Leisure

Reviews and think pieces on music, movies, art, and theater.



Leisure

Critical Voices: Feist, Metals

Metals sounds as if Feist drove away from home in a car filled with every instrument she could find at the flea market. She went into the Canadian wilderness and made music with anyone she met out there. At least, that’s what it looks like from the album cover with her chilling out on a tree limb.

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Critical Voices: Blink-182, Neighborhoods

After eight long years of uncertainty and chaos, Blink-182 has returned with Neighborhoods, the group’s first full-length album since 2003. Though numerous botched attempts at a comeback seemed to signal the band’s dying moments, Neighborhoods explodes from the ashes of heated arguments and broken friendships to proudly declare, as vocalist Mark Hoppus did at the 51st Grammy Awards, “Blink-182 is back!”

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Free music that won’t get you sued by the RIAA

After a long week of classes and gloomy weather, this weekend comes as a welcome break. But why put yourself through another listen of “Party Rock Anthem” when you could be stomping your feet to lyrical Brazilian “choro” music? Whether you’re a music buff or simply looking for a new and exciting beat, head over to McNeir Auditorium in New North at 1:15 p.m., where Rogerio Souza and his colleagues are sure to deliver an entertaining afternoon. The best part? It’s completely free.

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Don’t let Real Steel‘s robots steal your money

It’s hard to expect a movie centering on the world of robotic boxing to be top-notch cinema, but somehow even Hugh Jackman’s rugged Australian charm can’t save Real Steel, a wannabe action flick with flawed plot and mediocre acting.

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ShopHouse: all spice and no nice

For most college students, Chipotle represents a paradise of fat, guacamole-stuffed burritos, and bowls that satisfy their appetite without murdering their wallet. But fans of the chain’s gloriously simplified Mexican cuisine may be surprised and slightly confused to learn that last Thursday, the company opened a store focused on Asian cuisine—ShopHouse Southeast Asian Kitchen in Dupont Circle.

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China-fest at Kennedy

Surveying the broad developments in Chinese art in recent years, the Kennedy Center is hosting the ongoing festival China: The Art of a Nation this month. Presented in partnership with the People’s Republic of China’s Ministry of Culture, the exhibition features the work of 300 contemporary and performing artists. The event comes nearly six years after the Kennedy Center’s groundbreaking Festival of China, which brought international recognition to scores of native Chinese artists.

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Idiot Box: The sitcom that wasn’t shit

This week, the Internet has been abuzz with Emmy reactions. “Game of Thrones!” “Why didn’t Mad Men get any acting awards?” “Why do people still think Glee is funny?” But among all this hubbub, when you actually look at the winners, something fascinating comes to light—the night’s most successful show wasn’t a high-budget cable period piece, or a tried-and-true office comedy, or a bloody, serial killer drama (I know Dexter season five sucked, but seriously, Michael C. Hall deserves at least a pat on the back). It was…a network family sitcom?

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Throwback Jack: When Rats ruled the Hilltop

Today, faculty at Georgetown take the student Code of Conduct quite seriously, doling out fines, written reprimands, and work sanction hours. Yet when it comes to run-ins with the law our 19th century counter-parts were battling a much stricter set of rules. Still, their prescribed punishments did not prevent these distant Hoyas from having their fun.

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Critical Voices: Wilco, The Whole Love

While the release of a eighth album may suggest a band’s unwillingness to retire, with The Whole Love, alternative veterans Wilco prove that they’re creative juices are still running strong. Continuing to avoid a defining genre, Wilco remains nestled somewhere between pop, alternative rock, and indie, once again incorporating new instruments and experimental sounds to live up to their continuity-through-change reputation.

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Critical Voices: Clap Your Hands Say Yeah, Hysterical

For a group that started out as an internet buzz band, music blogs have been pretty quiet about Clap Your Hands Say Yeah’s new album, Hysterical. Where the band succeeded by keeping it simple but original, this new album disappoints by kicking up production and burying its tried and true style, ending up sounding like a singing telegram to later releases by The Killers and U2.

