Leisure
Thecontrollersphere, the latest EP from indie pop staple Of Montreal, is in many ways a compilation of rejects. Clocking in at only 23 minutes, the five-song record was primarily composed of tracks cut from their last release, the critically-acclaimed False Priest. Sadly, while False Priest witnessed the band successfully blending funk, electronic, and R&B influences, the tracks that made it onto TCS don’t mesh nearly as well, and the EP feels discordant as a result. But the news isn’t all bad—in fact, this lack of cohesion makes TCS interesting, in a clinical sort of way.
By
Samuel Buckley
March 24, 2011