, which brings together one handsome young single man and 32 neurotic women in the hopes of fostering matrimonial bliss, has proven one of the most successful franchises in the history of reality TV. With age-defying host Chris Harrison in tow, the show’s team has figured out the perfect formula of exotic destinations, outlandish dates, and emotionally unstable—and often intoxicated—bachelorettes to create a phenomenon that continues to thrive despite its meager nuptial success rate. Nevertheless, The Bachelor strikes a chord with viewers because, at its heart, it presents America with an idyllic image of true love (at least while the cameras are rolling) that in some small way mirrors all of our hopes for our own fairytale endings.

By January 26, 2012

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Critical Voices:Human Again, Ingrid Michaelson

Known for her straightforward and light-hearted lyrics—including “I’d buy you Rogaine, when you start losing all your hair”—Ingrid Michaelson reveals a new side of her music in her latest release, Human Again. Aptly titled, Human Again keeps with the nature of her honest lyrics while experimenting more musically than she has in previous albums. Though the album resonates with a sound that is distinctly “Ingrid,” Michaelson moves away from her typically ukulele-driven melodies and toward more serious and emotional ballads that reflect the depth—and the limits—of her repertoire.

By January 26, 2012

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Critical Voices: Emotional Traffic, Tim McGraw

After a 19-year relationship, Tim McGraw and Curb Records are finally parting ways. The record label recently lost its bitter two-year legal battle with the country star, leaving Emotional Traffic the last McGraw album it will release. Unfortunately, the LP falls slightly short of the success that most fans expected.

By January 26, 2012

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Critical Voices: Cloud Nothings, Attack on Memory

On Cloud Nothings’ first two albums, Turning On and Cloud Nothings, Dylan Baldi’s band was saddled with the classifier “lo-fi pop,” a term that wasn’t really inaccurate but didn’t quite do justice to the band’s unique sound. It’s true that most of Baldi’s songs were hummable two-and-a-half minute jams coated in a reverby distortion haze or blazed-out, melodic mumblers. Even so, there was a kinetic anger behind the endless progression of catchy bridges and hooks. It was Wavves via the Pixies via No Age. “Lo-fi,” sure, but there was something deeper going on than “pop.”

By January 19, 2012

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Critical Voices: Bombay Bicycle Club, A Different Kind of Fix

Despite their young career, the members of the Bombay Bicycle Club have proven themselves worthy of recognition through a rapid-fire series of successful indie albums. Their latest release, A Different Kind of Fix, follows 2010’s Flaws and 2009’s I Had the Blues But I Shook Them Loose, both of which reached the top fifty on the UK Albums Chart. Thankfully, Fix lives up to the standards set by both the band’s previous successes.

By January 19, 2012

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God Mode: Tiny Tower‘s big break

The iPhone might be the most popular video game system of all time. It almost definitely is when lumped in with the iPad and iTouch—Apple had sold 250 million of its iOS devices in October of last year, a total that has surely skyrocketed after the holidays. To put that in perspective, the PlayStation 2, the best-selling traditional video game console of all time, barely surpassed 150 million units sold in its lifetime.

By January 19, 2012

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Blast that Box: 99 problems, but the rich ain’t one

“Gotta give us what we need/ Our freedom of speech is freedom or death/ We got to fight the powers that be.” When Public Enemy used these words in 1989 to command their fans to “fight the power,” they could not have guessed that their message would be embodied by a global movement more than two decades. But four months ago, the Occupy Wall Street protests burst onto the scene with a flurry of media coverage, and since then, terms like “Occupy” and “the 99 percent” have unquestionably become part of our lexicon. The Occupy movement has managed to gain universal attention, garner celebrity support, and even shape America’s political debates. Unsurprisingly, rappers have also attempted to ingratiate themselves with the movement.

By January 19, 2012

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Nomadic’s acts are Un-f**king-Believable

“I was high as heck and I just wanted to love things.” Channeling a well-intentioned hippie at the beginning of the production, it’s a shock to see Addison Williams (COL ’14) morph into a sociopathic killer in the span of a few short hours. Yet Nomadic Theatre’s Night of One-Act Plays encourages this kind of versatility. While he plays the lovable Truman in John Behlmann’s Un-f**king-Believable, Williams casts off the character to take on a darker role in Neil LaBute’s Coax. Brought together on a sparse stage, the plays in Nomadic’s Night of One-Acts don’t sync together intuitively, but they combine to provide the audience with a wonderful range of theatre.