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Drive blends the bloody and the beautiful

There’s a scene in Drive where Ryan Gosling and his love interest share a passionate, climactic kiss. Then Gosling ruthlessly proceeds to kick a thug’s skull in. This combination of excessive violence and theatrical set-ups gives Drive a gritty, gore-is-good charm. With quiet, tension-building scenes interrupted by gut-wrenching violence, the film pays tribute to classic car-chasers like Bullitt while mixing in the satirical wit of Tarantino. Danish director Nicolas Winding Refn’s final product is a stylish, bold, and brutal film, filled to the brim with superb acting and beautiful cinematography.

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District of Pi: pizza and politics at their best

By now, most of us have picked out our favorite spot for a dose of cheesy pizza goodness. Some of the less adventurous, such as my gastronomically uninclined roommate, frequently turn to boring chains like Pizza Hut or Domino’s. For pizza snobs, this type of behavior is unacceptable, so it comes as a relief to learn that our president’s taste is a little more sophisticated.

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Houston, we have a soda

Leo J. O’Donovan Dining Hall has turned a new page. While complaining about Leo’s is a Georgetown pastime, the cafeteria has finally struck a change that will last. And no, we’re not talking about vegetable-infused water. We’re talking about the Coca-Cola Freestyle, the high-tech soda-bot next to the ice cream station. Overnight (or at least over the summer), Leo’s has entered the space age.

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A glimpse into middle America

In a small but compelling collection of large-scale landscape paintings, D.C.-born artist Ben Ferry succeeds in capturing the essence of his travels to the American Midwest. His exhibit, Upper Middle, featured in the Walsh Building’s Spagnuolo Gallery is relatively small, including only ten paintings, but each of the works is brilliant. Ferry’s merit lies in his ability to transport the viewer from D.C.’s urban chaos to the forgotten worlds of America’s past.

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Whiskey Business: Two sharks walk into a bar

“If you took a cab here, you don’t belong here.” So says one of what must be a million articles of graffiti on the bathroom wall at The Raven Grill, one of D.C.’s dive-iest bars. Although this quote nicely sums up the general atmosphere, it is difficult to describe exactly what makes a bar a dive. Like pornography, I know it when I see it. But there are a few generally accepted principles that all dive bars—or at least the good ones—have to follow.

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Byte Me: Google Plus doesn’t add up

I logged into my Google Plus account today for the first time since August 15, only to find that during the past month, I had missed absolutely nothing. During the time that my account went completely unused, there were four new posts in my “stream,” the Google Plus equivalent to the Facebook newsfeed.

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Critical Voices: Kasabian, Velociraptor!

After a two-year wait, English rockers Kasabian have released their fourth album, Velociraptor!, but contrary to the title, the album is an electronically-charged shift to contemporary music, not an homage to Jurassic Park. While showing off Kasabian’s trademark versatility, Velociraptor! maintains enough of the group’s pumping beats and straightforward guitar riffs to keep its older fan base on board for the ride.

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Critical Voices: The Kooks, Junk of the Heart

Loyal fans of British indie darlings The Kooks will thoroughly appreciate their third album, Junk of the Heart, an album teeming with the upbeat, whimsical music that made their first two efforts hits. But where Junk succeeds in melodies, its cynical lyrics are an unwanted change to the group’s trademark buoyant subject matter.

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Damon breathes life into Contagion

Don’t panic—seriously. In Steven Soderbergh’s Contagion, the CDC proves to handle a horrifying killer virus with blockbuster-defying competence. The lab researchers deftly work towards a vaccine, the World Health Organization pinpoints the source of origin with ease, and only Congress appears to fail miserably in its attempt to convene over Skype.

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lez’hur ledger: Crunkcakes: baking with booze

It was a rainy Wednesday, and I felt lucky to stand under the awning of the Rock N Roll Hotel, staying as dry as I could. I was nervous because my contact, Raychel Sabath, one of the two founders of Crunkcakes, was out of the office. She did not pick up her phone when I called, and I was beginning to worry that I wouldn’t get what I had driven across town for.