By January 19, 2012

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Unbuilt Washington: A new type of rejection

People sometimes take Washington D.C. for granted, but it’s beautiful—the manicured grass lawns surrounding the mall, the minimalist Washington Monument, the simple yet dignified White House, and the famed cherry blossoms bordering the tidal basin. But what if the grassy plane of the national mall were flooded with water à la Venetian canals, and Congresspeople were carried in paddleboats to the different federal departments? Or if walking across the Ulysses S. Grant Memorial Bridge, bookended with two gothic towers straight from Medieval England, you were met with a pyramid-shaped version of the Lincoln Memorial, seemingly plucked out of Egypt?

By January 19, 2012

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A journey through grief and New York

According to the “seven stages of grief” theory, dealing with loss typically means journeying through different emotions—from shock and denial to pain and guilt—experienced before acceptance. In Extremely Loud and Incredibly Close, though, nine-year-old Oskar Schell’s own path is anything but linear. Looking through Oskar’s eyes, Extremely Loud and Incredibly Close director Stephen Daldry deftly handles this fragile material and crafts a cinematic adaptation true to Jonathan Safran Foer’s novel.

By January 19, 2012

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Tinkered and tailored to perfection

Though Intro to International Relations professors may paint the Cold War as a nostalgic period of simple bipolarity, in Tinker Tailor Soldier Spy, the period’s politics were anything but straightforward. The Cold War of British novelist and retired spy John le Carré is dizzyingly complex, and offers no reassurances of the West’s moral superiority. Swedish director Tomas Alfredson is the latest to take on le Carré’s work, adapting his novel Tinker Tailor Soldier Spy into a film with a star-studded cast led by Gary Oldman. Thankfully, Alfredson abandons none of the book’s complexity in this stylish, throwback spy flick.

By December 1, 2011

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These digital canvases fail to inspire

For an exhibit entitled A Theatre of Objects, artist Andy Holtin’s collection of video channels at Flashpoint Gallery near Mount Vernon does little to entertain or stimulate the viewer beyond its original use of media. Using a trio of varying yet simplistic scenes, Holtin attempts to “understand and narrate human interaction and intent, even with the vaguest of clues.” A secondary goal is to reevaluate the role of the video equipment itself, making it a dynamic medium rather than simply stationary machinery. While this objective adds an intriguing dimension to the favored medium of our YouTube generation, it fails to make up for the lack of captivating content in the scenes themselves.

By December 1, 2011

Leisure

Wheatgrass shots, limes, and carrotinis

At Georgetown, we live on a campus where most beverages are either caffeinated or alcoholic (or, in the heyday of Four Loko, both). So D.C.’s latest food truck, Juice Revolution, can offer Hoyas a new, healthy and refreshing drink option—live juice. Instead of prepackaged juice, which is inevitably pasteurized, Juice Revolution offers its patrons a series of live juices packed with vitamins and antioxidants made from fresh fruits and veggies.

By December 1, 2011

Leisure

Critial Voices: Trey Songz, Inevitable

When Trey Songz rocketed to mass popularity in 2010 with hit singles “Say Aah” and “Bottoms Up,” he set a high standard for his music. With the internet buzzing with speculation about Chapter 5, his upcoming 2012 studio album, the five-track EP Inevitable provides a clear preview of Songz’s newest work. Unfortunately, Inevitable without question misses the high mark of his 2010 singles, and what remains is a steaming pile of rap that leaves former fans praying that the inevitable transformation of the EP into Chapter 5 never comes.

By December 1, 2011

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Critical Voices: Curren$y, Jet World Order

In concept and construction, the latest album from prolific rapper Curren$y, Jet World Order, is a lot like Lil’ Wayne’s We Are Young Money or Jay-Z’s The Dynasty: Roc la Familia—albums worth of tracks from associates and labelmates, with different artists featured in various combinations in each song. An album of this type usually works nicely because it gives listeners the opportunity to listen to a familiar artist while exposing them to the stylings of associated up-and-comers. Unfortunately, on Jet World Order, Curren$y himself only appears in three of the album’s twelve tracks, and without him the other artists fail to hold up.

By December 1, 2011